“An ironic comedy about a disconnected New Zealand family” is the tagline to this early Alison Maclean short. Recently widowed Nan (Yvonne Lawley) assesses her life and the roles prescribed by her family as she readies a Sunday roast. Her new plans — “I won’t be able to make the Christmas Cake this year” — rattle the shackles of her Old Testament-bashing husband and her ex-All Black son. Nan was a comeback leading role for Lawley after time away raising a family. Written with playwright Norelle Scott, Maclean’s short screened with the About Face TV series.
In 1991 Moana and the Moahunters mixed house beats with a lyrical plea for the importance of preserving the Māori language. It was not the first time te reo had been heard on Aotearoa’s airwaves. This Spotlight collects together classic songs which are wholly or partially in Māori: from 1981 Dean...
Buckle up as we blast from the past Russ le Roq, gameshow host Paul Henry, tweenaged Kimbra and catwalk model Rach. Paul Casserly primes the collection: "pig out on these pre-fame Kiwis, gaze upon their fresh faces and remember the good times, before they were famous, before they became household names, movie stars, action figures and flavours of ice-cream."
For this screen showcase of NZ visual arts talent, critic Mark Amery selects his top documentaries profiling artists. From the icons (Hotere, McCahon, Lye) to the unheralded (Edith Collier) to Takis the Greek, each portrait shines light on the person behind the canvas. "Naturally inquisitive, with an open wonder about the world, they make for inspiring onscreen company."
He learnt kapa haka as a child. He learnt to smoulder on Shortland Street. He punched a country in the guts with Once Were Warriors. Temuera Morrison has starred in Māori westerns, adventure romps, and cannibal comedies. In the backgrounder to this special collection, NZ On Screen editor Ian Pryor traces Temuera Morrison's journey from haka to Hollywood.
Billy Taitoko James is a Kiwi entertainment legend. His iconic ‘bro’ giggle was infectious and his gags universally beloved. This collection celebrates his screen legacy, life and inimitable brand of comedy: from the skits (Te News, Turangi Vice), to the show-stealing cameos (The Tainuia Kid), and the stories behind the yellow towel and black singlet.
Sir Howard Morrison (1935 - 2009) was a Kiwi show business icon. This collection is a celebration of 'Ol' Brown Eyes' on screen. From classic concerts and performances of 'Whakaaria Mai', to riffing with with Billy T James; from hosting Top Town, to starring in 60s feature film Don't Let it Get You, to a This is Your Life tribute. Ray Columbus: "He was a master entertainer".
It started with grunge and ended with Spice Girls; Di died, Clinton didn't inhale and the All Blacks were poisoned. On screen, Ice TV and Havoc were for the kids and a grown-up Kiwi cinema delivered a powerful triple punch. Tua's linguistic jab proved just as memorable, Tem got a geography lesson and Thingee's eye popped and reverberated around our living rooms.
Carl (Australian actor David Wenham) and Julie (Step Dave lead Sia Trokenheim) are an estranged couple whose teen daughter Eve has gone missing in India. Their search takes them from Auckland to New Delhi and the Himalayas, where culture clashes and old wounds frustrate their efforts. The film was directed by Indian Pan Nalin (the acclaimed Samsara) and written by Kiwi Dianne Taylor. Known World was the first product of a NZ-India co-production treaty; the team of producers includes Kiwis Kristian Eek and Matthew Horrocks. Known World opens in NZ cinemas in April 2017.
Visionary educationalist and novelist Sylvia Ashton-Warner is interviewed by leading educationalist of the day, Jack Shallcrass, in this documentary about her life and work. From her home in Tauranga the film explores her educational philosophies (“organic teaching” and her “drive to diffuse the impulse to kill”) and her “divided life” between woman and artist, as she plays piano and interacts with children. It is the only interview she ever made for television, and was the first of the Three New Zealanders documentaries made to mark International Women's Year.