The ‘Young Giant’ is Kaingaroa Forest: the largest plantation in the Southern Hemisphere, and one of the largest exotic forests in the world. 1,300 square kilometres produce “50 million cubic feet of timber a year” for pulp, paper, and building. Directed by Brian Cross, and made by the NFU for the forest’s then-managers — the New Zealand Forest Service — this documentary showcases the industry in the pines: scrub clearance for forest extension, burn-offs, machine planting, pruning, felling, grafting, and kiln-drying cones to extract seeds for sowing.
This Pictorial Parade visits the Auckland Athletic Champs at Eden Park, where a water-logged grass track makes the going tough. Peter Snell wins the half-mile and Murray Halberg the three-mile ("you know Mother I think he'll win" deadpans the narrator); then heads to the Bay of Islands for the 1st Underwater Fishing Champs, where a 235lb stingray is the biggest catch; and finally to the Turn and Gymnastic Circle of Hamilton, an acrobatic family fundraising for a world tour by scrub-cutting and pie-baking: "no job is too small or too big."
This Māori Television hit offers a down-home NZ Idol mixed with a little Fear Factor, as off the street talents sing three rounds of karaoke and try to win $1000. Hosts Te Hamua Nikora (Homai Te Pakipaki) and Luke Bird (The Stage - Haka Fusion) coax Lagitoa from Papatoetoe, Samantha from Pakuranga and Renee from Rotorua to belt out their favourite song. The show’s stripped back style allows lots of space for audience reactions (this time at Rotorua's night markets, and in Pakuranga). With encouragements in te reo and English, the contestants feel the fear and sing anyway.
This New Zealand Now edition looks at working dogs. A brief look at show dogs makes way for a Timaru sheep farmer conducting six border collies to round up a mob of ewes. Elsewhere pig dogs bail up a wild boar; rabbit hunters use spaniels to flush their prey; retrievers aid pheasant and duck shooters; and off goes the hare for the greyhound to chase. The attitude to imported species (seen as game rather than as environmental pests) dates the film to an acclimatisation society era, and the close relationship between man and dog provides enduring fascination.
In this fifth season episode of Māori Television’s hunting show, presenter Howie Morrison Jnr slings his rifle over his shoulder and heads to Taranaki to accept Matt Newton’s invitation to sample the region’s hunting experiences. First up, he sidesteps the bush bashing and heads into the skies with Precision Helicopters. After whakapapa stories over tea — World War II fighter pilots and deer recovery — the pair are inspired to go out and shoot down goats and stags. Then it’s wild bull in the scrub. ‘Today’s tip’ looks at bowhunting with Kevin Watson.
This film outlines the efforts to transform the “barren” pumice lands of the North Island’s Central Plateau into arable farmland. Once scientists discover the magic missing ingredient that will make the soil more fertile (cobalt chloride), the serious job of burning scrub, ploughing and sowing begins. The film uses a traditional 'triumph over nature' narrative, but director John Feeney makes elegant use of montage and composition. Author Maurice Shadbolt, who spent time working at the National Film Unit, regarded it as "without doubt the best film to come from the Unit".
In 1983, director Geoff Murphy stormed out of the scrub of the nascent Kiwi film industry with a quadruple-barreled shotgun take on the great New Zealand colonial epic. Set during the New Zealand Wars, this tale of a Māori leader (Anzac Wallace) and his bloody path to redress 'imbalance' became the second local film officially selected for the Cannes Film Festival, and the second biggest local hit to that date (after Murphy's Goodbye Pork Pie). A producer-driven recut was later shown in the United States. This 2013 redux offers Utu “enhanced and restored”.
This 76-minute documentary looks at efforts to restore the mauri (life spirit) of Northland's Lake Omapere, a large fresh water lake — and taonga to the Ngāpuhi people — made toxic by pollution. Simon Marler's film offers a timely challenge to New Zealand's 100% Pure branding, and an argument for kaitiakitanga (guardianship) that respects ecological and spiritual well-being. There is spectacular footage of the lake's endangered long-finned eel. Barry Barclay in Onfilm called the film "powerful, sobering". It screened at the 2008 National Geographic All Roads Film Festival.