This National Film Unit film visits Christchurch roughly four years before the main event, to promote the city’s readiness to host the Commonwealth Games. A comical potted history of New Zealand precedes a montage of young women cycling around Canterbury environs and a split screen catalogue of NZ tourist attractions, before getting into a survey of the venues. As the opening demonstrates, “there’s always a traditional welcome awaiting our friends!” In 1973 the NFU completed a second film called Christchurch 74, before covering the games themselves in the feature-length Games 74.
One of a trio of late 90s Kiwi crime-based pilots, Street Legal was the only one that would successfully spawn a series - four series, in fact (though Kevin Smith vehicle Lawless saw two further tele-movies). The Street Legal pilot provides a stylish big city template for the show to come, as Auckland criminal lawyer David Silesi (Jay Laga-aia) enlists the help of an over- enthusiastic journalist (Sara Wiseman) in the hope of winning an out-of-court settlement over a hit and run case. Meanwhile Silesi's lawyer girlfriend smells something fishy - with good reason.
One of New Zealand television's first forays into stand-up comedy, this talent quest based show ran for two seasons (the second as A Bit More after Ten). The hosts were Jeremy Corbett and his brother Nigel (in his TV debut), with Ian Harcourt (ex-Funny Business) as a resident judge, aided by two celebrities each week. Home viewers also voted, helping propel eventual winner Late Night Mike into the first final. Michele A'Court, Te Radar, Jon Bridges, Dean Butler and Andrew Clay all competed. All of them graduated to the show's stand-up successor, the long-running Pulp Comedy.
Auckland's Massive Company began in 1998 as a youth theatre group, committed to developing multicultural talent. Sons for the Road records a big moment in their evolution: performing at London's Royal Court Theatre, whose long history includes launching another piece of cross-cultural fertilisation, The Rocky Horror Picture Show. Their play is The Sons of Charlie Paora, a tale of rugby players and troubled male identity developed by Massive and UK writer Lennie James (who would later join the cast of hit The Walking Dead). The Independent called the play "wonderfully engaging".
Produced by NHNZ, this NZ Screen Award-nominated 2005 TVNZ series looks at Aotearoa’s diverse weather. This first episode (of three) explores "the main driving force behind all our weather" — the wind — from the science behind where it comes from, to its impact on people (from sport to the economy). Presenter Gus Roxburgh contends with Wellington’s infamous wind, and with Auckland’s tornadoes and cyclones. He looks at when weather is good (wind farms, windsurfing) and when weather goes bad (the Wahine disaster, Cyclone Bola, landing at Wellington Airport).
In director Grant Lahood's 2013 Tropfest NZ entry a young boy takes Kiwi ingenuity to the next level by creatively adapting his gumboots to net sporting victory. But it’s a risky move. Sprung marks a return for Lahood to his dialogue free short film beginnings (eg. Cannes award-winner The Singing Trophy, and his debut Snail’s Pace). Like those shorts, Sprung has a devilish sense of humour, and a crisply edited contest of wills. The ode to the courage of the young and the unpredictability of science was scored by veteran film and TV composers Plan 9.
This special report from late 80s/early 90s current affairs show Frontline looks at the Wahine disaster, on its 25th anniversary. Fifty-one people died on 10 April 1968 after the interisland ferry struck Barrett Reef near Wellington, in a huge storm. The first part ('From Reef to Ruin') features archive footage and interviews with survivors and rescuers. In the second part ('Fatal Shores'), reporter Rob Harley examines whether the ferry could have been better equipped, and more lives saved. A third part ('Strait Answers') is not shown here due to copyright issues with some of the footage.
Christchurch based Paua Productions set out to document the effects of the city’s 4 September earthquake in 2010 but found themselves overtaken by the tragic events of 22 February 22. Their focus is the experiences of everyday people coping with the destruction of large tracts of their city, significant injuries and major loss of life as liquefaction, ruined homes and thousands of aftershocks prolong the initial trauma. A number of the interviewees were followed over a year, as they struggled to come to terms with what had happened and move on.
Running an impressive four series, stylish crime show Street Legal centred around a struggling Auckland law firm, home base for unorthodox lawyer David Silesi (Jay Laga'aia), and sometime girlfriend Joni Collins (Kathleen Kennard). 'Ellis's Restaurant', the first episode made following the pilot, sees Silesi defending an ex-junkie on a possession charge, and facing off for the first time on screen against Sergeant Keens Van Dam (Charlies Mesure). The episode also sees the debut of Silesi's beloved 1944 Ford Jailbar, after his Ute unexpectedly ends up in pieces.
Over four seasons, Street Legal’s slick Kiwi take on urban crime and law genres racked up a stack of award nominations - including a 2003 NZ TV Award for best drama series. Although initially wary that the Auckland setting might alienate viewers, writer Greg McGee chose a Samoan lawyer (Jay Laga’aia) as his main character, to exploit the show’s inner-city Ponsonby setting (where cafe society bumps into Pacific Island immigrant culture). Other key characters included Silesi’s lawyer ex-girlfriend Joni, and her new partner Kees, an overstressed sergeant.