Great adverts are strange things: mini works of magic, with the power to make viewers smile, cry, and even buy. Kiwi directors have shown such a knack for making them, they've been invited to do so across the globe. But this collection is about local favourites; dogs on skateboards, choc bar robberies, ghost chips. NZ On Screen's Irene Gardiner backgrounds the top 10 here.
After countless romances, breakups and revelations — plus the odd psycho and crashing helicopter — Shortland Street turned 25 in May 2017. Made on the run, sold round the globe, the Kiwi soap opera juggernaut has provided a launchpad for dozens of actors and behind the scenes talents. Alongside best of clips, the very first episode, musical moments and favourite memories from the cast, Shortland star turned director Angela Bloomfield writes about how the show has changed here, while Mihi Murray backgrounds how it began — and how it reflects New Zealand.
Peter Jackson has gone from shy fanboy to master of his craft; from Pukerua Bay to Wellywood. With six journeys into Middle-earth now behind him, he has few peers in the realm of large scale filmmaking. Led by early 'behind the scenes' docos this collection pays tribute to PJ's journey, from re-making King Kong in his backyard to err ... re-making King Kong in his backyard.
Arm yourself with jaffas and get set for debate: NZ On Screen has gone out on a limb and selected an all-time NZ feature film Top 10. Starring the icons of the Kiwi big screen — Blondini, Ada, Beth, Boy. Whet your appetite for our finest features via choice 10-minute excerpts of the movies. Cook the man some eggs, we're taking this Top 10 to Invercargill!
This collection is a celebration of the eccentric, exuberant career of NZ screen industry frontrunner Tony Williams. As well as being at the helm of many iconic ads (Crunchie, Bugger, Spot, Dear John) Williams made inventive, award-winning indie TV documentaries, and shot or directed pioneering feature films, including Solo and cult horror Next of Kin.
Tony Williams is one of New Zealand’s most distinguished directors; his career has spanned five decades. Williams began working with noted film producer John O’Shea at Pacific Films in the 1960s and shot two features, and directed nine documentary films. In the 1970s he directed his first feature film Solo, and a series of documentaries including Getting Together, The Day We Landed on the Most Perfect Planet in the Universe, Take Three Passions, Rally, and Lost in the Garden of the World. Though not a household name himself, Williams has directed some of the most iconic TV commercials in New Zealand. These include: Great Crunchie Train Robbery, Dear John, SPOT and the infamous Bugger commercials.
Michele Fantl has produced a number of acclaimed telemovies, features and documentaries. Along the way, she has worked extensively with writer/directors Peter Wells, Stewart Main, Garth Maxwell and Fiona Samuel. Her screen credits include movies When Love Comes and 50 Ways of Saying Fabulous, and award-winning Katherine Mansfield tele-feature Bliss.
James Napier Robertson began his career as an actor in the teen shows Being Eve and The Tribe. Finding acting unfulfilling, he moved into writing and directing with the short film Foul Play, before forming a production company with business partner Tom Hern. Since then Napier Robertson has directed two features: I’m Not Harry Jenson and The Dark Horse.
Actor Paul Gittins biggest screen role to date is as Doctor Michael McKenna, the original boss of the clinic on long-running soap Shortland Street. He has also acted in a number of movies, including Other Halves, The End of the Golden Weather, and The Whole of the Moon. Gittins’ love of history led to the creation of popular docudrama series Epitaph, which he hosted and sometimes directed.
Brian Brake is regarded as New Zealand's most successful international photographer. But before heading overseas to work for photo agency Magnum and snapping iconic shots of Picasso and the Monsoon series for Life magazine, he was also an accomplished composer of moving images. He shot or directed many classic films for the NFU, including NZ's first Oscar-nominated film.