This acclaimed TV series heads to Aotearoa’s heartland, dispensing with narration or a city slicker presenter so that local personalities can represent themselves. The opening episode travels to the West Coast to meet the 'Coasters' who live there: from publicans, prospectors and bushmen, to sheila truck drivers, knitting drag queens and musical theatre directors. The Dominion Post’s Karl du Fresne wrote of the show: "Producer Melanie Rakena has done a superb job seeking out engaging characters with interesting stories and allowing them to tell them in their own way."
This late 80s game show features couples attempting to build time credits by answering a series of questions. The prices include household appliances and a holiday to “exotic Tahiti”. Hosted by Paul Henry — in his TV debut — Every Second's’ gentle pace is decades removed from the accelerating insistency of Who Wants to be a Millionaire or Weakest Link. Henry fronts with more groaning Granddad jokes than the PC-baiting cheek he’d later become famous for, but early warning signs are there, disguised in a formidable 80s suit and white loafers.
This short film evokes a day fishing from Karioitahi’s black sand beach: balloons are tied to bait lines then sent out, and the fisherman yarn, drink Fanta, and reel in the catch. Expressively shot by Lynton Diggle in black and white, and backed by an accoustic guitar score, the narration-free Pictorial Parade marked an early entry for director John Laing (Beyond Reasonable Doubt). In 2001 Laing proudly recalled his NFU employers' outrage at the film's “pseudo-Japanese bullshit.” He left the Unit shortly after; ironically the film would win him a job at Canada’s National Film Board.
Gaylene Preston's documentary on writer Keri Hulme — filmed two years after Hulme shot to global fame on the back of her Booker Prize-winning novel The Bone People — is both a poetic travelogue of Okarito (the township where she resided for 40 years), and a sampler-box of affable musings on her writing process, whitebait fishing, the supernatural, and the 1200 pages of notes for her next novel, the elusive Bait. Leon Narbey's camera is aptly alert to the magical qualities of the coast, from the resident kotuku to the surf and birdsong peppering Hulme’s crib.
This educational video was made by the NFU for the National Mountain Safety Council to promote awareness of bush safety. After a blackboard science lesson (check out a bearded Ray Henwood) things get interesting. A fictional trip into the bush turns into a Stubbies-clad 70s Kiwi version of the Blair Witch Project as we're told that one of the group will not survive the night, picked off by that fearsome killer: exposure. The message is serious, but the doom-laden tone induced titters in school classrooms and scout halls throughout NZ.