This National Film Unit newsreel offers a wide-ranging look at ‘the national game’ in 1966. A muddy potted history (scored to rugby folk song ‘On the Ball’) rakes from the age grades to a Ranfurly Shield match, to the apex: the All Blacks. Ex-All Black fullback Bob Scott talks about the need for ‘four stone bantams’ to enjoy the game, while fellow AB Don ‘The Boot’ Clarke discusses the problems for a country player; Wellington College’s 1st XV plays a ‘traditional’ against Nelson in front of a mass haka on the terraces; and club players explain why they play (“it’s a manly game”).
In director Grant Lahood's 2013 Tropfest NZ entry a young boy takes Kiwi ingenuity to the next level by creatively adapting his gumboots to net sporting victory. But it’s a risky move. Sprung marks a return for Lahood to his dialogue free short film beginnings (eg. Cannes award-winner The Singing Trophy, and his debut Snail’s Pace). Like those shorts, Sprung has a devilish sense of humour, and a crisply edited contest of wills. The ode to the courage of the young and the unpredictability of science was scored by veteran film and TV composers Plan 9.
Young Geoff Garlick reckons he's developed a game-winning move - the 'Garlick Thrust' - for his schoolboy rugby team, but the Saturday he hopes to show it off to his dysfunctional family they're more interested in the Springbok match. The national loss of innocence the '81 tour represented is captured in an end scene, where Geoff and his weeping Dad (Michael Noonan) are intercut with clips of a notorious stand-off between tour protestors and rugbyheads. Written by playwright Bruce Mason, this was one of a three TV dramas written as he was battling cancer.
In The Tem Show Temuera Morrison interviews and hangs with his entertainment whānau. This 'revenge of the bros' episode sees Tem korero with Kiwis involved in the Sydney-shot Star Wars chapters: he hakas with Jay Laga'aia and Bodie Taylor and cooks some eggs for Rena Owen in LA. He also meets George Lucas and gets cloned at Skywalker Ranch. Other guests in the series include uncle Howard Morrison, coaching Rotorua schoolboy rugby with Buck Shelford. This was Prime TV's first publicly funded local programme, and replayed on Māori Television.
This documentary follows the then world champion All Blacks on a 1989 tour of Wales and Ireland. With star winger John Kirwan as guide, 'The All Black Film Unit' gives a players’ insight into an international tour in pre-professional, pre-media trained times — there’s even a plate of oranges. Match, training, and travel footage is complemented by relaxed encounters with players (Zinzan Brooke mounting a shetland pony has entered rugby folklore). Producer Ric Salizzo repeated the recipe — sports fandom mixed with schoolboy pratfalls — in the successful Sports Cafe series.
Surveying All Blacks rugby from 1905 until 1967, this wide-ranging documentary is framed around the NZ Rugby Football Union’s 75th jubilee celebrations. The archival gold mine includes matches from the 1905 Originals and 1924 Invincibles tours, and clashes with Springboks, British Lions, Wallabies and French rivals. There's also footage of NZ schoolboy and NZ Māori clashes, and a jubilee match with Australia. Funded by Caltex NZ, the documentary was made by legendary Pacific Films co-founder John O’Shea. Press on the backgrounds tab for a list — in order — of all the matches.
The follow up to 1989 tour doco The Good, the Bad and the Rugby sees winger John Kirwan narrate an insider’s guide to the All Blacks’ 1990 tour to France: from Michael Jones negotiating a haircut (“how do you say ‘square top’ in French?”) to 19-year-old Simon Mannix leading a ‘Ten Guitars’ singalong. Footy relics of the era include afternoon test matches, four point tries, placed kick-offs, sneaky ciggies and Steinlager. Producer Ric Salizzo later repeated the Pasta Productions’ recipe — sports fandom mixed with schoolboy pratfalls — in the successful Sports Cafe series.
Peter Metcalf has four decades of experience in making it all look seamless. After 20 years in state television, he became TV3’s first Head Video Editor in Wellington. His credits include classics like Country Calendar and Kaleidoscope, plus Great War Stories, 35 short documentaries for TV3 commemorating the First World War. He also helped launch successful post-production suite Blue Bicycle Flicks.
John Anderson got busy directing a run of television dramas in the 1980s, including award-winning Polynesian road movie Mark ll, and two of the final works by playwright Bruce Mason. The onetime actor reinvented himself as a documentary filmmaker in the 90s, then relocated to Kiribati, where he worked on more than 400 films covering everything from climate change to dance. Anderson died in Kiribati on 19 August 2016.
Jim Moriarty's screen career has ranged from 70s soap Close to Home and Rowley Habib's The Protestors, to starring in mock-doco The Waimate Conspiracy and playing Dad in The Strength of Water. Committed to theatre as a tool for change, he has often worked with troubled youth (eg 2003 documentary Make or Break). Moriarty's directing work includes TV's Mataku, and a stage musical of Once Were Warriors.