NZ On Screen's Car Collection is loaded with vehicles of every make and vintage, as a line-up of legendary Kiwis get behind the wheel — some acting the part. The talent includes Bruce McLaren, Scott Dixon, Bruno Lawrence, a clever canine, and a great many bent fenders. Onetime car show host Danny Mulheron tells tales, and picks out some personal favourites here.
Daniel Herlihy’s naval career spanned 44 years, making him the longest continuous serving member of the New Zealand Navy. He joined in 1949, at the age of 14. Even before seeing active service in Korea he’d been involved in keeping New Zealand ports running, during the infamous 1951 waterfront dispute. Following significant action off Korea’s coasts, Daniel was later involved in the Suez Crisis and the Malayan Emergency. Later, while commanding a coastal patrol vessel, he took part in action against illegal Taiwanese fishing boats. At 82, Daniel recalls many details.
For a small country from the edge of the world, achievements on the Olympic stage are badges — silver fern-on-black — of national pride: precious moments where we gained notice (even if it was Mum’s anthem playing on the dais). This legacy collection draws on archive footage, some rarely seen, to celebrate the stories behind Kiwis going for gold.
Great adverts are strange things: mini works of magic, with the power to make viewers smile, cry, and even buy. Kiwi directors have shown such a knack for making them, they've been invited to do so across the globe. But this collection is about local favourites; dogs on skateboards, choc bar robberies, ghost chips. NZ On Screen's Irene Gardiner backgrounds the top 10 here.
Before X Factor there was New Faces, before Masterchef ... Graham Kerr, before Country Calendar there was ... er, Country Calendar. This collection picks the screen gems from the decade that gave Kiwi pop culture, "miniskirts, teenagers — and television." Peter Sinclair, Sandy Edmonds, Howard Morrison, and Ray Columbus star. Do your mod's nod and C'mon!
“Ask your mother!” That’s what John Fallow’s father told him, when he said he’d like to join the navy at the outbreak of World War II. She relented and John embarked on his wartime career aboard minesweepers. A six month course in Australia followed and, after exemplary work, an accelerated promotion; just one of three granted by the Royal NZ Navy during the war. Clearing mines from major ports following the sinking of the RMS Niagara outside the Hauraki Gulf led to working alongside US allies in the Pacific. John had a lucky war. His ship never fired a shot in anger.
This doco looks at the relationship between dogs and shepherds in Kiwi sheep farming. It covers the history of dog and man, and reveals Dog Show-worthy secrets behind the dogs' training and personalities, from ‘heading dogs' who stare sheep (and geese!) "into submission" to the "loudmouth" ‘huntaways' who drive flocks on vast high country stations. This Swanndri-saturated doco is shot, scored and narrated in an old-fashioned Disney style (shepherds are "the very substance of romance"). As the title states, the canines are the stars.
This NFU documentary showcases the hydroelectric power-generating might of the Waikato River. The ‘man harnesses nature’ narrative — shown via concrete, steel and earthmoving for dam building — highlights the path of the power: to drive farms, factories and Wellington’s electric trains. Director Cecil Holmes later wrote that post-war NZ was "a desperately poor country"; the film aimed to highlight Government efforts to overcome power shortages. After the 'satchel snatch' smear campaign of 1948, Holmes left for a highly regarded screen career in Australia.
Invited to compete in short film contest Tropfest NZ in 2015, Foreign Fields trains its eye on a Kiwi soldier in World War I, after he is wounded in no man's land. Shot in moody mud and khaki tones, David Gunson's film is a tribute to all who have fought in foreign lands. The self-funded short — which comes with a twist in the tail — was filmed for $3000, in just one and a half days.
This National Film Unit production was made to celebrate the golden jubilee of the Plunket Society. Plunket — aka ‘Karitane’ — nursing is a New Zealand system of ante-natal and post-natal care for mothers and infants, founded by Sir Truby King: “the man who saved the babies”. Featuring original nurse Joanne MacKinnon, the film follows Plunket from a time of high infant mortality to providing contemporary nursing to a New Zealand flush with postwar optimism: “a family country, where children grow happily in the fresh air and sunshine.”