In this 1985 Kaleidoscope edition, reporter Terry Carter meets many of those behind Auckland's 80s construction boom, and examines a cityscape where old landmarks are rapidly being demolished and replaced by mirror glass high-rises. Interviewees include property developers of the day like Mainzeal and Chase Corporation’s Seph Glew; a councillor who argues that commercial interests are dominating; and architect Ivan Mercep and interior designer Peter Bromhead, who critique the buildings’ architectural and civic qualities and their “Dallas TV set” aesthetics.
“I’m as blue as a new tattoo...since I lost you” sings Graham Brazier on this first single from Hello Sailor’s 1994 comeback The Album. Loss is leavened by the harmonica and guitar of the band’s energetic brand of pub rock. In the black and white music video they cruise around in a Chevrolet, intercut with Auckland street scenes and a young woman in a leather bustier walking her dog. ‘New Tattoo’ peaked at five in October 1994, the band's highest chart placing. In a 2013 AudioCulture profile, Murray Cammick rated it "a strong addition" to the Hello Sailor canon.
Lancashire-born Hammond Gamble moved to Whangarei as a 12-year-old in the early 60s. He formed Street Talk in Auckland in 1974. They regularly sold out venues like the Windsor Castle and The Gluepot, and were a major drawcard in a burgeoning late 70s live scene. Despite high profile producers — Chris Hillman of the Byrds for their first single and Los Angeles svengali Kim Fowley for their debut album — they failed to make a major impression beyond Auckland. Gamble went on to become a NZ music institution as a songwriter and blues performer.
Dressed as a 1920's flapper bride, Karyn Hay introduces highlights from the TVNZ rock show’s televised concerts at the now demolished Mainstreet Cabaret on Auckland's Queen Street. The songs are Dance Exponents' 'All I Can Do' (with a sweaty Jordan Luck), an impassioned 'Billy Bold' from Graham Brazier's Legionnaires, Hip Singles' 'After the Party' (with snappy high kicks from Dick Driver), a brassy 'Outlook for Thursday' from Dave Dobbyn's DD Smash, a rocking 'Look the Other Way' from The Narcs and Coconut Rough's moment in the sun 'Sierra Leone'.
Douglas Lloyd Jenkins and Fiona McDonald hit the Auckland area for this leg of their Big Art Trip. They meet up with Black Grace artistic director Neil Ieremia, who is running a mentoring programme for young dancers; sculptor/painter Roger Mortimer, who is transforming bland modern day business letters into replicas of beautiful old documents; sculptor Warren Viscoe, who is busy at a wood symposium, fashion designer Kate Sylvester, at her High Street boutique; and abstract painter Judy Millar, at work in her studio.
Live from Auckland's Mainstreet Cabaret, this Radio with Pictures special showcases bands Coconut Rough and The Narcs. Coconut Rough open their six song set with an instrumental and close with 'Sierra Leone', after proving they're much more than one hit wonders. RWP host Karyn Hay then introduces the "high energy rock" of The Narcs. The driving keyboards of second track 'Look the Other Way' hint at how the band's sound was broadening. Label CBS released both gigs as album Whistle While You Work, which reached number 17 in the New Zealand charts.
Coverage of a major event in the history of the NZ music industry — the pressing of Ruru Karaitiana’s timeless classic ‘Blue Smoke’ — is the highlight of this NFU newsreel. It was the first recording of a local composition performed by local musicians to be manufactured in NZ (in a very exact and highly labour intensive exercise involving men in white coats). The country’s biggest airlift of sheep, sharp shooting army cadets, high flying painters redecorating a Wellington church and heavy machinery being moved across Auckland by barge also feature.
One shaggy dog, dozens of humans, and a smorgasbord of Kiwi scenery: viewers were glued to the screen for this TV One promotional campaign, which began screening in August 1991. The six-part promo followed a lovable sydney silky poodle cross travelling the country by car, train and paw. En route, roughly 50 Kiwis make blink and you'll miss it appearances: including sporting figures, local townspeople, and 20+ TV personalities (see backgrounder for more info, and clues on who is who). The popular promos were directed by Lee Tamahori, before he made Once Were Warriors.
Anthony Stones worked in design for NZ television for over 20 years, with credits ranging from drama to current affairs. After five years as TV2's head of design, he returned to his English birthplace in 1983. Outside of television, Stones made well-known public sculptures in Aotearoa, the UK and China; he died in China in September 2016, aged 82. Image credit: Photo taken and supplied by Dave Roberts
Gloss was a popular Kiwi television drama series made by TVNZ that screened in the late 80s; it combined a wealthy family, the Redferns, with a lucrative high-fashion magazine business. Yuppies, shoulder-pads and méthode champenoise abound in this cult "glamour soap". New Zealanders wanted to see themselves as less bottom of the world and more "here we come and we are sailing" (as the infamous Cup campaign song warbled), and Gloss was just what the era demanded.