A talkback radio operator (Lucy Sheehan) is forced to stand in for the regular host when he walks out because of a personal crisis. In between trying to answer calls, organize a replacement and discuss odd topics with a succession of callers, the flustered operator makes a surprising connection with another lost soul. Auckland's urban soul is captured with distinctive assurance in this neglected 48-minute drama from director Alison Maclean — who wrote the script with Geoff Chapple.
In this highlights special culled from the first four years of Eating Media Lunch, presenter Jeremy Wells manages to keep a straight face while mercilessly satirising all manner of mainstream media. Leaping channels and barriers of taste, the episode shows the fine line between send-up and target. The 'Worst of EML' tests the patience of talkback radio hosts and goes behind the demise of celebrity merino Shrek; plus terrorist blooper reels, Destiny Church protests, Target hijinks, and our first indigenous porno flick (you have been warned: not suitable for children).
First Hand was a series of mid 1990s documentaries made for TVNZ. Newbie filmmakers were armed with consumer cameras, aiming to capture “natural human behaviour” with the new technology and minimal crew. This edition, directed by David Ambler, profiles 23-year-old Newstalk ZB late-night talkback host Mike Yardley, and introduces regular callers from his nationwide audience of 150,000: service station worker Lucas channels Oprah, Petone radio poet George rhymes about detached organs, and Merle dances to an organist. Radio veteran Marcus Lush narrates.
This TVNZ documentary captures the early days of NewstalkZB, shortly after Radio New Zealand gambled on relaunching it with an all talk format. Previous breakfast host Merv Smith has taken most of his audience to rival Radio i; his replacement is Paul Holmes. The former king of the Wellington airwaves is soon grappling to make an impact in Auckland. Competition amongst the stations is cutthroat, but Holmes is the focal point here. He’s under pressure and surrounded by a battery of often conflicting opinions. By 1988 he'd hauled the show from ninth to second in the ratings.
This report from 80s current affairs show Close Up introduces the New Zealand public to future Prime Minister Jim Bolger — shortly after the “lightning coup” that saw him unseating urban lawyer Jim McLay, to become leader of the National Party. The focus is on Bolger’s rural roots as a father and farmer. There is also praise from political historian Barry Gustafson, and a mini journalistic joust with ex PM Robert Muldoon, over whether he supports the new party leader. In 1987 Labour was re-elected for another term; Bolger’s party swept to victory in 1990.
Radio Waves revolves around an Auckland commercial radio station. In this episode, drive-time DJ Win Savage (Grant Bridger) annoys an advertiser and doesn't seem to care. Andy Anderson is a hippy ‘jock’, Alan Dale plays urbane station manager Jack in his screen debut (before finding fame on Australia's Neighbours), and the many women on staff put up with their share of stick from all that male ego. Waves was short-lived — The Bee Gees and flares weren’t enough for viewers to shut the farm gate — but its urban strivers signaled a changing face for NZ on screen.
Canadian-born to New Zealand parents, writer and director Alison Maclean helmed one of the most successful NZ Film Commission-funded short films of all time, Kitchen Sink, which debuted at Cannes and won eight international awards. A graduate of Elam School of Fine Arts, she has directed feature films Crush (which she also wrote) and Jesus’ Son. A director of commercials and television series including Sex and the City and Gossip Girl, Maclean divides her time between New York, Canada and New Zealand, and she is developing several feature films.
Law graduate, documentary director and onetime talkback host Moana Maniapoto is also a longtime champion of music in te reo. With the Moahunters — vocalists Teremoana Rapley and Mina Ripia, backed by an accomplished team of funk musicians — she fused pop and hip hop with Māori culture and politics, and scored hit singles with ‘Black Pearl’ and ‘AEIOU’. After disbanding the Moahunters in 1998, she formed Moana and the Tribe. The group adds haka and video projections to create a multi-media experience which has enjoyed considerable international success on the world music circuit.
Radio Wha Waho was a pioneering bilingual sitcom about a down on its luck rural iwi radio station. The talkback in this Māori-style WKRP in Cincinnati is in te reo and english; the on-air crew include a DJ with delusions of being a ladykiller (a pre-Mrs Semisi Hori Ahipene); a young fireball seeking fame in the city (Greg Mayor); and Aunty Doss (Kath Akuhata-Brown), the heart and soul of the operation. In this first episode, directed by veteran Marae producer Derek Wooster, the station faces permanent silence after a DJ's late night talk causes offence.
Fuelled by enthusiasm more than cash, Newton Salad debuted on Wellington station Channel 7 in November 1999. In the first episode, Dempsey Woodley described the show as a mix of talkback and comedy. Alongside viewers' calls, hosts Woodley and Amanda Hanan introduced sketches and guests — including Flight of the Conchords, Pinky Agnew (as Jenny Shipley) and Gentiane Lupi (Helen Clark's hairdresser). After two months of live weekly shows, Newtown Salad returned for five nights in May 2000 showcasing acts from TV2's International Laugh Festival.