This collection, launched to honour 10 years of NZ Fashion Week, celebrates Kiwi fashion on screen. From TV showpieces (B&H, Corbans) to docos on designers; Gloss to archive gold, from Swannies to Split Enz, taniko to foot fetish ... take a stroll down the catwalk of our sartorial screen past. Beauties include ex-Miss Universe Lorraine Downes and a teenage Rachel Hunter.
New Zealand's representatives in parliament have had some of their most memorable moments captured on camera. This collection showcases their screen legacy: from stirring addresses (Kirk), feisty debates (Muldoon, Lange, Olympic boycotts), revolutions, nukes, and snap elections, to political punches (Bob Jones), and young leaders (Clark). Listener writer Toby Manhire writes about Kiwi politicians on screen here.
In 1979, Red Mole was arguably New Zealand's best-known alternative theatre troupe. During two seasons in New York they wowed audiences with their Dada-influenced shows. The Villager wrote: "All possible elements of theatre and spectacle are employed by the skilful members of the group." In this 49 minute film, Red Mole take a surreal journey through actual and imaginary New Zealand. Sam Neill had done time as a travelling actor in schools before directing this for the National Film Unit. He collaborated again with editor Judy Rymer on NZ screen history Cinema of Unease.
Celebrating the “transformative power of dance”, Dancing in the Dark centres on Peter Vosper, an inventor who has designed his own custom light suit as an outlet for his creativity. It also makes the perfect addition to No Lights No Lycra, an event where participants spend an hour dancing to upbeat music in the dark. While most dancers can’t be seen (as is the appeal of the event — dance like no one’s watching), Peter’s glowing suit takes centre stage and makes for quite the spectacle. The film is part of the Loading Docs series of shorts, made for exhibition online.
This classic sports mishap from the 1974 Commonwealth Games sees weightlifter Graham May fall flat on his face after passing out while holding a 187.5kg barbell over his head. Despite the fall May went on to win gold in the super heavyweight (110kg+) division, and weightlifting gained a local profile due to his and the NZ team's success. The mustachioed Kiwi’s face-plant became a staple of blooper reels worldwide: from the long-running 'It's moments like these …' Minties ad campaign to the title sequence for ABC’s Wide World of Sports on US TV. May died in 2006.
The second Lord of the Rings installment sees hobbit Frodo Baggins continuing his mission to destroy the ring. Meanwhile the Fellowship is breaking apart, and an epic night battle ensues at Helm's Deep. The film marked a star turn by Gollum, the emaciated Andy Serkis-voiced creature whose realisation was a cinema landmark and a triumph for the design and special effects team. Alongside praise for the film's pace and spectacle, The Two Towers broke international opening records, before going on to outgross Fellowship of the Ring, and win two technical Oscars.
It's 9am, and people have been queuing for hours. Welcome to Expo '70 in Osaka Japan, with 70 plus countries showing what they are made of. This National Film Unit documentary combines an overview of the expo, with a closer look at the New Zealand presence. There is extensive footage of the Kiwi pavilion, including background to screenings of Hugh MacDonald's three-screen spectacle This is New Zealand, which was one of the most acclaimed films at Expo '70. The Maori Theatre Trust also perform.
While many bands might feature flash cars and scantily clad groupies, a lone cargo shorts-wearing skateboarder provides all the spectacle required in this Salmonella Dub video. Fortuitous sponsorship from a company that specialises in sliding skateboards gave rise to this skate-themed music video. Shot while on tour in Sydney, further colour is provided by laidback gig footage highlighting drummer and vocalist David Deakins, as he groves through this ode to the passing of time.
Stephanie Tauevihi (Shortland Street) was vocalist of choice on this cover of Australian band The Church's biggest hit. Strawpeople founders Paul Casserly and Mark Tierney cast themselves in unlikely roles as guitarists, and share the directing duties on this typically stylish video. It captures the song’s sense of emptiness and disconnection in its tale of an astronaut’s love (although the song’s original inspiration was an Amsterdam club, not the astral Milky Way). The woman in spectacles with the mysterious office machine is played by DJ/actor Phoebe Falconer.
Actor Danielle Cormack travels through Jordan and Syria, and discovers a different reality from western perceptions of the Middle East. Cormack engages with countries awash with ancient history, warm people and picturesque vistas. Highlights of Cormack's trip include visiting the natural wonders of the Dead Sea and the desert valley of Wadi Rum. She stays in a Bedouin tent, and witnesses the man-made spectacles of Petra — the ancient rose city carved out of stone — Roman amphitheatres, and the Crusader castle of Crac des Chevaliers.