This post-war film was made to showcase New Zealand to UK audiences. Directed by Michael Forlong, the NFU film is a booster’s catalogue of contemporary NZ life. The message is that NZ is a modern pastoral paradise: open for business but welfare aware. Nature is conquered via egalitarian effort; air and sea links overcome the tyranny of distance; and science informs primary industry. Māori are depicted assimilating into the Pākehā world. Sport, suburbia and scenic wonder are touted, and an NZSO performance shows that the soil can grow culture as well as clover.
Recut from material shot at least five years before, this National Film Unit short appears to have been driven by the Tourist and Publicity Department. Coming in for praise are New Zealand’s primary exports (farm products), road and railways, and social security. In the 50s long distance air links were opening NZ up to the world but international tourism was not a major industry, and NZ was focused firmly on agriculture. People are shown farming, “a little unsmiling” on city streets, and at play (fishing, sailing and skiing). Kids drink milk and Māori are assimilating.
Peter Bland’s creative career encompasses two cultures, dozens of poems, the creation of Wellington’s Downstage Theatre and at least 30 screen roles – among them, his star turn as conman Wes Pennington in Came a Hot Friday.
Sam Neill weaves portions of autobiography into an idiosyncratic, acclaimed yet controversial analysis of Kiwi cinema — from its crude beginnings, to the dark flowering of achievement seen in the breakthrough films of Peter Jackson, Lee Tamahori, and Jane Campion. Directed by Neill and Judy Rymer, as one of 18 films commissioned for the British Film Institute's Century of Cinema series, the award-winning documentary debuted at the 1995 Cannes Film Festival. The New York Times' Janet Maslin rated it a series highlight. The opening sequence looks at the role of the road in Kiwi film.
After graduating from New Zealand Broadcasting School, Clarke Gayford created student show Cow TV. Presenting gigs followed for music channel C4, United Travel Getaway, and Extraordinary Kiwis. In 2016 he swapped his microphone for a speargun to launch Fish of the Day, a Choice TV show about his lifelong passion. In 2017 Gayford became NZ’s 'first bloke', when partner Jacinda Ardern became Prime Minister.
Aileen O’Sullivan has helmed drama and documentary for a wide range of mediums. Her first screen job was an acting role in The Governor. After directing on Gloss and The Billy T James Show, O'Sullivan set up her production company, Seannachie Productions. She is a passionate advocate for telling NZ stories; her subjects have included writers Witi Ihimaera and Ngaio Marsh, and dance troupe Black Grace.