Kim Hill interviews euthanasia campaigner Lesley Martin in 2003, when she was facing the charge of attempting to murder her terminally ill mother. The charge came about after Martin wrote the book To Die Like a Dog. Martin says the prospect of jail doesn't frighten her as much as living in a society where not everybody can access a gentle, dignified and humane death. The year after this interview screened, Martin was found guilty and served seven and a half months of a 15 month jail sentence.
In 1881, after being met by the pa's children holding white feathers of peace, invading constabulary ended Te Whiti and Tohu's passive resistance at Parihaka in Taranaki. One of the darkest episodes of the NZ Wars, it is revisited in this documentary made by Paora Joseph, which follows another group of Taranaki children undertaking an emotional, modern day pilgrimage to the South Island jails where their ancestors were exiled and forced to labour. Footage of their hikoi is interwoven with their poetry, song, art and narration.
Taika Waititi's blockbuster second movie revolves around an imaginative 11-year-old East Coast boy (James Rolleston) trying to make sense of his world — and the return of his just-out-of-jail father (Waititi). Intended as a "painful comedy of growing up", Boy mixes poignancy with trademark whimsy and visual inventiveness. The film was shot in the Bay of Plenty area where Waititi partly grew up. A winner in its section at the 2010 Berlin Film Festival, Boy soon became the most successful local release on its home soil (at least until the arrival of Waititi's 2016 hit Hunt for the Wilderpeople).
Banned by TVNZ, Headlights won Best Video and Best Use of Exploitative Tactics at Handle the Jandal 2008. "The original idea was much worse and read like a bad Charles Bukowski story. We decided we'd end up in jail if we attempted to film this terrible, terrible idea. We had to bribe 30 kids with lollies. When sugar madness kicked in they became undirectable. We then bribed them with toys which they used to hit us and each other." Jarrod Holt of thedownlowconcept - March 09
The legendary Dylan Taite hosts this RWP special on the first Sweetwaters music festival. The event took 12 months and half a million dollars to set up. Headliner Elvis Costello proved media-shy; some heavy-handed attempts to keep the cameras away are seen. Meanwhile, Taite muses on the impact of late 70s bands on the future of festivals. Sweetwaters would go on, although financial problems in 1999 led to the jailing of organiser Daniel Keighley. As this documentary shows, the Ngaruawahia edition attracted an audience of 45,000 concertgoers.
From the second series of short documentaries remembering New Zealanders in World War I, this episode looks at Ormond Burton. Burton left for war as a 21-year-old, and served as a medic and in the infantry. He was decorated for bravery, and a bible saved him from a bullet. His stance on the justness of war changed after experiencing the horrors of Gallipoli and the Western Front. During World War ll the Methodist minister was jailed as a conscientious objector; later he became a prominent pacifist and anti-Vietnam War campaigner. The series screened during 3 News.
In this film two Kiwi larrikins, Sam and Jack (Alan Jervis and Pork Pie's Kelly Johnson) go on a road trip, seemingly fuelled by blokey banter. A pit stop at Hokonui Pub leads to shenanigans with a stolen road roller, varied shaggy dog stories and jail, before Sam has to return to the dreaded missus. The characters and scenarios were adapted from two of Barry Crump's novels featuring anti-hero Sam Cash: Hang on a Minute Mate and There and Back. Mate was made for TVNZ, and screened in late 1982. Pub spotters will appreciate the pub's high pressure hoses and five ounce glasses.
Until Proven Innocent is based on the case of David Dougherty, and the lawyer, scientist and journalist who concluded he had been wrongly convicted. In 1993 Dougherty was jailed for the rape and abduction of an 11-year-old girl. This dramatisation follows the campaign to prove his innocence: court appeals, journalism, and a key piece of DNA evidence. Chosen to open 2009's Sunday Theatre season the tele-movie was nominated for 10 Qantas Awards, and won five, including best drama and best actor (for Cohen Holloway's standout performance as Dougherty).
This acclaimed Māori Television series saw Kiwi musicians teaching bars behind bars — working with prisoners to compose and record songs, drawn from their life experiences. In this opening episode from the third season, Anika Moa, Ladi6, Scribe and Troy Kingi head to Christchurch’s men’s and women’s prisons. For Moa, Ladi6 and Scribe, Christchurch is their "music whakapapa". For Scribe it is a reminder of earthquake tragedy. The jail itself revives memories of childhood visits to his father (an upbringing which the two explored in 2015 play The White Guitar).
This 1978 single marked the first number one for the Kiwi prog rockers turned Australian pop stars. It danced around the age of consent (the first line of the song gave the impression the narrator may be in jail). Later the song became the theme tune for 2012 Aussie TV show Puberty Blues. A time capsule of 70s Melbourne, the clip opens on singer Marc Hunter aimlessly wandering the city's streets and tramways, before transitioning to a glossier studio performance. Like many of the band's biggest hits, the song was written by Dragon's resident hook-writer, keyboardist Paul Hewson.