In November 1970 a New Zealand tourism fashion presentation designed for Australian audiences took place at Auckland Museum. Dancing models wore traditional Māori motifs, combined with contemporary fashion — then still a novelty. The designs include work by Kowhai Knitwear's Janice Hopper and Ann Rupe (who is heard on the soundtrack). Rupe had won the Coat and Suit section at the New Zealand Fashion Showcase '69, aged 20. The Taniko motifs were painstakingly beaded or individually painted on to the garments, rather than screen-printed.
“As an Oscar is to actors, a Benson & Hedges Fashion Design Award was to aspiring New Zealand fashion designers.” The B&H Awards were the big fashion event of the year for three decades from 1964. This 1978 telecast is presented from Wellington’s Town Hall by John Hayden, and longtime B&H organiser Josephine Brody. The theme is ‘fantasy’, but the fabric du jour is wool — befitting an economy living off the sheep’s back — with design entries coming in from Kaitoke to Marton and a procession of homespuns and knitwear paraded before the visiting Parisian judge.
The Benson & Hedges Fashion Design Awards were the big fashion event of the year from the mid 60s to the 90s. The Wellington show was organised by model agent Maysie Bestall-Cohen from 1982, and from 1984 TVNZ broadcast the 'B&H' live from the Michael Fowler Centre. Bestall-Cohen and Bob Parker host this 1986 GOFTA award-winner. Former Miss Universe Lorraine Downes is a guest presenter, and the line-up of models includes a teenage Rachel Hunter and future TV presenter Hilary Timmins. Padded shoulders, geometric prints and garish colours date stamp the era.
Long before Ghost Chips, even before "don't use your back like a crane", life in Godzone was fraught with hazards. This collection shows public safety awareness films spanning from the 50s to the 70s. If there's kitsch enjoyment to be had in the looking back (chimps on bikes?!) the lessons remain timeless. Remember: It's better to be safe than sorry.
NZ On Screen’s Dunedin Collection offers up the sights and sounds of a city edged by ocean, and famed for its music. Dunedin is a bracing mixture of old and new: of Victorian buildings and waves of fresh-faced students, many of them carrying guitars. As Dave Cull reflects in his introduction, it is a city where distance is no barrier to creativity and innovation.
Animated plasticine. Talking chickens. Dancing Cossacks. Plus old favourites bro'Town, Hairy Maclary and Footrot Flats. From Len Lye to Gollum, feast on the talents of Kiwi animators. In his backgrounder to the Animation Collection, NZ On Screen's Ian Pryor provides handy pathways through the frogs, dogs and stop motion shenanigans.
This 1981 promotional short snaps the clapperboard on the National Film Unit’s new filmmaking facilities at Avalon. The Unit had moved from its Miramar birthplace to the Lower Hutt complex in 1978 (it was officially opened on 18 October that year). Narrated by Bob Parker and scored to a funky soundtrack, the film is a guide through NFU production processes. A montage of production scenes is followed by a look at film processing once the film is ‘in the can’. Tricks of the trade depicted include rear projection, film colouring and foley (sound effects).
Actor Kevin Smith could do it all; from brooding like Brando in a Tennessee Williams play, through Xena, to the gentle romantic lead of Double Booking, and self-parody in Love Mussel. Collected here are selections from a career cut short (he died in a 2002 film-set accident). Plus tributes from James Griffin, Michael Hurst, Geoffrey Dolan and Simon Prast.
New Zealand's representatives in parliament have had some of their most memorable moments captured on camera. This collection showcases their screen legacy: from stirring addresses (Kirk), feisty debates (Muldoon, Lange, Olympic boycotts), revolutions, nukes, and snap elections, to political punches (Bob Jones), and young leaders (Clark). Listener writer Toby Manhire writes about Kiwi politicians on screen here.
It's hard to reduce legendary band Split Enz down to a single sound or image. Soon after forming in 1973, they began dressing like oddball circus performers, and their music straddled folk, vaudeville and art rock. Later the songs got shorter, poppier and — some say —better, and the visuals were toned down...but you could never accuse the Enz of looking biege. With Split Enz co-founder Tim Finn turning 65 in June 2017, this collection looks back at one of Aotearoa's most successful and eclectic bands. Writer Michael Higgins unravels the evolution of the Enz here.