A talkback radio operator (Lucy Sheehan) is forced to stand in for the regular host when he walks out because of a personal crisis. In between trying to answer calls, organize a replacement and discuss odd topics with a succession of callers, the flustered operator makes a surprising connection with another lost soul. Auckland's urban soul is captured with distinctive assurance in this neglected 48-minute drama from director Alison Maclean — who wrote the script with Geoff Chapple.
First Hand was a series of mid 1990s documentaries made for TVNZ. Newbie filmmakers were armed with consumer cameras, aiming to capture “natural human behaviour” with the new technology and minimal crew. This edition, directed by David Ambler, profiles 23-year-old Newstalk ZB late-night talkback host Mike Yardley, and introduces regular callers from his nationwide audience of 150,000: service station worker Lucas channels Oprah, Petone radio poet George rhymes about detached organs, and Merle dances to an organist. Radio veteran Marcus Lush narrates.
In this highlights special culled from the first four years of Eating Media Lunch, presenter Jeremy Wells manages to keep a straight face while mercilessly satirising all manner of mainstream media. Leaping channels and barriers of taste, the episode shows the fine line between send-up and target. The 'Worst of EML' tests the patience of talkback radio hosts and goes behind the demise of celebrity merino Shrek; plus terrorist blooper reels, Destiny Church protests, Target hijinks, and our first indigenous porno flick (you have been warned: not suitable for children).
Radio Waves revolves around an Auckland commercial radio station. In this episode, drive-time DJ Win Savage (Grant Bridger) annoys an advertiser and doesn't seem to care. Andy Anderson is a hippy ‘jock’, Alan Dale plays urbane station manager Jack in his screen debut (before finding fame on Australia's Neighbours), and the many women on staff put up with their share of stick from all that male ego. Waves was short-lived — The Bee Gees and flares weren’t enough for viewers to shut the farm gate — but its urban strivers signaled a changing face for NZ on screen.
This TVNZ documentary captures the early days of NewstalkZB, shortly after Radio New Zealand gambled on relaunching it with an all talk format. Previous breakfast host Merv Smith has taken most of his audience to rival Radio i; his replacement is Paul Holmes. The former king of the Wellington airwaves is soon grappling to make an impact in Auckland. Competition amongst the stations is cutthroat, but Holmes is the focal point here. He’s under pressure and surrounded by a battery of often conflicting opinions. By 1988 he'd hauled the show from ninth to second in the ratings.
This documentary focusses on six New Zealand women artists whose careers were on the rise in the early 1990s. They work in a variety of mediums, explore ambiguity and subversion, and question gender roles. Photographer Christine Webster works with models, lighting and costume to create rich, theatrical images. Lisa Reihana delivers "radical statements" via light-hearted animation. Filmmaker Alison Maclean talks about the inspiration she found in Rotorua and channelled into her debut feature Crush. Also featured: artists Merylyn Tweedie, Alexis Hunter and Julia Morison.
This report from 80s current affairs show Close Up introduces the New Zealand public to future Prime Minister Jim Bolger — shortly after the “lightning coup” that saw him unseating urban lawyer Jim McLay, to become leader of the National Party. The focus is on Bolger’s rural roots as a father and farmer. There is also praise from political historian Barry Gustafson, and a mini journalistic joust with ex PM Robert Muldoon, over whether he supports the new party leader. In 1987 Labour was re-elected for another term; Bolger’s party swept to victory in 1990.
The Otago goldrush in the 1860s attracted the first wave of Chinese immigrants to New Zealand. They were greeted with fear and suspicion from the white settler community. 130 years later the racist policies of late 19th century New Zealand are gone, but old attitudes linger. This 1993 Frontline report investigates the tension between older Chinese/Kiwi families and the growing number of first generation Chinese and Taiwanese immigrants. Whatever cultural issues divide them, both groups have experienced racism from Pākehā New Zealanders.
Canadian-born to New Zealand parents, writer and director Alison Maclean helmed one of the most successful NZ Film Commission-funded short films of all time, Kitchen Sink, which debuted at Cannes and won eight international awards. A graduate of Elam School of Fine Arts, she has directed feature films Crush (which she also wrote) and Jesus’ Son. A director of commercials and television series including Sex and the City and Gossip Girl, Maclean divides her time between New York, Canada and New Zealand, and she is developing several feature films.
When people tell the amazing story of Kiwi legend Julian Harp, Nicky doesn't get a mention. Now, in one of the New Zealand screen's classic monologues, Nicky (Lucy Sheehan, from Talkback) takes the opportunity to let us in on what really happened: her relationship with Julian, his plan to destabilize the Government via a letterwriting campaign, and the couple's preparations for the day he achieved engineless flight and rose into the sky from the Auckland Domain. This episode of anthology series About Face is based on the classic story by CK Stead, author of Smith's Dream.