To mark its first 25 years, TVNZ commissioned independent producer Ian Mackersey to chronicle a day in its life as the national broadcaster. Coverage is split between the often extreme lengths (and heights) gone to by technicians maintaining coverage, and the work of programme makers — including the casts and crews of McPhail and Gadsby and Country GP. The real drama is in the news studio during the 6.30 bulletin (with light relief from the switchboard) in this intriguing glance back at a pre-digital, two channel TV age during the infancy of computers.
Introduced to New Zealand in 1851, red deer soon became controversial residents: sport for hunters, but despised by farmers and conservationists for the damage they caused. First targeted by government cullers in the 1930s, by the 60s they were shot by commercial operators for venison export. Directed by Bruce Morrison and Keith Hunter, this award-winning documentary catches up with the hunt in the 70s, when deer for farming – dramatically caught alive, from helicopters – was a multi-million dollar gold rush. Different versions of the film were made for overseas markets.
“It’s hard to imagine our way of life before the box turned up in our living rooms.” Newsreader Dougal Stevenson presents this condensed history of New Zealand television’s first 15 years: from 60s current affairs and commercials, to music shows and early attempts at drama. The first part of a two-part special, this charts the single channel days of the New Zealand Broadcasting Corporation from its birth in 1960 until puberty in 1975, when it was split into two separate channels. Includes recollections from many of NZ TV’s formative reporters and presenters.
Reg Dunbar’s war was mostly fought in the skies above Europe and North Africa. His first bombing raids over Germany were as an RAF tail gunner in a Vickers Wellington plane - a cold and lonely job he says. For the rest of that tour he was in the wireless operator’s seat, the job he’d trained for. In North Africa the squadron supported the Eighth Army, the famous Desert Rats. Reg also took part in the first thousand bomber raid over Cologne. Later he worked on the secret 'Moonshine' radar, which fooled the Germans into thinking a bomber formation was on the way.
This 1966 edition of National Film Unit’s magazine slot heads to Christchurch International Airport to explore weather measuring devices being launched there. Helium 'Ghost Balloons' are sent into the sky by an outpost of the United States' National Center for Atmospheric Research. Meanwhile Christchurch weathermen send up hydrogen balloons, read satellite data, and provide a flight plan for a U2 reconnaisance plane from the US Air Force. The pilot’s preflight routine involves breathing pure oxygen to prepare him for the ultrahigh altitude plane’s steep ascent into the sky.
Set at the apex of the magnificent Te Mata Peak, Ed Davis' spectacular one shot wonder appears devilishly loaded. Opening on a transmitter tower, we pan to discover our brooding hero slouched in front of TV. Cropping to widescreen allows Davis to cleverly frame the action and draw focus, as our axe wielding hero busts a valve, unleashing a world of hurt upon the offending appliance. Backing away from the dispute, amidst breathtaking scenery, we close on the root of evil - the loathsome tower.
In the 1980s ex-NZBC staffer Howard Moses produced and directed a trio of award-winning alpine films: Across the Main Divide, Incredible Mountains and Turn of the Century (a history of skiing in NZ). Winter Olympic chronicle Zimska Olimpijada won best doco at 1987's Mountainfilm in Telluride Festival. Based in Australia since 1991, Moses has worked in TV in Western Australia and the Northern Territory.
During a broadcasting career spanning more than three decades, versatile producer/director Peter Morritt produced and directed a run of shows for state television, from current affairs to talk shows, including the first two seasons of Fair Go. London-born Morritt retired in 1996.