This TV drama follows a whānau taking a claim to the Waitangi tribunal, over plans by a Pākehā neighbour to build a resort on disputed land. Ngā Tohu jumps between the present day and 1839/40, when Māori chiefs were canvassed to support the Treaty of Waitangi and a settler makes an equivocal land deal with Chief Tohu (George Henare). The exploration of the Treaty's evolving kaupapa is effectively humanised by an age-old love story, and it scored multiple drama gongs at 2000's TV Awards. Director Andrew Bancroft wrote the teleplay with playwright Hone Kouka.
Hosted by Francis Kora, this episode of The Gravy is the story of musician and anti-apartheid activist Tigilau (Tigi) Ness, who during the 1970s joined the Polynesian Panthers movement in Auckland. Tigi Ness, the father of hip hop musician Che Fu, recalls his childhood in central Auckland and troubled times with the 1974 dawn raids and protests during the 1981 Springbok rugby tour for which he served nine months in prison. The episode also tells the story of his musical life in reggae bands such as Unity Pacific. Animated segment The Truth takes a look at lambs.
This 2002 documentary explores contemporary Aotearoa from the perspective of Kiwis from a range of different (non-Māori, non-Pākehā) ethnic backgrounds. These citizens speak frankly about their experience of assimilation and stereotyping in a supposedly multicultural society, where ethnic food is beloved — but not ethnic difference — and where jokes and racism blur. Directed by Libby Hakaraia, the documentary screened on TV3 as part of doco slot Inside New Zealand. It was a follow up to 2000's The Truth about Māori, which looked at identity from a Māori perspective.
Journalist Kim Webby's Price of Peace is a portrait of Tūhoe activist Tame Iti, whose family Webby has known for 20 plus years. After the 2007 police raids, Iti was one of four to go on trial, accused of plotting terrorist activities. Webby’s film ranges widely from early land grievances to modern-day jail cells — and a police apology. NZ Herald reviewer Peter Calder praised the result for balancing a personal focus on Iti, with “a powerfully affecting” examination of the 2007 raids, which placed the raids in "the wider context of Tūhoe history and the process of reconciliation”.
Kiwi comedy-drama Being Eve "tacked the trails and tribulations of everyday adolescent life" (as website The Spinoff put it). It launched the career of Fleur Saville, starrig as amateur teen anthropologist Eve. In this excerpt from episode 10 of series one, Eve grapples with the day-to-day stuff of negotiating relationships (now that Matt is her boyfriend, does she have to sit next to him in every class?). Friends and family expose their relationship-challenging racial prejudices. Rated best drama at the 2002 NZ TV Awards, Being Eve was nominated for an International Emmy.
This Richard Riddiford-directed relationship drama explores the restless homecoming of a Kiwi from her OE. Monica (Judy McIntosh) returns from Europe to sculptor Nick (Peter Hayden), who has stayed behind in Waiuku. She goads him into a road trip north, searching for connection to him and home. At a Dargaville pub they meet Riki (Rawiri Paratene), a charismatic poet who has left the city to find his Ngapuhi roots. Monica is intrigued by Riki's bond to his people and the land, which widens a rift between her and Nick. Caution: this excerpt contains bath tub sax.
This second episode of the three-part series following British MP Austin Mitchell’s return to the country where he began his career in (as a broadcaster and author of 1972 book The Half Gallon Quarter Acre Pavlova Paradise) sees a focus on politics. The former Canterbury University political scientist gives a potted political history, from the roots of a conservative Kiwi political mien to the radical changes wrought by Lange’s 80s Labour government and the rise of women ‘on the hill’. Finally he considers tourism, Treaty settlements and the aspirations of Māori.
In 1977 protesters occupied Bastion Point, after the announcement of a housing development on land once belonging to Ngāti Whātua. Five hundred and six days later, police and army arrived en masse to remove them. This documentary examines the rich and tragic history of Bastion Point/Takaparawhau — including how questionable methods were used to gradually take land from Māori, while basic amenities were withheld from those remaining. The Untold Story features extensive interviews with protest leader Joe Hawke, and footage from seminal documentary Bastion Point Day 507.
This three part mini-series is loosely based on the remarkable tour by the NZ Natives rugby team which played 107 games in Australasia and Great Britain in 1888-89. At its heart is a cross-cultural love story between Pony — the grandson of a chief and one of the side’s stars — and Charlotte: the granddaughter of an English Earl (Ian Richardson of House of Cards fame). The tour provided the first exposure to Māori for many in the UK. The interaction could be uncomfortable but even more so when affairs of the heart threatened the cultural divide.
The tagline runs: "The story of unemployment in New Zealand" and In A Land of Plenty is an exploration of just that; it takes as its starting point the consensus from The Depression onwards that Godzone economic policy should focus on achieving full employment, and explores how this was radically shifted by the 1984 Labour government. Director Alister Barry's perspective is clear, as he trains a humanist lens on ‘Rogernomics' to argue for the policy's negative effects on society, "as a new poverty-stricken underclass developed".