This long-running travelling TV game show pitted towns against each other in a series of physical challenges. Leveraging nostalgia for a fast-fading time when NZ's population (and identity) resided in rural hub towns, Top Town was Kiwi light-entertainment gold. This 1977 final, presented by Howard Morrison and radio host Paddy O'Donnell, features short shorts, jockettes, greasy poles, 'balloon baloney', and beautiful scorer Theresa. A large crowd at Okara Park watch Timaru, Greymouth, Waihi and Woodville compete for civic bragging rights in the sun.
Marcus Lush travels from the vast Kaingaroa Forest to New Zealand's busiest rail junction (at Hamilton), in this instalment of his popular show about the country's railways. Along the way, he meets a legless train accident survivor turned motivational speaker; potter Barry Brickell and his 3km narrow gauge railway at Driving Creek in the Coromandel; and a collector with more than 2,700 rail related items. There's also a visit to Waihi. Transformed into a boomtown by gold and rail in the 1870s, it was home to the might and power of the Victoria stamper battery.
Rangi Hetet was only 17 years old when he began working as an apprentice, carving the Tāpeka meeting house. Six decades later, his life and work are examined in this documentary, as his children prepare to exhibit his work at the Dowse Art Museum alongside that of their mother, the late Erenora Puketapu-Hetet. The feature-length documentary also explores the art of whakairo (carving), and its cultural significance within Māori communities. Mo Te Iwi director Robin Greenberg's earlier film Tu Tangata: Weaving for the People (2000) was about Erenora and her Māori weaving.
This long-running travelling TV game show pitted towns against each other in a series of colourful physical challenges. The 1986 final takes place at Lower Hutt’s Fraser Park, where teams from Alexandra, Timaru, Whangarei (including future All Black Ian Jones) and Waihi compete for civic bragging rights. Hosted by Bill McCarthy and Paddy O’Donnell, with officials Melissa (Miss Top Town) and champion Olympic kayaker Ian Ferguson. A Taniwha, cross-dressing cheer squads, a Para Pool, and slippery slope, all make for much light entertainment malarkey.
The three day Nambassa Festival, held on a Waihi farm in 1979, is the subject of this documentary. Attended by 60,000 people, it represented a high tide mark in Aotearoa for the Woodstock vision of a music festival as a counterculture celebration of music, crafts, alternative lifestyles and all things hippy. Performers include a frenzied Split Enz, The Plague (wearing paint), Limbs dancers, a yodelling John Hore-Grenell and prog rockers Schtung. The only downers are overzealous policing, and weather which discourages too much communing with nature after the first day.
Legendary filmmaker Rudall Hayward, MBE, directed seven features over five decades — decades in which the concept of Kiwi movie-making was still an oxymoron, or meant a foreigner was in charge. Inspired by NZ’s cross-cultural history, Hayward remade his own Rewi’s Last Stand in 1940. Later he married Rewi star Ramai Te Miha, launching a filmmaking partnership that lasted until Rudall’s death in May 1974.
Kerre McIvor (née Woodham) first won a wide television audience as a reporter, over five seasons on consumer rights show Fair Go. Since then, alongside television excursions on Nightline, Heartland and Intrepid Journeys, she has become a successful talkback host, author and newspaper columnist.