Directed by Tainui Stephens, this 1990 TVNZ series surveyed Māori contemporary music. This second episode looks at the showband era (1950s - 70s), when musicians mixed genres (electric guitar, rock’n’roll) with Māori culture, to make a unique contribution to Kiwi show business. Acts like The Howard Morrison Quartet, The Māori Volcanics, The Quin Tikis and The Māori Hi-Fives took songs from marae to international cabarets. Music historian Chris Bourke praised the series for marking the role of showbands in the whakapapa of entertainers from Billy T James to Rim D Paul.

Having made a comeback after heart surgery in 1990, legendary entertainer Billy T James passed away in August 1991. Four years later that anniversary was commemorated with Billy T James - A Celebration. Hosted by Pio Terei, the special highlights some of Billy’s best moments of both comedy gold, and his vast talents as musician. Interviews with Billy T and his colleagues (including showband veteran Robbie Ratana, comedian Peter Rowley, and screen wife Ilona Rodgers) offer insight into the real man behind arguably New Zealand’s most beloved entertainer.

The meteoric career of one of NZ’s greatest entertainers is examined in this documentary. John Rowles went from a Kawerau childhood to stardom in London at 21; but, after headlining in Hawaii and Las Vegas, he saw it all slip away. Those roofing ads and near bankruptcy followed, but Rowles has retained his self belief and that voice. A stellar cast of interviewees analyse his strengths and weaknesses, including Sir Cliff Richard, Tom Jones, Neil Finn and late promoter Phil Warren. Amongst the star cameos, John’s sister Cheryl Moana explains the downside of his best-known local hit.

In this documentary Cherie James pays tribute to New Zealand’s best-loved entertainer, telling Billy T James story from a daughter’s perspective. Performers who worked with Billy in his showband The Maori Volcanics also share their memories, as do family members who reminisce about Billy's early life growing up in the Waikato. Cherie provides her perspective on the well-publicised arguments that occurred after his death and why it was so important for Billy to be buried beside his mother on the sacred Taupiri mountain overlooking Huntly.

“The big ALL FUN show for the whole family to enjoy!” said the ads for this musical comedy, which was one of only two New Zealand features made in the 1960s. Moving from Sydney to a Rotorua music festival, the plot follows the romance between a lively drummer (Gary Wallace) and Judy (Carmen Duncan), and the hurdles they face to stay true. This is only an excuse for a melange of madcap, pep-filled musical fun. Made by John O’Shea’s Pacific Films, the movie features performers Howard Morrison, Kiri Te Kanawa and Lew Pryme, plus distinctive graphics by artist Pat Hanly.

This Māori Television series aimed to celebrate Aotearoa’s "favourite party songs", through showband renditions led by the Modern Māori Quartet. Inspired by the great Kiwi garage party, each week the quartet (Francis Kora, Maaka Pohatu, Matariki Whatarau and James Tito) host special guests — some famous, some not —  who are invited to perform their favourite track. They include Temuera Morrison, Tina Cross, Ria Hall, Jan Hellriegel and Troy Kingi. The members of the "Māori rat pack" met at drama school Toi Whakaari. They were the houseband on short-lived variety series Happy Hour.

Kawerau-raised John Rowles was inspired to become a singer after witnessing Māori showbands like The Howard Morrison Quartet. Following varied musical ventures in Australia, he was invited to England by manager Peter Gormley, to join Gormley's roster of ballad singers like Tom Jones and Engelbert Humperdinck. Ballad 'If I Only had Time' got to three on the UK charts in 1968; fourth single 'M'Lady' did best in Aotearoa. In the 70s Rowles became a nightclub fixture in Honolulu and Las Vegas, punctuated by occasional NZ hits and tours. By the 80s he was living in Australia. His autobiography landed in 2012.

This seven-part documentary series chronicled the history of modern Māori music, from the turn of the century and Rotorua tourist concert parties, through to the showband era (Howard Morrison Quartet, Māori Volcanics, Māori Hi-Five) and reggae and hip hop. The programme ranged from ‘Ten Guitars’ to Tui Teka, from Guide Rangi doing poi to The Patea Māori Club, from opera singer Kiri Te Kanawa to Upper Hutt Posse, Ardijah, Herbs and Moana and the Moa Hunters. The acclaimed 1990 series was directed by Tainui Stephens (My Party Song, The New Zealand Wars).