Written by future Gloss creator Rosemary McLeod, this Television One sitcom satirised late 70s gender politics. It was filmed before a studio audience at Avalon Studios. In this episode, Ginette McDonald’s lippy feminist withholds the joy of sex from her hippy hubbie, and Bruno Lawrence (sporting a magnificent anti-comb over) is the unreformed motorhead neighbour whose hangover cure is beer and cornflakes. Lawrence’s larrikin performance in the show was spotted by director Roger Donaldson, who cast Bruno in his breakout lead role in a movie: Al Shaw in Smash Palace.
Month by month, this collection offers up NZ On Screen's most viewed clips for 2016. Alongside legendary adverts, the clips collection features talents lost to us over the year, from Ray Columbus to Martin Crowe and Bowie (via Flight of the Conchords). In this backgrounder, NZ On Screen Content Director Kathryn Quirk guides us through the list.
Great adverts are strange things: mini works of magic, with the power to make viewers smile, cry, and even buy. Kiwi directors have shown such a knack for making them, they've been invited to do so across the globe. But this collection is about local favourites; dogs on skateboards, choc bar robberies, ghost chips. NZ On Screen's Irene Gardiner backgrounds the top 10 here.
Musician turned TV producer turned radio presenter Simon Morris pops up among the Funny As interviews mainly to talk about John Clarke — one of the funniest guys Morris has ever met. Among the topics covered: How Morris and Clarke first bonded in a cafe at Victoria University Clarke's love of the way British comedian Peter Cook combined "low comedy and unbelievably high comedy at the same time...and that was John really" Joining Clarke for a badly-reviewed student extravaganza, where Clarke was one of the only standouts How hit TV show Gliding On (on which Morris directed) utilised the classic sitcom formula of a bunch of characters in a single setting, who irritate one another Working on the TV pilot for comedy group Funny Business, who arrived "just three years too soon" For more on John Clarke, check out this extended interview with Clarke's daughter, writer Lorin Clarke.
Rosemary McLeod devised sitcom All Things Being Equal and iconic 80s TV soap Gloss. Best-known for her outspoken columns, she talks in this extended Funny As interview about battling sexism in the 1970s, and more, including: Gloss being the most fun she had in her television career, and laughing uncontrollably with producer Janice Finn Being told her voice was too deep for the radio, because it would "make men think of bedrooms" Falling into journalism after submitting a piece to the Sunday Times about a weird weekend spent with hippies Memories — comedic and emotional — of her time in Australia writing and script editing sitcoms for the ABC Hating women being portrayed as passive and witless in 1970s TV comedies, which motivated her to write more complex parts (e.g. Ginette McDonald's character in sitcom All Things Being Equal) Finding her schtick of "offending and annoying" people, when she started writing and cartooning about feminists in The Listener
Millen Baird found comedy after deciding there was no future for him in being a tax accountant — yes, a tax accountant!
A Week of It was a pioneering comedy series that entertained and often outraged audiences over three series from 1977 to 1979. The writing team, led by David McPhail, AK Grant, Jon Gadsby, Bruce Ansley, Chris McVeigh and Peter Hawes, took irreverent aim at topical issues and public figures of the day. Amongst notable impersonations was McPhail's famous aping of Prime Minister Rob Muldoon; a catchphrase from a skit — "Jeez, Wayne" — entered NZ pop culture. The series won multiple Feltex Awards and in 1979 McPhail won Entertainer of the Year.
Youngsters Romeo, Ed, and Polly wait in two cars after dark while their parents are inside drinking. It’s a situation many Kiwis would recognise: cars without parents outside the bar or rugby club. Soon cross-car rivalry warms to budding friendship. Winning performances, and the tender mix of comedy and romance saw the tale of a Te Kaha pub carpark become an international hit. Two Cars won a boot-full of awards, launched Waititi’s career, and was the second New Zealand short to be nominated for an Academy Award. Waititi infamously feigned sleep during the 2005 ceremony.
These clips offer up a selection of Kiwi news bloopers. First, Sacha McNeil presents a retrospective of unscripted moments from TV3’s first 25 years of news: newsreaders sneeze and laugh, and reporters face rogue weather, animals, dance routines, and lashings of champagne from Olympic champions. Then presenter Hilary Barry laughs at inappropriate moments on The Paul Henry Show: she starts an extended battle with the giggles while mentioning All Black Waisake Naholo’s broken leg (2015). In 2016 she succumbs to laughter over an emergency defecation situation.
The varied CV of John Charles includes composing music for classic movies Goodbye Pork Pie, Utu and The Quiet Earth. Charles has worked in television on both sides of the Tasman, including time as head of entertainment for Television One, and directing duties on landmark drama series Pukemanu and comedy Buck House.