This collection is a celebration of the eccentric, exuberant career of NZ screen industry frontrunner Tony Williams. As well as being at the helm of many iconic ads (Crunchie, Bugger, Spot, Dear John) Williams made inventive, award-winning indie TV documentaries, and shot or directed pioneering feature films, including Solo and cult horror Next of Kin.
Rock’s wild man hits Wellington (and unfortunate bystander Rosie Langley) in this lip-synched version of single 'I’m Bored'. Filmed by a Radio with Pictures crew when Iggy Pop made a promotional visit to New Zealand in July 1979, the clip shows the legendary singer acting up around Parliament, and at a pub reception attended by local media personalities (including Roger Gascoigne). It’s an uncomfortable experience for some as Iggy pulls all his stage moves among the straight-faced (and partly straight-laced) crowd. The trip was promoting his third solo album New Values.
Great adverts are strange things: mini works of magic, with the power to make viewers smile, cry, and even buy. Kiwi directors have shown such a knack for making them, they've been invited to do so across the globe. But this collection is about local favourites; dogs on skateboards, choc bar robberies, ghost chips. NZ On Screen's Irene Gardiner backgrounds the top 10 here.
This is the final episode of the pioneering Kiwi soap. TV One’s Hearte family saga achieved enormous popularity during its eight year run, and provided a training ground for a generation of screen talent. But by 1982 Close to Home’s characters were aging or departed, and the show faced competition from American youth-focused fare (eg Fame, The Six Million Dollar Man). With this 818th episode it was time for moving house, nostalgic re-caps, for The Seekers’ ‘Carnival is Over’ to score the opening credits, and for Tom (John Bach) to stub out his last ciggie and write the ending.
This 2010 series adapted the theatre comedy of Laughing Samoans Eteuati Ete and Tofiga Fepulea’i into a show on TV2, pairing sketches and interviews with excerpts from their stage show. In this opening episode Aunty Tala (Fepulea’i) receives a sign that a prospective husband is in Wellington and takes her niece Fai (Ete) to nab him. Their tour of the capital includes Te Papa, Cuba Street, The Backbencher Pub near Parliament, and Les Mills gym. Aunty Tala flirts with All Blacks Jerome Kaino and Ma’a Nonu, opera singer Ben Makisi, Prime Minister John Key and actor Robbie Magasiva.
It's hard to reduce legendary band Split Enz down to a single sound or image. Soon after forming in 1973, they began dressing like oddball circus performers, and their music straddled folk, vaudeville and art rock. Later the songs got shorter, poppier and — some say —better, and the visuals were toned down...but you could never accuse the Enz of looking biege. With Split Enz co-founder Tim Finn turning 65 in June 2017, this collection looks back at one of Aotearoa's most successful and eclectic bands. Writer Michael Higgins unravels the evolution of the Enz here.
This film investigates and captures the dramatic changes to Wellington's cityscape in the 70s and 80s. "To get in before nature's earthquake we created one of our own". As a result of mass demolition of buildings deemed to be earthquake risks and the subsequent building boom, graveyards make way for motorways, and wood and stone for steel, glass and concrete. There are interviews with the boosters (Bob Jones, Sir Michael Fowler), demo workers, and laments for the loss of heritage and local culture (Harry Seresin, Aro Valley protesters, and surprisingly, Rex Nicholls).
In the early 1970s expat broadcaster Michael Dean took Aotearoa’s pulse, as it loosened its necktie and moved from “ice-cream on mutton, swilled around in tea” conservatism, towards a more cosmopolitan outlook. Dean asks the intelligentsia (James K Baxter, Tim Shadbolt, Peter Cape, Shirley Smith, Bill Sutch, Ian Cross, Peter Beaven, Pat Hanly, Syd Jackson, Hana Te Hemara) for their take. The questions range from “what does the family in Tawa sit down to eat these days?” to the Māori renaissance. Dean had made his name in the 60s, as a high profile broadcaster with the BBC.
Made in an era before “coolest little capital” and Absolutely Positively Wellington, the title of this NFU promotional film — Promises, Promises — nods to the capricious charms of the harbour city. A reflective narration is scored by a saxophone soundtrack as the film tours from the stock market, school fair, and swimsuit shopping, to Trentham and up hillside goat-tracks. The opening of Parliament is cut together with a Lions versus France rugby match at Athletic Park, while Scorching Bay is jam-packed with sun-seekers (it must have been filmed on a good day).
Three friends tour the Wellington pub scene, playing pool with ever-increasing stakes. Then they enter a tournament run by vicious crime boss ‘Daddy'. Narrator Kirk Torrance (Outrageous Fortune) guides us through their mission to pocket the money. Hamish Rothwell's only feature to date was a Kiwi take on the UK urban underbelly genre (Lock, Stock etc). "Smart, stylish and effortlessly entertaining" (Dominion Post) the film was a hit with young males and won several 2001 NZ Film and TV Awards (including best director, script, and actor). It sold to over 30 countries.