This 1961 edition of Pictorial Parade visits Western Samoa shortly before it gains independence from New Zealand. Locals are seen voting in the May referendum, where a huge majority voted to self-rule. Surgeon Ioane Okesene and his large family feature in this newsreel; daughter Karaponi is filmed marrying her Kiwi partner Bill McGrath in Apia. (Trivia fact: Rugby legend Michael Jones' mother, Maina Jones, is among the wedding guests.) Western Samoa's close ties to Aotearoa are highlighted, with stories of locals moving downunder to study, such as medical student Margaret Stehlin.
This documentary follows the build-up by the Auckland Warriors to their first match in Australia’s National Rugby League competition (against the Brisbane Broncos). They are the first offshore club to compete in the NRL. The excitement and routines of a burgeoning pro sport franchise — from training to brand development — are captured alongside player profiles: Dean Bell is captain, coach is John Monie, and future Kiwi league legend Stacey Jones is an 18-year-old rising star. Presented by Temuera Morrison, the score is hard rock, and the jersey sponsor is DB Bitter.
Presented by Niuean broadcaster Foufou Susana Hukui, this first episode of the long-running Pasifika current affairs series includes items on Cook Islands dance, the “Otara flea market”, and NZ work schemes for islanders. Samoan Maligi Elvie presents South Pacific news, while Vainetutai Temaeva-Nicholls covers the Cook Islands. Debuting on 4 April 1987, the TVNZ series broke ground as the first NZ television show to focus on PI stories (earlier show See Here was aimed at both Māori and Pasifika audiences). Researcher Iulia Leilua went on to report for Native Affairs.
Actor Robbie Magasiva and discus champ Beatrice Faumuina oversee this hour-long Tagata Pasifika 20th birthday celebration. Presenters past and present survey changes in the Aotearoa PI community over the show’s run: from education, arts and culture (Ardijah, OMC, Michel Tuffery’s corned beef bulls and the Naked Samoans), to political pioneers (Mark Gosche, Winnie Laban), and sports heroes (All Black icons Jones, Lomu and Umaga). Among those talking about the show’s importance to NZ Pasifika culture are Helen Clark, Annie Crummer and many others.
Sima Urale, Samoa’s first female filmmaker, has brought touching stories of Pacific peoples to the screen, often from an NZ outsider’s point of view. Urale credits her film success to determination and dealing with social issues close to her heart. Her lauded shorts (O Tamaiti, Still Life) were followed by her 2008 feature debut Apron Strings. Urale has also spent time as head tutor at Wellington's NZ Film and Television School.
Globetrotting New Zealander Len Lye was a gifted innovator in many areas of the arts — film, painting, sculpture, photography, and writing. Inventing ways to make films without a camera, he became one of the pioneers of the genre later known as the music video. Later he moved to New York's Greenwich Village and became a leading figure in the kinetic art movements of the 1950s and 60s.
Simon Price grew up in Dunedin. Named most innovative graduate at Melbourne's VCA Film School, he worked in Australia for many years as a writer/director, editor and video artist before returning home to help edit King Kong. Price's feature editing credits have since included Blackspot, landmark Samoan drama The Orator, Cambodian-set fable Ruin, Pā Boys, and docos Last Men Standing and Antarctica: A Year On Ice.
A pioneer of New Zealand film and star of 1940 classic Rewi's Last Stand, Ramai Hayward is credited as Aotearoa’s first Māori filmmaker, camerawoman, and scriptwriter. At the 2005 Wairoa Māori Film Festival she received the inaugural Lifetime Achievement Award for her contributions to Māori filmmaking; the following year Hayward was made a Member of the NZ Order of Merit. She passed away on 3 July 2014.
A passionate advocate for Māori creative control, director Merata Mita (1942 — 2010) chronicled landmark moments of protest and division in Aotearoa. Her work included Patu!, a documentary on the 1981 Springbok tour, and Mauri (1988), only the second feature to have a Māori woman as director. She features in documentaries Merata: How Mum Decolonised the Screen and Merata Mita - Making Waves.