Two tadpole-like creatures with enormous eyes chase each other around, to a driving techno soundtrack. Then these digitally-animated characters find themselves plunged into a different reality - one where a single wrong move could mean they exist in only two dimensions. After completing this mind-warping mini-rollercoaster ride, creator James Cunningham and producing partner Paul Swadel worked together on bank robbery tale Infection, which won invitation to the Cannes Film Festival.
Irreverent 90s youth show Havoc launched the TV careers of hosts Mikey Havoc and Jeremy ‘Newsboy’ Wells (the pair worked together at radio station 95bFM). This first episode played on MTV (then run by TVNZ). Guests are Shortland Street actor Angela Bloomfield, Metro editor Bill Ralston and musician Darcy Clay. Amongst pop culture montages, videos and archive (future MP Lockwood Smith hosts kids’ knowledge test The W Three Show), Newsboy meets Hustler magazine centrefold Kimberly. The show is date-stamped by Spice Girls, drum’n’bass, Sodastream and Wells’ gelled hair.
Mi-Sex owed its success — riding the new-wave scene of the late 1970s and early 80s — to one-time cabaret singer Steve Gilpin's desire for a new musical direction. Convinced there were too many rock acts to compete with, Gilpin evolved the band Fragments of Time into techno-pop rockers Mi-Sex in 1978 (taking the name from an Ultravox song). They put out their first single that year, followed in 1979 by their biggest hit, ‘Computer Games', which topped the Australian charts. Mi-Sex disbanded in 1984. Gilpin died in 1991 after a car accident; the band reformed in 2011 with Noiseworks' Steve Balbi on vocals.
Push Push, from Auckland's North Shore, took elements of LA hair metal and glam rock and combined them with the presence and huge voice of lead singer (and future radio and TV presenter) Mikey Havoc. Their infectious debut single 'Trippin'' spent six weeks at number one in 1991 but two further singles, and a respectably-received album in A Trillion Shades of Happy, couldn't emulate its success. 'Trippin'' later had a second life in a techno version by Miz Ima Starr and Baitercell which featured in Athina Tsoulis' feature film I'll Make You Happy.
Mi-Sex moved further into the futuristic sci-fi world signalled by their hit single ‘Computer Games’ with the release of their chart topping second album Space Race in 1980. The lead-off single ‘People’ emerged at a time when the world was still coming to grips with cloning, genetic engineering and test tube babies. The video showcases the band’s well honed combination of techno-pop and the more straight ahead rock’n’roll beloved of Australian pub audiences — with some visual special effects reserved for the future shock of the spoken segment.
The movie that won splatter king Peter Jackson mainstream respectability was born from writer Fran Walsh's long interest in the Parker-Hulme case: two 1950s teens who invented imaginary worlds, wrote under imaginary personas, and murdered Pauline Parker's mother. Jackson and Walsh's vision of friendship, creativity and tragedy was greeted with Oscar nominations, deals with indie company Miramax, and rhapsodic acclaim for the film, and newbie actors Melanie Lynskey and Kate Winslet. Time magazine and 30 other publications named it one of the year's 10 best films.
Richard Turner’s work as a director began with poetry-based works, pioneering Māori works for television, and Squeeze (1980), New Zealand’s first gay-themed feature. Since then he has made films largely in Australia.