The last novel by Ronald Hugh Morrieson revolves around a freezing plant worker (Peter McCauley) in an interracial marriage. For this little seen movie adaptation, the role of an English remittance man was expanded in an attempt to cast Peter O'Toole (New Zealand-born Bruce Spence got the role). Morrieson's view of small-town Aotearoa is a dark one, as he explores racism, violence, suicide and blackmail. Bruno Lawrence contributes to Jonathan Crayford's jazz-tinged score, and features in the wedding band. The freezing works scenes were shot at the defunct plant in Patea.
Illustrious Energy sees Chan and his older mate Kim prospecting for gold in 1890s Otago. Marooned until they can pay off their debts and return to China; they’ve been fruitlessly working their claim for 12 and 27 years respectively. Chan faces racism, isolation, extreme weather, threatening surveyors, opium dens and a circus romance. The renowned feature-directing debut of cinematographer Leon Narbey provides a poetic evocation of the Chinese settler experience; especially vivid are Central’s natural details — desolate schist and tussock lands, rasping crickets.
Every story in this popular TV2 reality show saw warring neighbours each give their side of a border dispute, before a well-known local tried to mediate. In this first season episode the affray is over Parakai willow trees, accused of blocking sun and busting sewer pipes (narrator Bill Kerton calls them the "herbaceous equivalent of herpes"). The mediator is Helensville MP John Key. Struggling to sit on the fence, and amid accusations of racism, the future Prime Minister is unable to forge a driveway détente: "sometimes people just don’t want to see eye to eye".
This episode of the six-part Our People, Our Century series explores the mix of cultures that Aotearoa-New Zealand has become. In these excerpts, a Chinese Kiwi family speaks of the racism they experienced, from the poll tax of the 1890s to their relative isolation — despite living in downtown Wellington. Artist Trevor Moffitt describes his father's “heavy silent disapproval” at his artwork; Moffitt went on receive acclaim for paintings that explore themes of New Zealand identity. Finally, mixed marriages between Māori and Pākehā shed some light on biculturalism.
The last drama to be made in-house by TVNZ, The Champion was written by author Maurice Gee at the behest of producer Ginette McDonald after the success of their collaboration on The Fire-Raiser. Set in Henderson, West Auckland over three weeks in early 1943, it centres on 12 year old Rex (Milan Borich — later the lead singer in Pluto) and a black American GI billeted with his family. This tough, accomplished drama looks unflinchingly at racism and prejudice — both imported and local — and is ample testimony to the skills of its writer, cast and crew.
The Otago goldrush in the 1860s attracted the first wave of Chinese immigrants to New Zealand. They were greeted with fear and suspicion from the white settler community. 130 years later the racist policies of late 19th century New Zealand are gone, but old attitudes linger. This 1993 Frontline report investigates the tension between older Chinese/Kiwi families and the growing number of first generation Chinese and Taiwanese immigrants. Whatever cultural issues divide them, both groups have experienced racism from Pākehā New Zealanders.
Merata Mita’s Patu! is a startling record of the mass civil disobedience that took place throughout New Zealand during the winter of 1981, in protest against a South African rugby tour. Testament to the courage and faith of both the marchers and a large team of filmmakers, the feature-length documentary is a landmark in Aotearoa's film history. It staunchly contradicts claims by author Gordon McLauchlan a couple of years earlier that New Zealanders were "a passionless people".
On June 4 1976, Gordon Dryden hosted Abraham Ordia — president of the African Supreme Council of Sport — for a public forum on New Zealand’s sporting ties with apartheid South Africa, which would result in an Olympic boycott by African countries the following month. The debate erupted into what the Auckland Star called “a diabolic confrontation between Māori and Pākeha”, with Dryden frequently pleading for civility. Weightlifter Precious McKenzie, MP Richard Prebble, activist Syd Jackson and Donna Awatere-Huata are among those in the audience, making their feelings known.
In this 1973 current affairs interview, Albert Wendt discusses his first novel Sons For the Return Home on the occasion of its publication. The Pacific Island Romeo and Juliet tale was a seminal exploration of Samoan migrant life in NZ. Wendt muses on the inspiration for his work; facing discrimination at school and from girlfriends' parents; the differences between NZ Samoans and Samoan Samoans; returning ‘home’, and the difficulty of finding the solitude to write in Samoa. Maurice Shadbolt praises the book at its launch; it was adapted into a film in 1979.
Hokonui Todd is a portrait of African statesman Sir Garfield Todd (1908 - 2002). Todd was an outspoken supporter of black right to self determination in Rhodesia (which became Zimbabwe in 1980, after a bloody civil war). Here Todd and wife Gracie reflect on their lives: from their "egalitarian" New Zealand upbringing; their arrival in Rhodesia as missionary farmers; Todd's time as Prime Minister; being imprisoned by Ian Smith's racist white regime (along with daughter Judith); to emerging as a "conscience of the country" burdened with postcolonial troubles.