This documentary about Māori writer Witi Ihimaera features him in conversation with filmmaker Merata Mita. Ihimaera traverses his life and writing career, emphasising the importance of family (particularly his mother and grandmother) and his overriding Māori identity. Aileen O'Sullivan's film features a star-studded assemblage of local literature — Keri Hulme, Albert Wendt, publisher Geoff Walker — and a dramatised excerpt from his novel Bulibasha ( featuring Rena Owen, Michael Hurst and Rawiri Paratene), shot roughly two decades before 2016 movie adaptation Mahana.
With his 1973 book Tangi, Witi Ihimaera became the first Māori to publish both a novel and a book of short stories. Later his book The Whale Rider inspired a feature film which won international acclaim, and became one of the highest grossing 'foreign' titles released internationally in 2003. Ihimaera's work has also seen a number of television adaptations, including landmark big city tale Big Brother, Little Sister.
This documentary accompanies author Witi Ihimaera on a journey with his "townie" daughters to his marae in Waituhi on the East Coast, ahead of the publication of third novel The Matriarch. Ihimaera describes his writing as a type of "tangi to a people and to a life" he experienced growing up around Waituhi in the 1950s — a way of life symbolised by the tears of the toroa (albatross) said to be held deep in greenstone. Jim Moriarty is among those reading from Ihimaera's works. The film is directed by Peter Coates, from Inspiration, his series on New Zealand artists.
Witi Ihimaera was the first Māori writer to publish a book of short stories (Pounamu Pounamu) and a novel (Tangi). In this wide-ranging Kaleidoscope profile Ihimaera (here in his late 30s) talks about being “the boy from the sticks made good”, and conforming to expectations: “do I want to be the literary voice of the Māori people? No”. He discusses editing influential anthology Into the World of Light and the camera accompanies him on a Wellington circuit, as he roller-skates, and visits Newtown’s Black Power HQ. George Henare reads excerpts from Ihimaera’s work.
The Coming-of-Age collection includes many of New Zealand's most beloved films. Featured are grumpy uncles, annoying parents, plus a wide range of children and teens negotiating the challenges of growing older — and wiser. Among the young actors making an early mark are an Oscar-nominated Keisha Castle-Hughes (Whale Rider), James Rolleston (Boy) and 12-year-old Fiona Kaye (Vigil). The titles include Alone, the winner of NZ On Screen's very first ScreenTest film contest. In the backgrounder, young Kiwi actor Thomasin Harcourt McKenzie writes from New York.
Launched on 5 April 1976, Winners & Losers heralded a new age in Kiwi screen drama. Indie talents Roger Donaldson and Ian Mune based their tales of success and failure on New Zealand short stories, after managing to negotiate funding from various government sources. Then the pair took the series to Europe, proving there was strong overseas demand for Kiwi stories. In the backgrounders, Mune recalls the show's origins. There are also pieces on its place in local screen history, and its 2018 restoration. Plus watch two video interviews on the series.
Ka Haku Au — A Poet's Lament won Best Māori Language show in 2009. The one-hour documentary drama celebrates the life and songs of Kohine Whakarua Ponika. The largely unsung Tūhoe, Ngāti Porou composer — who couldn't read a note of music, created some of the most popular Māori waiata written, including 'Aku Mahi', 'Kua Rongorongo' and 'E Rona E'. Mostly in Te Reo, the show features Kohine's whānau in dramatic roles, performances and interviews. Kohine's children produced a CD of her waiata, available on iTunes, which in turn inspired the documentary.
The artists profiled in this edition of the TVNZ Māori show share a heritage and the vicissitudes of life as professional musicians, but their fields and approaches to making music differ markedly. Entertainer Bunny Walters is rebuilding a career that became derailed after initial success with his hit 'Brandy'. Opera singer Richard Haeata is looking to make his way in a largely Pākehā world which he finds alienating in its individuality. And singer-songwriter Mahinārangi Tocker celebrates her gender and Māori identity but has little use for the music industry.
Almost two decades before Once Were Warriors, another drama about urban Māori under pressure stirred controversy. Hema (Dale Williams) and Janey (Julie Wehipeihana) are two kids adrift in the city, trying to escape a broken home. Screen historian Trisha Dunleavy found this "the most powerful and controversial" edition of the Winners & Losers series; it was TV's first drama about "the alienation of Māori in a contemporary urban setting". Based on a Witi Ihimaera story, it also marked the first solo directing credit for Ian Mune. He later directed the sequel to Once Were Warriors.
A culture clash story by Witi Ihimaera inspired this comic drama, which marked the directing debut of screen veteran Larry Parr. Set in the mist-shrouded Taranaki hamlet of Whangamomona in the 1940s, the short film focuses on the conflict between a local tohunga, Mr Hohepa (Sonny Waru) and feisty Pākehā Mrs Jones (Annie Whittle) — as viewed by the young boy who helps deliver her mail and groceries (Julian Arahanga, in his screen debut). The locals think Hohepa has placed a makutu (or curse) on Mrs Jones. But could more basic human emotions be at work?