Legendary New Zealand band Dragon scaled the heights, then found itself making the call to fire its larger than life lead singer Marc Hunter — only to bring him back, then tragically lose him again. Along the way the band conjured up obscenely catchy hits in New Zealand and Australia, before reemerging with Kiwi Mark Williams on vocals. This collection offers documentary material and music videos capturing Dragon's birth, rebirth and “full moon and thunder” glory. Included are interviews, 'April Sun in Cuba’, ‘Are You Old Enough’ and more.
Born of a dispute between TVNZ and record companies over video payments, True Colours tended to feature New Zealand bands in a studio setting, plus the occasional video. This first episode sets the template. Former Radio with Pictures host Dick Driver and Phillipa Dann (from pop show Shazam!) introduce a magazine-style show of live music, news and interviews. Ardijah open proceedings here, with their mix of polynesian R&B and funk. Later Tim Finn gets the interview treatment. The dispute was eventually settled and True Colours ended after seven episodes.
Produced by NHNZ, this NZ Screen Award-nominated 2005 TVNZ series looks at Aotearoa’s diverse weather. This first episode (of three) explores "the main driving force behind all our weather" — the wind — from the science behind where it comes from, to its impact on people (from sport to the economy). Presenter Gus Roxburgh contends with Wellington’s infamous wind, and with Auckland’s tornadoes and cyclones. He looks at when weather is good (wind farms, windsurfing) and when weather goes bad (the Wahine disaster, Cyclone Bola, landing at Wellington Airport).
Presented by William Shatner, A Twist In The Tale was an anthology series with each episode featuring a new story for Shatner to tell a group of children gathered round the fireplace. In this adventure, a freak storm causes a strange girl (Westside's Antonia Prebble) to appear in a boy’s bedroom cupboard, only to discover she’s travelled back in time 100 years. When some futuristic technology goes missing and the family farm ends up on the line, the children must put their differences aside. The episode also features a memorable appearance by Craig Parker as the family's accountant.
Sailor's Voyage charts the journey of Hello Sailor, the band that ripped up a storm live, made landings in the USA, ran aground and fell apart, then drifted back together again. Interviews with Graham Brazier, Dave McArtney, Harry Lyon and co reveal how the group opened doors for local music, and helped establish a New Zealand touring circuit. Manager David Gapes recalls attempts to get a US record deal, before the cash ran out; the legend of Brazier being asked to join The Doors is explained. The archive footage includes a performance with Doors member Ray Manzarek.
The Listener described the child-friendly music of Fatcat & Fishface as sounding “like Tom Waits’ toy cupboard.” ‘Happity’ (from album Meanie) is a bogan twist on Cinderella, with an uncoordinated rabbit from Palmerston North — “the fumbliest, stubbliest bunny of all / His feet are too big and his teeth are too small” — feeling dateless before the Manawatu ball. Made with stop motion animation, the video was directed by Derek Sonic Thunders, who gained notoriety for his video ‘Songs About Drinkin’ and Dyin', in which Action Man and Barbie do unmentionable things.
Evan Short, one half of drum and bass duo Concord Dawn, talks about electronic music making in this episode from a series made for high school students. Appropriately, he first met future collaborator Matt Harvey in school music lessons and they later reconnected as drum and bass fans while studying audio engineering. To the thundering accompaniment of Concord Dawn’s student radio hit 'Morning Light', Short discusses hardware, software for beginners, the importance of developing good "ears", and the international recognition they have received.
Head Like A Hole (aka HLAH) were a clap of heavy metal thunder over the jangly chords of the early 90s New Zealand music scene. Known for unhinged, "apeshit" live shows and outrageous clothing-optional antics, their flame died out amidst drugs and acrimony before a 21st Century reformation. This all-access passion project from director Julian Boshier was a decade in the making, tagging along with Nigel 'Booga' Beazley (and partner Tamzin), Nigel Regan et al, as the still rocking members of this distinctive Kiwi rock’n’roll family enter middle age: spats, moshing n’all.
“I hear the roooolling thunder”. Sir Howard Morrison’s classic bilingual rendition of the popular hymn comes from an October 1981 Royal Variety Performance, in front of Queen Elizabeth II and Prince Philip. Morrison's performance at Auckland's St James Theatre of 'Whakaaria Mai' marked a comeback for the veteran entertainer, who had been out of the spotlight working in Māori youth development. Released as a single a couple of months later, it topped the charts for four weeks, and led to the commissioning of a televised Howard Morrison Special in 1982.
In this episode of Back of the Y, Chris Stapp and Matt Heath concentrate on drugs. Convinced that all students are on drugs, the constables travel to Dunedin to deal to the local scarfie population. Meanwhile a baggy-trousered, inner city pothead journeys into the backblocks in search of a cannabis mother lode in 'Te Puke Thunder'. A new feature introduces "extreme" cameraman Wally Simmonds (profiling a sight impaired skate team) and stuntman Randy Campbell has to cope with his team's incompetence as well as his own.