The Ballantyne's Department Store fire in November 1947 claimed 41 lives and left a lasting scar on Christchurch — the city’s biggest single disaster until the 2011 earthquake. The events of that spring day are explored in this short film which intersperses archive footage with a fictional account of workers and customers in the tailoring department as the dramas of everyday life are suddenly overwhelmed. It was directed by Aileen O’Sullivan, shot by Alun Bollinger and made with the NZ Drama School graduating class of 2002 (with music by Gareth Farr).
This collection looks at some of New Zealand's most significant national tragedies. Spanning 150+ years, it tells stories of drama, caution, hope and recovery — from the 1863 wreck of the Orpheus at Manukau Heads, to Tarawera, the Wahine, Erebus, Pike River and Christchurch. In the backgrounder, Jock Phillips writes about the collection, and the "common sequence" to disaster.
Launched on 5 April 1976, Winners & Losers heralded a new age in Kiwi screen drama. Indie talents Roger Donaldson and Ian Mune based their tales of success and failure on New Zealand short stories, after managing to negotiate funding from various government sources. Then the pair took the series to Europe, proving there was strong overseas demand for Kiwi stories. In the backgrounders, Mune recalls the show's origins. There are also pieces on its place in local screen history, and its 2018 restoration. Plus watch two video interviews on the series.
Director Florian Habicht's follow-up to his offbeat fairytale Woodenhead is a documentary tribute to a community of characters, drawn together by a desire to jump in a car for the local demolition derby. Behind the bangs, prangs, and blow-ups, the heart and soul of a small Far North town — Kaikohe — is laid bare in this full-length film, thanks to a cast of fun-loving, salt of the earth locals. Kaikohe Demolition won rave reviews, and The Listener named it one of the ten best films of 2004. Filmmaker Costa Botes writes about the film's characters and qualities here.
This 1962 film about geothermal power generation begins with animated sequences telling the Māori legend of how the North Island’s volcanoes were created. Then it explores the “crazy idea” of volcanic power, and how New Zealand might harness its potential. At Wairakei, roads have collapsed and the ground can rumble: “nothing is ever quite predictable on this battleground for power”. Nearby, steam is used for heating, hangi, bathing, and … growing pineapples. The animation was handled by Mike Walker (later producer of Kingi’s Story), of Levin-based Morrow Productions.
This promotional film showcases Tongariro National Park, New Zealand's oldest (and the world's fourth oldest) national park. The film covers the park's four seasons, from dandy spring days at the Chateau ("holiday headquarters") for the romance of bowls and moonlit mountain jazz; to the scenic and snow-sport thrills of the volcanoes in winter: Ketatahi springs, the crater lake, beech forest, trout fishing, and skiing on the slopes of Mount Ruapehu where "the only sound in the white stillness is the hiss of the tips streaking into the snow".
For nine years TVNZ's Top Half brought local news to Auckland and the upper North Island. In these excerpts there's a tantalising before and after glimpse of a David Bowie concert at Western Springs; the people of Ponsonby worry that their suburb's character is being lost to developers; Dylan Taite finds country rockers The Warratahs busking on Ponsonby Road; and in K Road, there is coverage of a multicultural street festival, and concerns about how encroaching sleaze is affecting local retailers; plus a cute story about a baby orangutan and a camera-shy mother.
Winter is going. This impressionistic take on spring in Aotearoa focuses on details of regeneration, from the mountains to the sea. Director Ron Bowie and cameraman Grant Foster capture signs of the season: ice melt like tadpoles under snow grass, gannets nesting on their Cape Kidnappers tenement, fern koru unfurling, kōtuku and royal spoonbills perched in Ōkārito trees like Dr Suess characters, willow buds and kōwhai flowers. And of course, lambs and daffodils. The camera aptly obeys the title to end. Patrick Flynn (Don’t Let it Get You) composed the score.
Nearly mammal free, pre-human New Zealand was a land of birds, many of them found nowhere else. In Birdland, Jeremy Wells (Eating Media Lunch) explores all things avian in Aotearoa. In this opening episode he visits Hauraki Gulf island sanctuary Tiritiri Matangi and Christchurch’s Peacock Springs. Putting the wry into wrybill, Wells muses on manu matters from twitching to tākahe poop. Dominion Post’s Linda Burgess praised Mike Single's "marvellous camera work", and Wells’ celebration of ordinary people "who work to protect and enhance what we still have".
Bill Dobson was one of around 500 New Zealanders to be taken prisoner by the Germans during World War I. His grandsons, filmmakers Grant and Bryce Campbell, use Dobson’s letters home, his sketch book and contemporary photographs to describe his journey. Bill was one of 210 Kiwis captured at French village Méteren, near the Belgian border, during Germany’s 1918 Spring Offensive. Camp conditions were tough, but Dobson filled his time with prolific sketching and performing in the Camp Concert Party. Post-war, Dobson married vaudeville performer Louise Morris.