This 1949 episode of the National Film Unit’s Weekly Review newsreel series goes on a jaunty whistle-stop tour across the country. It takes off on TEAL’s new flying boat (Ararangi), from Wellington’s Evans Bay on a cruise over to the Marlborough Sounds and back. We then stop to smell the tulips on a South Canterbury tulip farm; before revving up for dusty motorhead bliss in Whanganui as a swarm of motorcyclists contest the Motorcycle Grand Prix. The reel pulls up in an Auckland factory for a fascinating look at the manufacture of glamourous nylon stockings.
Wellington’s Today Tonight was one of four regional news shows launched by TVNZ in 1980. Over the years its hosts included Roger Gascoigne, Mark Leishman and Mike Bodnar. The show covered the local news from the pre-Wellywood, pre-’Absolutely Positively’ era: from restaurateur Remiro Bresolin’s Venetian mural, and a Philip Rush midwinter swim to work (across the harbour); to show stalwart Bas Tubert doing an offbeat Lady and the Tramp number for the Botanic Gardens tulip festival, and Beehive whimsy when David Lange (PM) meets David Lange (farmer).
This Artsville TV documentary plucks its way through a Kiwi-focused history of the ukulele, from Waikiki to Wellington, using the dream of “godfather of Polynesian music” Bill Sevesi as its starting point: namely “that the children would be playing the ukulele all over the country.” Presenter Gemma Gracewood (of the Wellington International Ukulele Orchestra) reveals the instrument’s Pacific adoption and burgeoning popularity, and meets acolytes of ‘the uke’: from Herman Pi’ikea Clark to Jennifer Ward-Lealand, to Sevesi strumming with onetime pupil Sione Aleki.
Winter is going. This impressionistic take on spring in Aotearoa focuses on details of regeneration, from the mountains to the sea. Director Ron Bowie and cameraman Grant Foster capture signs of the season: ice melt like tadpoles under snow grass, gannets nesting on their Cape Kidnappers tenement, fern koru unfurling, kōtuku and royal spoonbills perched in Ōkārito trees like Dr Suess characters, willow buds and kōwhai flowers. And of course, lambs and daffodils. The camera aptly obeys the title to end. Patrick Flynn (Don’t Let it Get You) composed the score.
This booster's gem was produced by the NFU to mark Canterbury's centennial. The original Canterbury crusaders' dream of a model England colony is shown in settler life re-enactments. The importance of meat and wheat to the region's prosperity is extolled and a progressive narrative — "in one brief century they've turned the wilderness into fertile farms and built their red-roofed homes" — underpins contemporary scenes (cricket, church) and much bucolic (plains, alps) scenery. Trivia: Peter Jackson used an excerpt from the film to open Heavenly Creatures.
The quarter acre dream is in full flower in this colourful celebration of Kiwi gardening. Director Conon Fraser surveys the symbols (tool sheds, trimmed edges) and rituals (broken window, cricket ball), and muses on the role of gardens: from civic pride to “escape from the house”. A wide range of public and private landscapes are honoured, both reverentially — a time-lapse of blooms in Wellington's Lady Norwood Rose Garden — and whimsically — eg talking pests, and a couple rolling on the lawn in front of a knitting oldie. The film won top prize at a US Horticultural Society Festival.