Barbara Darragh's screen costumes have been worn by ghosts, prostitutes, Māori warriors and Tainuia Kid Billy T James. An award-winner for The Dead Lands, River Queen and The End of the Golden Weather, Darragh's CV includes TV shows Under the Mountain and Greenstone, plus more than a dozen other features. She also runs Auckland costume hire company Across the Board.
Actor Marton Csokas came to fame in the early 90s, playing the bumbling Dr Dodds in Shortland Street. Since then he has appeared in interracial romance Broken English and coming of age story Rain, before starting a run of international roles — often as the villain — in everything from xXx to The Bourne Supremacy.
Kiwi hair and makeup artist Lesley Vanderwalt won an Oscar and a Bafta for her work on Mad Max: Fury Road. She also collaborated with director George Miller on Babe 2, Nicole Kidman mini-series Bangkok Hilton and the second Mad Max movie. The onetime Wellington hairdresser had makeup duties on early Kiwi classics The Governor, Skin Deep and Bad Blood, before a slew of Australian credits (Shine, Moulin Rouge!).
Legendary filmmaker Rudall Hayward, MBE, directed seven features over five decades — decades in which the concept of Kiwi movie-making was still an oxymoron, or meant a foreigner was in charge. Inspired by NZ’s cross-cultural history, Hayward remade his own Rewi’s Last Stand in 1940. Later he married Rewi star Ramai Te Miha, launching a filmmaking partnership that lasted until Rudall’s death in May 1974.
Don Selwyn, ONZM, was an actor, casting director and mentor to a host of talented Māori who went on to work in film and television. Selwyn’s long acting resume includes 1970s historical epic The Governor and police show Mortimer’s Patch. He also directed The Māori Merchant of Venice, the first feature film in te reo Māori.
Ken Blackburn, MNZM, is a familiar face on New Zealand stage and screen. In a career spanning 50+ years he's appeared in iconic television shows (Gliding On, Shortland Street) and films — including a lead role in 1978 feature Skin Deep. Blackburn was awarded a New Zealand Order of Merit in 2005; in 2017 he received the a Lifetime Achievement award, acknowledging long-serving local actors.
Special effects man and designer Richard Taylor got his break making puppets for 1980s comedy series Public Eye. He has gone on to become a key part of the Weta effects empire, supervising the creation of orcs, zombie mishaps and miniature cities for movies and TV shows. A passionate advocate for Kiwi talent, Taylor and his team have scored five New Zealand screen awards, four BAFTAS and five Academy Awards.
One of the earliest New Zealand women to work in movies, the late Hilda Hayward collaborated with her husband Rudall on four silent feature films in the 1920s. Author Deborah Shepard argues that her coverage of the 1932 Auckland riots make her New Zealand’s first known camerawoman. Hilda Hayward passed away in 1970.
An iconoclast with a bent for experimentation, director Paul Maunder brought the mixed flavours of social realism and the arthouse to New Zealand screens in the 1960s and 70s, before shifting stages and leaving the government's National Film Unit, to concentrate on theatre. His second feature Sons for the Return Home (1979) as the first film to dramatise the experience of Pacific Islanders living in contemporary New Zealand.
An outstanding project designer, Logan Brewer first made his mark on television with ambitious period drama Hunter’s Gold. In the early 80s he went freelance, producing cop show Mortimer’s Patch and children’s drama Terry and the Gunrunners. His major project work included opening and closing ceremonies for the 1990 Commonwealth Games, and NZ pavilions at Expos in Brisbane and Seville. Brewer passed away in August 2015.