The first episode of The Tribe introduces many of the key elements that would capture fans around the globe: including a future where teens rule, and a shopping mall that provides a bolthole from terrifying, colourfully-garbed gangs. After meeting the only occupant, Amber (Beth Allen) decides the mall could be the perfect place for her new friends to hole up in. Meanwhile Lex (Caleb Ross) — soon to become one of The Tribe's longest-serving anti-heroes — gets angry. Employing roughly 500 cast and crew, Raymond Thompson's show introduced a host of young actors over five seasons.
Set in a future where teen gangs control the streets, The Tribe became a global hit at the turn of the millenium. In this second episode, the group have to decide whether they trust Lex enough to let him into the safety of the shopping mall. Lex appears out to prove that he is the resident alpha male, especially after the arrival of Bray (Dwayne Cameron), who has a surprise to spring. For the first season, a group of young people read each script in order to check that The Tribe provided what creator Raymond Thompson called "an accurate interpretation of children's ideas".
Anthropologist Max Scarry goes missing in Fiordland, while searching for a fabled Māori tribe. The local policeman believes Max broke local tapu. Max's partner Ruth sets off with his twin brother, murder suspect Edward, to try to unravel the mystery. John Laing's second feature attempts an ambitious Hitchcockian plot, and the cast — especially John Bach's terse doppelganger performance — testifies to the talent on hand in the early days of the Kiwi film renaissance. Atmospheric camerawork makes the most of damp Wellington, and remote bush settings.
One of the most successful television shows shot on Kiwi soil, The Tribe was the brainchild of British-born Raymond Thompson. In a future where the adults have been wiped out by a virus, the children that remain have formed into competing tribes, some of whom live to terrorise. Running five seasons, The Tribe sold to more than 120 territories, and the cast toured performances from the soundtrack for overseas fans. The cast were almost entirely New Zealanders, as were most of the crew. Sequel The New Tomorrow, following descendants of the original characters, screened in 2005.
Pioneering South Auckland hip hop crew Lost Tribe had a top 20 hit in 1996, with melodic single 'Summer in the Winter'. The group's existence was fairly short, and they are probably better known for what happened after they folded: rapper Brotha D (Danny Leaosavai'i) went on to co-found legendary Kiwi hip hop label Dawn Raid with business partner Andy Murnane.
Rip it Up editor and hip hop supremo, Philip Bell (DJ Sir-Vere) drops his Top 10 selection of Aotearoa hip hop music videos. The clips mark the evolution of an indigenous style, from the politically conscious (Dam Native, King Kapisi) to the internationalists (Scribe, Savage). It includes iconic, award-winning efforts from directors Chris Graham, Jonathan King, and more.
Celebrate iconic Māori television, film and music with this collection, in time for Māori New Year. Watch everything from haka to hip hop, Billy T to the birth of Māori Television. Two backgrounders by former TVNZ Head of Māori Programming Whai Ngata (Koha, Marae) look at Matariki, and the history of Māori programming on New Zealand television.
Actor Kevin Smith could do it all; from brooding like Brando in a Tennessee Williams play, through Xena, to the gentle romantic lead of Double Booking, and self-parody in Love Mussel. Collected here are selections from a career cut short (he died in a 2002 film-set accident). Plus tributes from James Griffin, Michael Hurst, Geoffrey Dolan and Simon Prast.
This collection celebrates more of the legendary TV moments that Kiwis gawked at, chortled with, and choked on our tea over. In the collection primer Paul (Eating Media Lunch) Casserly chews on rapper Redhead Kingpin’s equine advice to 3:45 LIVE! and mo’ memorable moments: from a NSFW Angela D'Audney to screen folk heroes Colin McKenzie and the Ingham twins.
From the icons (Sky Tower, Otara Market, Rangitoto, The Bridge), celebs, clans and stereotypes (Jafas), to the streets (Queen St, K Road), and Super City suburbs (Ferndale, Mt Raskill, Morningside), this collection celebrates Auckland onscreen. Reel through the moods and the multicultural, metro, muggy charms of New Zealand’s largest city. In this backgrounder, No. 2 director Toa Fraser writes about Auckland as a place of myth, diversity and broken jaws.