In this documentary, Kiwi icon Lynn of Tawa (Ginette McDonald) — she of mangled vowel fame — goes on the prowl in search of the ultimate Kiwi bloke. The girl from the suburbs explores the gamut of masculine mythology, from Man Alone to mateship, and asks "can a woman ever be a mate?". Made when the good keen man was facing up to the challenge from SNAGs, the documentary travels from the West Coast (for sex education) to a men's club, from rugby scrums to rabbit culls, and meets hunters, lawyers and gay ten-pin bowlers. The opening credits mispell Lynn as Lyn.
When Avalanche City recorded its first album, it was literally as a one-man band. That one man was Dave Baxter; in a small country hall north of Auckland, he assembled Our New Life Above the Ground. Initially released as a free download, the album took off thanks to 2011 single Love Love Love, which topped the New Zealand charts after TV2 picked it up as the soundtrack to its station promos. The album was then rereleased by Warner Music. Second album We Are For the Wild Places followed in 2015, and spawned a second chart-topper, 'Inside Out'. To boost the live sound, a full band of musicians is added.
Since the 1970s, producer John Barnett has been instrumental in bringing a host of uniquely Kiwi stories to local and international screens, from Fred Dagg to Footrot Flats, from Whale Rider to Sione’s Wedding and What Becomes Of The Broken Hearted?, from iconic soap Shortland Street to the wildly successful Westie family drama Outrageous Fortune.
Orange Roughies was a 'border security' drama series following a Police and Customs task force led by Danny Wilder (Australian actor Nicholas Coughan). Made for TV One, the ScreenWorks production was likely inspired by Australian television hit Water Rats. Set in and around Auckland Harbour, it featured storylines involving drug busts, child trafficking, undercover ops and plenty of land-sea chase action. The show was created by Rod Johns and former policeman Scott McJorrow. The script team was rounded out by Kristen Warner and series writer Greg McGee.
Popstars was a key part of the late 1990s reality television explosion. The series followed the creation and development of all-female pop band TrueBliss (Carly Binding, Keri Harper, Joe Cotton, Megan Alatini and Erika Takacs). The five singers went on to record several chart-topping singles, and a platinum-selling album. Also a hit was the series format, which sold around the world and helped inspire Pop Idol/American Idol, the franchise that would dominate reality television for years to come. Popstars was named Best Entertainment Programme at the 1999 NZ Television Awards.
Cinematographer Stuart Dryburgh has helped create some of the most iconic images of New Zealand cinema: the girl with a mop of red hair, standing at the end of a country road in Angel at my Table; the piano on a deserted beach in The Piano, and the charged kitchen scenes of Once Were Warriors.
Since the 1970s John Barnett has brought a host of uniquely Kiwi stories to local and international screens, from Fred Dagg and Footrot Flats, to Whale Rider, Sione's Wedding and Outrageous Fortune. As boss of production company South Pacific Pictures for 24 years, he was a driving force behind some of our landmark television dramas and feature films.
David Coulson trained to be a director, but instead discovered a passion for editing. He joined TV One and worked on a range of programmes including Mortimer's Patch, before going freelance in the early 80s. Since then he has won awards for his work in feature films and commercials, and established an ongoing working relationship with Niki Caro, editing all her features from Whale Rider onwards.
Tangata Whenua, A State of Siege, Utu, Smash Palace, The Quiet Earth, Illustrious Energy...The resume of soundman turned producer Don Reynolds covers the modern renaissance of New Zealand film. After starting his own sound companies, Reynolds has gone on to production roles in New Zealand, Australia, Canada and the United Kingdom.