This collaboration between dancer Douglas Wright and director Gregor Nicholas was one of a series of music and movement-based shorts that established Nicholas’ reputation. A dramatised film noir sequence leads to a cross-dressing dance duel between Wright and Debbie McCulloch, shifting between an Orwellian cityscape and retro nightclub. Wright choreographs the bodies, and Nicholas the bold and sensual visual rhythms (shot by Stuart Dryburgh). Nicholas went on to direct high profile commercials and movie Broken English. Wright passed away in 2018.
Florian Habicht first won attention for 2003's Woodenhead, a fairytale about a rubbish dump worker and a princess. By then Habicht had already made his first feature-length documentary. Many more docos have followed: films that celebrate his love for people, and sometimes drift into fantasy. In this collection, watch as the idiosyncratic director meets fishermen, Kaikohe demolition derby drivers (both watchable in full), legends of Kiwi theatre and British pop, and beautiful women carrying slices of cake through New York. Ian Pryor writes here about the joys of Florian Habicht.
The American dream of so many New Zealand bands became a reality for Steriogram. In 1999 Whangarei’s Jake Adams and Brad Carter teamed up with Tyson Kennedy and Tim Youngson of Auckland. Kennedy, the drummer, impressed with his rapping, and they became known for manic energy, melodies and putting the fun into funk. Early use of the net built a wide fan base, and after a US talent scout saw a video for ‘White Trash’ online they signed to Capitol Records. Their 2004 debut Schmack! also contained ‘Walkie Talkie Man’; 2010 saw their third album, Taping the Radio.
In the third episode of this doco about a doco, Byron Coll’s Sid shows visits Uncle Clive (Tim Spite) to ask for a loan, while his gung ho film crew prepares to launch some vigilante justice if the deal doesn’t go through. He shows Clive the dramatic slow-mo trailer, featuring Mr Baker as the king of Belgium and head of the petrochemical company crushed by the small Hawkes Bay town of Woodville. Sid is reacquainted with the lovely aspiring actress Jane (musical comedienne Hayley Sproull) but makes a dodgy impression.
"I get around. I know everything. Except your name." Kevin Smith made his television debut (in a speaking part) on this episode from the third series of Gloss, playing smirking DJ and man-about-town Damien Vermeer. Keen to rise above his working class origins, the character sets his sights on rich brat Chelsea Redfern within moments of meeting her. Smith left work at Christchurch's Court theatre for the role, when the decision was made to up the show's male quotient. Mikey Havoc also appears in this scene, as a member of his real-life band Push Push.
When a man is found dead in the petrol station run by Horace Jones (Mark Hadlow), a surprising opportunity arises to get rid of some debt. But things get complicated when a menacing customer (Jed Brophy from The Hobbit ) shows up looking for the dead man’s money. Shot entirely on an iPhone at a petrol station in Motueka, Blue Moon is the third feature from writer/director Stefen Harris, who used his years as a police officer as inspiration for what goes on in the wee small hours. The film debuted in the Christchurch leg of the 2018 NZ International Film Festival.
The synopsis for this 2015 short film gets straight to the point: 'A man has a lot to think about when he wakes up dead'. Part black comedy, part tearjerker, Slabbed revolves around two men having a chat, one of whom has just worked out he'll never be getting that tattoo he always wanted. The man lying on the next slab has a speech impediment caused by his injuries. Stabbed won writer/director Ben Hobbs third prize at the local arm of short film contest Tropfest. Actor Preston O'Brien — playing the victim with the tattoos — scored for Best Male Actor.
In each episode of this popular TV series, actor Paul Gittins investigated the story behind the epitaph written on a gravestone. In this third episode from season one, Gittins visits the grave of Walter James Bolton, a Whanganui farmer who was the last man to get the death penalty in New Zealand. He was hanged on 18 February 1957, found guilty of poisoning his wife of 43 years with arsenic derived from sheep dip. Gittins meets Peter Waller, a campaigner for Bolton’s innocence, who claims to be his son. Bryan Bruce revisited the case in 2007 on his series The Investigator.
Margaret Urlich's first solo album Safety in Numbers went triple platinum in Australia, and took away three gongs at the 1989 NZ Music Awards. It was not her first brush with fame: Urlich had already scored hits with band Peking Man, and done her first stint with live favourites When the Cat's Away. Since then she has been mainly Australian-based, though she returned to NZ for third album The Deepest Blue (1995) and a production of Jesus Christ Superstar. In 1999 she covered her favourite Kiwi songs on Second Nature.
“This song is called ‘Medicine Man’ because music is my medicine, and failing all else in life, music remains the constant no matter who else is there.” So said Tama Waipara of the first single from his third album Fill Up the Silence, which was rated Best Roots Album at the 2014 NZ Music Awards. The song’s beat is credited to a Papua New Guinean influence, but Jessica Sanderson’s video roams widely: from Pasifika and colonial drummers to carpark breakdancing and getting lost inside headphones in a laundromat, from poi to pop and lock — to where “love is in the music”.