Peter Jackson has gone from shy fanboy to master of his craft; from Pukerua Bay to Wellywood. With six journeys into Middle-earth now behind him, he has few peers in the realm of large scale filmmaking. Led by early 'behind the scenes' docos this collection pays tribute to PJ's journey, from re-making King Kong in his backyard to err ... re-making King Kong in his backyard.
Ever wondered why artist Peter Peryer photographed himself holding a chicken? This documentary provides the answer. Directed by Greg Stitt (Just Me and Mario), it traces the path of one of New Zealand's most significant, and intriguing, art photographers — from "crucified Christ to laughing Buddha" — through Catholic themes, to a more minimalist approach. Also showcased are some of Peryer's captivating images: the "bodies of work, families of photos, and images that rhyme". The photographer passed away on 18 November 2018.
This collection rounds up almost every music video for a number one hit by a Kiwi artist; everything from ballads to hip hop to glam rock. Press on the images below to find the hits for each decade — plus try this backgrounder by Michael Higgins, whose high speed history of local hits touches on the sometimes questionable ways past charts were created.
Margaret Urlich's first solo album Safety in Numbers went triple platinum in Australia, and took away three gongs at the 1989 NZ Music Awards. It was not her first brush with fame: Urlich had already scored hits with band Peking Man, and done her first stint with live favourites When the Cat's Away. Since then she has been mainly Australian-based, though she returned to NZ for third album The Deepest Blue (1995) and a production of Jesus Christ Superstar. In 1999 she covered her favourite Kiwi songs on Second Nature.
“Through falling leaves I pick my way slowly…” In 1970 a musical paean to getting your nature buzz topped the charts. ‘Nature’, by The Fourmyula, became a Kiwi classic: in 2001 an APRA poll voted it the best local song of the past 75 years. This 2010 Close Up report, from Auckland’s Montecristo Room, sees presenter Mark Sainsbury introduce the band's second performance of 'Nature' in Aotearoa (the band were overseas when it topped the charts). He quizzes composer Wayne Mason, and drummer Chris Parry recalls encountering The Clash while working in the English music scene.
Mike Chunn's post-Split Enz band was formed as a vehicle for his brother Geoff's songs and this single from their second album is the one they are best remembered for (placing 97th in APRA's 'Nature's Best' Top 100 NZ songs in 2001). It's a classic car-as-metaphor-for-love song (although the model in question sounds like it needs some work). The line "come and come get you" is apparently a sly reference to the very continental VW Kharmen Ghia. This TVNZ studio video captured their live energy but inexplicably put them in a graveyard set much to the band's dismay.
Central Otago’s broad, dry landscape is dominated by an extreme climate; it is scarred by wind, ice and industry. Deep mining shafts and long rusted sluicing guns pepper this second stage of Peter Hayden’s traverse across latitude 45 south. He visits the quartz covered Mt Buster, NZ’s highest diggings, where unseasonal blizzards often claimed miners’ lives. The layout of Naseby’s graveyard yields information on the hierarchy of the goldfields. The flora includes mountain totara, carnivorous sundews and a heather variety that grows horizontally. Hayden won a GOFTA award for his script.
This award-winning series took Wellington chefs Al Brown and Steve Logan out of their fine-dining restaurant, to experience the local in 'locally sourced' kai. In this second episode, Al and Steve head to Tangahoe up the Whanganui River, looking for wild pig with a couple of good keen men — Baldy and Moon. Logan is with the dogs on the boar hunt; while Al's on veggies at the markets, before hitching a flying fox to sample some freshly baked organic kumara bread en route up river. The bush tucker result? Cider braised pork belly with kumara and corn mash.
Boh Runga and Stellar* enjoyed a breakthrough year in 1999 with their synthesis of guitars and electronic beats realised on Mix, a chart topping debut produced by Tom Bailey (of Thompson Twins fame). Jonathan King's video for 'Part of Me', the album's second single, creates a repressive, futuristic world of glass, concrete and steel where the only plants seen are those grown in strictly controlled conditions. But in amongst the soulless conformity, surveillance cameras and sterile suits, it might be too soon to completely write off Mother Nature.
Flightless and nocturnal, the kākāpō is the world's heaviest parrot. By the 1970s the mysterious, moss-coloured bird was facing extinction, "evicted" to Fiordland mountains and Stewart Island by stoats and cats. Thanks to innovative night vision equipment, this film captured for the first time the bird's idiosyncratic courtship rituals, and the first chick found in a century. Marking the directing debut of NHNZ veteran Rod Morris, it screened in the Feltex Award-winning second season of Wild South, and won acclaim at the 1984 International Wildlife Film Festival.