In this episode of his long running series about the stars, astronomer Peter Read visits Matauri Bay on the East Coast to view preparations to monitor the only total solar eclipse visible in New Zealand in the 20th century. Read is shown a revolutionary camera that will be used to photograph the eclipse and he talks to an American expert about rockets that will be fired into the ionosphere to record it. Weather concerns are allayed and footage of the corona effect, when the moon is completely in front of the sun, is impressive even in black and white.

This children's post-apocalyptic fantasy series follows a circus troupe on their quest to save the city of Solis. Conceived by Margaret Mahy and developed by Gavin Strawhan and Rachel Lang, the award-winning series was produced by South Pacific Pictures. A young Rose McIver (future Tinker Bell in US TV show Once Upon a Time) led the cast, acting with a caravan of Kiwi veterans. Māori elements mixed with rural West Auckland sets in the ‘solar punk’ rendering of the future. Here, Garland (McIver) faces tragedy but meets two boys (and a baby) with magical powers.

By 1973, Night Sky had been a familiar presence on New Zealand screens for 10 years; with astronomer Peter Read a knowledgeable, no-nonsense interpreter of developments in the space race and the stars. In this episode, Read reflects on the show’s first decade, from its first outing in June 1963 (when it was briefly called The Sky This Month). Read revisits highlights including the total solar eclipse in 1965, interviews with visiting astronauts, the first moon landing in 1969, and a visit to the United States to witness the launch of Apollo 15.

This 1966 edition of National Film Unit’s magazine slot heads to Christchurch International Airport to explore weather measuring devices being launched there. Helium 'Ghost Balloons' are sent into the sky by an outpost of the United States' National Center for Atmospheric Research. Meanwhile Christchurch weathermen send up hydrogen balloons, read satellite data, and provide a flight plan for a U2 reconnaisance plane from the US Air Force. The pilot’s preflight routine involves breathing pure oxygen to prepare him for the ultrahigh altitude plane’s steep ascent into the sky.

Feeling burnt out, director Tony Williams takes his seachange literally and sets off with three mates in his recently restored 66-foot motorboat, with a grown-up son as cameraman. The plan: journey from Sydney to the Coral Sea. They witness an eclipse, find paradise in Vanuatu, and island-hop their way through New Caledonian reefs, soon after witnessing French victory in the 1998 (soccer) World Cup. Near journey’s end, a reflective Williams realises that he has experienced not just a holiday, but also “an opportunity to look at your own world from a distance”.

In this 2011 series Te Radar re-teams with company JAM TV (Off the Radar, Radar’s Patch) to meet people making a difference to sustainability issues. This first episode sees the comedian exploring green motoring: he visits a Kiwi project to make potato starch wing mirrors for a Nottingham F3 racing team; checks out the Trekka (the only NZ designed and mass-produced car) with journalist Todd Niall; rides a battery-powered Citroën in Whangarei, and tinkers with his Dad’s Land Rover. The first season won a 2012 NZ Television Award for Best Information Series.

This 2014 series looks at the role of architects on Kiwi building projects, as they respond to the challenges of budget, environment, site and client expectations. In this last episode of the series, host Peter Elliott asks if "architectural design can be financially achievable". He meets company Herbst Architects, and talks space, emotion and design for a steep Waiheke Island section, and a modular bach. Two fathers share the build of a John Irving-designed beach house; and a Point Chevalier house designed by A Studio aims for zero energy. Plus Elliott recaps the series' grand designs.

Wildtrack was a long-running series that infected a generation of kids who grew up in the 80s and early 90s with enthusiasm for all-things native’n’natural. This 1991 Taylormade episode (neon-lit as ‘Wild T’) explores the mountain life of Aoraki-Mt Cook: from Māori myth, to cheeky kea and solar-powered butterflies. Peter Hayden presents from the studio with a homegrown HAL: Archie the computer. Future actor/director Katie Wolfe is the young cub in field: glacier-skiing, hanging from a crevasse, meeting Mt Cook School’s eight pupils, and hugging vegetable sheep.

In this Jam TV series, comedian Te Radar ditches 21st Century consumer luxuries and the city rat race to see if he can live sustainably for 10 months on a remote patch of land west of Auckland. His back-to-basics mission requires him to exist on only what he can hunt, grow and fish himself — putting delights like goat salami and home-made feta on the menu. He also explores topical green issues like the viability of solar power and whether simple steps such as composting and starting a worm bin can reduce landfill. The series also bred a book and a live show.

"I always wanted to make videos that turn sound into form". So says musician Nigel Stanford about the video for this track, from 2014 album Solar Echoes. In the Shahir Daud-directed video, science meets art and music meets image, as sound waves create an array of visual patterns in water, fire and sand. The mad professors’ physics class employs the Tesla Coil, Chladni Plate and Ruben’s Tube to vivid effect. It took two days to shoot, eight months to complete, won Best Music Video at the 2015 Vodafone NZ Music Awards, and has been watched over 14 million times on YouTube.