The Screaming Meemees (named for a 1960s toy machine gun) formed at Rosmini College in Takapuna and were at the forefront of a post-punk wave of new bands from Auckland’s North Shore in the early 80s. The band’s first proper release ‘See Me Go’ became the first NZ single to enter the charts at No.1 (helped by pre-sales and delivery delays) and was immediately deleted. A massively popular live act, they recorded one album If This Is Paradise, I’ll Take the Bag (a nod to TV's It’s In The Bag game show) for the Propeller label but disbanded in 1983.
This collection rounds up almost every music video for a number one hit by a Kiwi artist; everything from ballads to hip hop to glam rock. Press on the images below to find the hits for each decade — plus try this backgrounder by Michael Higgins, whose high speed history of local hits touches on the sometimes questionable ways past charts were created.
Auckland band The Screaming Meemees shared a 45 with The Newmatics before releasing this infectious ska-pop number which became an 80s classic. In August 1981 it was the first single to enter the NZ Top 20 at No.1 and they were rewarded with a breakneck trip to Wellington for a TVNZ video made at the Avalon Studios. More produced than many early 80s Avalon clips, it comes complete with masks, white roses, pooled water and a stained glass window (perhaps inspired by reports that the ex-Catholic school boys based their early songwriting on hymns).
Subtitled 'Waiting for Summer', this Radio with Pictures report looks at live pop music in Auckland in 1982. Chris Knox, Graham Brazier, Hammond Gamble, Ian Morris, Peter Urlich, Michael O'Neill (The Screaming Meemees) and Tony Waine (The Narcs) muse on everything from Auckland vs Wellington, oldies vs youth, to the weather’s impact on songs, and the lack of venues. There are visits to The Gluepot and Urlich’s A Certain Bar. Label directors, booking agents and managers give their (mostly downbeat) take on the state of the scene. Rip It Up editor Murray Cammick talks lyrics.
Cut from the thousands of titles available to view on NZ On Screen, this promo clip was put together for the occasion of the site’s 2015 redesign. Get a taste of the Kiwi screen magic made accessible to a million plus visitors a year, with a montage of iconic moments (from infamous pie-eating advice to the Wahine disaster), NZ heroes (Snell, Apiata), clips from classic film, TV and music videos (from Gloss to Once Were Warriors, Billy T to Boy), interviews with the people behind the productions, and screen taonga — from Tangata Whenua to Count Homogenized.
The Christchurch music scene of 1982 gets a once-over in this Radio With Pictures report. Rob White of The Star acts as critic and guide, describing what’s hot in the South Island’s biggest city. A young Richard Driver provides his insights into what makes Christchurch bands so good, while various out-of-towners marvel at the quality of the lighting and sound in the local live scene. Amongst the local bands in the spotlight are The Narcs, the short-lived Thanks to Llamas and the Dance Exponents, who less than four months before this appearance had released their debut single 'Victoria'.
This 1982 Radio with Pictures report surveys the Dunedin music scene, and the bands who are starting to be grouped together under the label ‘the Dunedin Sound’. Critic Roy Colbert discusses the influence of punk pioneers The Enemy and Toy Love, and the benefits of being outside fashion. A roster of future Flying Nun notables are interviewed, including David Kilgour, Shayne Carter, and Jeff Batts (The Stones). Martin Phillipps is psychedelic, and Chris Knox dissects the new bands’ guitar-playing style (without using the word "jangly"!). And then there’s Mother Goose.
This musical retooling of the ill-fated love story began life as a concept album by ex Screaming Meemee members Peter van der Fluit and Michael McNeill. In 2010 they sent 38 songs to director Tim van Dammen, who decided to retell Shakespeare's classic romance as "a sort of trash opera — like an updated John Waters type thing". A caravan park is the canvas for a cast of beautiful young things, pop, rap, knives and beer crates. NZ Herald's Dominic Corry praised the film for its "emotionally-assured grasp of what makes this famous story so enduring".
The Newmatics came out of a fertile post-punk early 80s Auckland music scene that also spawned Blam Blam Blam and the Screaming Meemees. Taking their cues from ska, r’n’b and soul, they were a fearsome live act — but managed to release only nine songs (including their enduring legacy ‘Riot Squad’ — synonymous now with the 1981 Springbok Tour). After their split in 1983, Mark Clare took up acting (he’s the bungy jumper in the classic Instant Kiwi ad), Kelly Rogers co-founded Rialto Cinemas and Ben Staples played with UK indie band The Woodentops.