This 1951 National Film Unit production looks at the Cook Islands, and marks the 50th anniversary of the islands’ annexation in 1901. Unusually long (half an hour) for an NFU film, it shows history ("Vikings of the Pacific" through Captain Cook to New Zealand administration) and island life: spear-fishing, catamaran sailing, breadfruit gathering, weaving, dancing and singing. The islands are depicted as paradise guided by NZ paternalism, with the Islanders grateful recipients of modern communication, technology, health services, education, and... tinned meat.
People of the Waikato makes frequent pitstops along the 425 km path of NZ's longest river. Made in an era of post-war electricity shortages, the film balances requisite beautiful scenery with excursions into the Waikato's extensive hydroelectric system: including then-unfinished fourth dam Whakamaru, whose development was slowed by the discovery of clay in the foundation rock. Alongside brief glimpses of those who live and work on the river, there is footage of stunt-filled canoe races, Turangawaewae Marae, and a veteran boatman tugging coal.
This 1968 Looking at New Zealand episode travels to NZ’s third-largest island: Stewart Island/Rakiura. The history of the people who've faced the “raging southerlies” ranges from Norwegian whalers to the 400-odd modern folk drawn there by a self-reliant way of life. Mod-cons (phone, TV) alleviate the isolation, and the post office, store, wharf and pub are hubs. The booming industry is crayfish and cod fishing (an old mariner wisely feeds an albatross); and the arrival of tourists to enjoy the native birds and wildness anticipates future prospects for the island.
Real Pasifik is a roving celebration of Pacific food and culture. Inspired by chef Robert Oliver’s acclaimed cookbook Me’a Kai, the show follows Oliver as he travels across the Pacific, aiming to inspire resort chefs to showcase indigenous cuisine. In this opening episode of the first series, Oliver heads to the Cook Islands where he visits a marae for a kai blessing, before tasting goat and taro from an an umu (earth oven). He goes lagoon spear fishing, samples pink potato salad (aka ‘mayonnaise’) and serves up a banquet of locally-cooked food to assembled VIPs.
This Pictorial Parade visits the Auckland Athletic Champs at Eden Park, where a water-logged grass track makes the going tough. Peter Snell wins the half-mile and Murray Halberg the three-mile ("you know Mother I think he'll win" deadpans the narrator); then heads to the Bay of Islands for the 1st Underwater Fishing Champs, where a 235lb stingray is the biggest catch; and finally to the Turn and Gymnastic Circle of Hamilton, an acrobatic family fundraising for a world tour by scrub-cutting and pie-baking: "no job is too small or too big."
Damon Fepulea'i's directing debut follows Megan (Olivia Tennet from Maddigan's Quest), a young girl who finds herself out of her depth amongst the mangroves. While out exploring, she meets two siblings and wants to make friends, but one of them is hostile and argues over who owns a bamboo stake. Megan runs off to play alone and while trying to catch a fish using the stake as a spear, has an accident. She's full of stubborn pride as the tide rises dangerously around her. Watermark debuted at the 2002 Rotterdam Film Festival, and features classic Kiwi song ‘Blue Smoke’.
Writer and comedian Jon Gadsby, QSM, likely spent more time being funny on NZ television screens than almost anyone — aside perhaps from his longtime partner in crime, David McPhail. After appearing together on breakthrough comedy show A Week of It, the two helped form the comic backbone of the long-running McPhail and Gadsby, satirical show Issues, and the outdoor escapades of Letter to Blanchy.