Turangawaewae   a place to stand thumb

Turangawaewae - A Place to Stand

Short Film, 2012 (Full Length)

In this short film, Māori kaumātua Laly Haddon and his Pākehā wife Sharley are interviewed about their relationship to each other and the land. The couple’s kōrero ranges from computers and tapu places, to horse breeding and racism, and provides a lens through which love, biculturalism and belonging are explored. Cathy Macdonald’s film was part of international documentary Other Than, made up of 11 short films touching on the theme of diversity. A 2013 Washington Post review said Turangawaewae was “capable of great feeling”. Ngāti Wai leader Haddon died in Pakiri in July 2013.

4110.thumb

Turangawaewae / A Place to Stand

Short Film, 2003 (Full Length)

Actor Wi Kuki Kaa (1938 - 2006) plays Tiare, a Vietnam War veteran who is dislocated by his experiences of war, and homelessness. He wanders the city streets, collecting ephemera in plastic bags. Nancy Brunning plays his daughter, who, with her own daughter, visits their reluctant koro (old man) to convince him to visit his ancestral home. The result is a moving story about a man jolted to find his turangawaewae (place to stand), and the whanau that helps him get there. Directed by Peter Burger, the film was selected for Critics' Week at the 2003 Cannes Film Festival.

1889.thumb

Tangata Whenua - Waikato

Television, 1974 (Full Length)

Tangata Whenua was a groundbreaking six-part series from 1974, on Māori. Barry Barclay directed, and historian Michael King was writer and interviewer. Each episode (remarkably screening in primetime on Sunday nights) chronicled a different iwi and included interviews with kaumātua  a first for New Zealand screens. This episode looks at the people of Waikato, and focuses on the Kīngitanga (Māori King Movement), examining why a movement formed in the Waikato in the 19th century to halt land sales and promote Māori authority has contemporary relevance.

1852.thumb

Our People Our Century - A Piece of Land

Television, 2000 (Excerpts)

This Philip Temple-scripted episode of Our People, Our Century covers stories of New Zealanders and their turangawaewae: a piece of land they call their own. The importance of the land to farming families, and to the economy of NZ is explored through the eyes of three families. Elworthy Station in South Canterbury is being farmed by a 5th generation Elworthy. Two elderly ladies reminisce on their childhood in remote Mangapurua, near Raetihi in the central North Island. And a Māori family in Taranaki reflects on their decision to sell the family farm. 

4557.thumb

Tāhere Tikitiki - The Making of a Māori Canoe

Television, 1974 (Full Length)

This National Film Unit documentary records the 18-month-long building process of a waka taua (war canoe): from the felling of the trees — opening with an awe-inspiring shot of the giant totara selected by master carver Piri Poutapu — to the ceremonial launch. The waka was commissioned by Māori Queen, Te Arikinui Dame Te Atairangikaahu, and built at Tūrangawaewae Marae. The Harry Dansey-narrated film was significant in showing the importance of the canoe-building kaupapa alongside the everyday lives of the workers (at the freezing works, the pub).

4952.thumb

People of the Waikato

Short Film, 1956 (Full Length)

People of the Waikato makes frequent pitstops along the 425 km path of NZ's longest river. Made in an era of post-war electricity shortages, the film balances requisite beautiful scenery with excursions into the Waikato's extensive hydroelectric system: including then-unfinished fourth dam Whakamaru, whose development was slowed by the discovery of clay in the foundation rock. Alongside brief glimpses of those who live and work on the river, there is footage of stunt-filled canoe races, Turangawaewae Marae, and a veteran boatman tugging coal. 

4204.thumb

Tangi for Te Arikinui Dame Te Atairangikaahu

Television, 2006 (Excerpts)

More than 430,000 people watched television coverage of the Māori Queen's tangi. Broadcast across three networks and streamed around the world, the coverage began with the coronation of the successor to Te Arikinui Dame Te Atairangikaahu. Cameras then traced Dame Te Atairangikaahu's final journey from Turangawaewae along the Waikato River by waka, to her final resting place on Mount Taupiri. The presenting team, led by veteran journalist Derek Fox, was chosen by both TVNZ and Māori Television Services.

Ruia taitea the world is where we are key image

Ruia Taitea: The World is Where We Are

Film, 1990 (Full Length)

This documentary looks at the life and work of acclaimed author Patricia Grace. Filmed at home, on marae and in classrooms, Grace discusses her writing process, her Hongoeka Bay upbringing, her children’s books, criticism of her work, and her Māori identity and belonging to the land (a theme of her then-recently successful novel Potiki). In particular she affirms the importance of writing from experience. The film features interviews with publishers and friends, and excerpts from Grace's stories are read and dramatised, including At the River, The Hills and Mutuwhenua.

2836.thumb

Bastion Point - The Untold Story

Television, 1999 (Full Length)

In 1977 protesters occupied Bastion Point, after the announcement of a housing development on land once belonging to Ngāti Whātua. 506 days later police and army arrived en masse to remove them. This documentary examines the rich and tragic history of Bastion Point/ Takaparawhau — including how questionable methods were used to gradually take the land from Māori, while basic amenities were withheld from those remaining. The documentary features extensive interviews with protest leader Joe Hawke, and footage from seminal documentary Bastion Point Day 507.   

Maori key

Māori

Short Film, 1981 (Full Length)

This 1981 NFU film is a tour of the contemporary world of Aotearoa’s tangata whenua. It won headlines over claims that its portrayal of Māori had been sanitised for overseas viewers. Debate and a recut ensued. Writer Witi Ihimaera felt that mentions of contentious issues (Bastion Point, the land march) in his original script were ignored or elided in the final film, and withdrew from the project. He later told journalists that the controversy showed that educated members of minority groups were no longer prepared to let the majority interpret the minority view.