Auckland Museum's Volume exhibition told the story of Kiwi pop music. It's time to turn the speakers up to 11, for NZ On Screen's biggest collection yet. Turning Up the Volume showcases NZ music and musicians. Drill down into playlists of favourite artists and topics (look for the orange labels). Plus NZOS Content Director Kathryn Quirk on NZ music on screen.
Record label Flying Nun is synonymous with Kiwi indie music, and with autonomous DIY, bottom-of-the-world creativity. This collection celebrates the label's ethos as manifested in the music videos. Selected by label founder Roger Shepherd: "A general style may have loosely evolved ... but it was simply due to limited budgets and correspondingly unlimited imaginations."
Kids of the 80s will fondly recall this after school current affairs show. Presenter Lloyd Scott was a national celebrity at the time as ‘Scotty’, Barry Crump’s hapless companion in a popular series of ads for Toyota. Items in this last edition for 1983 include traffic safety with radio hosts Lindsay Yeo and Buzz O’Bumble, and the arrival at Auckland Zoo of a pair of Galapagos tortoises (whose faces reporter Jane Dent guesses were inspirations for E.T.). Backed by children from Taita Central School, Scott signs off with ‘Merry Christmas’ in English, Māori and Samoan.
Long-running afternoon show The Video Dispatch presented current affairs for younger viewers. Legend has it some politicians also used it to get a handle on the news. Topics ranged from poverty to a DIY polytech computer called ‘Poly’. The show's first presenter was Dick Weir, who in 1983 handed the reins to Lloyd Scott (best known at the time as Barry Crump's hapless pal in a series of Toyota ads). Rodney Bryant replaced Scott in 1987. Among the show's many reporters were Michele A'Court, Kerre McIvor (nee Woodham), and Bill Ralston. The title sequence will tickle nostalgia for 80s kids.
Rip it Up editor and hip hop supremo, Philip Bell (DJ Sir-Vere) drops his Top 10 selection of Aotearoa hip hop music videos. The clips mark the evolution of an indigenous style, from the politically conscious (Dam Native, King Kapisi) to the internationalists (Scribe, Savage). It includes iconic, award-winning efforts from directors Chris Graham, Jonathan King, and more.
This NZ Music Month collection showcases NZ music television, spun from a playlist of classic documentaries and beloved music shows. From Split Enz to the NZSO, Heavenly Pop Hits to Hip Hop New Zealand, whether you count the beat or roll like this, there’s something here for all ears (and eyes). Plus music writer Chris Bourke gets Ready to Roll with this pop history primer.
The Video Kid was one of many outlets for the musical talents of Bret McKenzie, who has done time in pop-reggae outfit The Black Seeds, the Wellington International Ukulele Orchestra and, as half of slightly successful folk-parody duo Flight of the Conchords. The Video Kid released his Prototype, his only album to date, in 2004. Described as folk-electronica-meets-synth-over-satire, it received a nomination at that year's b.Net Awards for Best Downbeat Release.
The artist-briefly-known-as Monte Video was musician Murray Grindlay. Grindlay was a guitarist in the legendary 1960s R&B group the Underdogs, and sang their biggest hit, 'Sitting in the Rain'. Since the 1970s the "the king of jingles" has been the musical force behind many of NZ's most memorable TV advertisements, including 'Dear John' for BASF tape, 'Travelin' On' for Europa, and 'Have a Crunchie' for the long-running Crunchie Great Train Robbery ad. Grindlay has also released solo albums and co-wrote the scores for Sleeping Dogs and Once Were Warriors.
It's hard to reduce legendary band Split Enz down to a single sound or image. Soon after forming in 1973, they began dressing like oddball circus performers, and their music straddled folk, vaudeville and art rock. Later the songs got shorter, poppier and — some say —better, and the visuals were toned down...but you could never accuse the Enz of looking biege. With Split Enz co-founder Tim Finn turning 65 in June 2017, this collection looks back at one of Aotearoa's most successful and eclectic bands. Writer Michael Higgins unravels the evolution of the Enz here.
Director, photographer and Axemen drummer Stuart Page is a prolific filmmaker, who has made over 40 music videos. Page has directed clips for Superette, The Clean, and The Skeptics’ infamous AFFCO. In 2009 he won Best Feature Documentary and Best Emerging filmmaker at the DocNZ International Film Festival for his film Shustak, a portrait of American photographer Laurence Shustak. Page also compiled alternative music compilation Noisyland.