This Loading Doc short follows cavers Dave Ellacott and Mike Allen on their mission to connect Luckie Strike and Junior Mudball, two vastly different cave systems at Waitomo. Luckie Strike features extraordinary rock formations, waterfalls, and vast caverns. Junior Mudball is as its name suggests, mostly mud. The short sees them at work, galavanting through streams, abseiling down crevasses and scraping through mud — and reflecting on what they love about it. Luckie Strike was picked by National Geographic for its Short Film Showcase. A longer version is in the works.
One of NZ's preeminent blues musicians, New Plymouth-born Keith (Midge) Marsden got his first big break with 60s Wellington r'n'b band Barri and the Breakaways. After hosting a blues show on the NZBC, he went on to tour in various formations in the mid 70s. During a visit to the United States he befriended guitarist Stevie Ray Vaughan; the Texan featured on one of the classic 'Travellin' On' adverts that Marsden appeared in, alongside Murray Grindlay. In 1996 Marsden studied Southern Culture at the University of Mississippi. A decade later he was made a member of the NZ Order of Merit, for services to music.
Created by Fiona Samuel, The Marching Girls follows a Taita social marching team who decide to have a crack at the North Island champs. In the first episode of this feminist-Flashdance-in-formation 80s classic, young whippersnapper Leonie tries to modernise the girls' routine by getting them to march to the heavy metal tunes of Ironlung ("they're really big in Australia!"). This proves too much for Mahara (Patupatu Ripley), who's got enough on her plate with her new role as hesitant union spokesperson for her fellow workers down at the factory.
The Marching Girls is the seven-part story of a Taita social marching team who decide to have a crack at the North Island Championships. This pioneering series was conceived by actor-writer Fiona Samuel out of frustration over the dearth of challenging female roles: she declared that it was about time the Kiwi "alienated macho dickhead" shared some screen time with women. Synth-rock soundtracks, ghetto blasters, Holden Kingswood taxis and chain-smoking abound in this feminist-Flashdance-in-formation 80s classic.
Kora’s formation in Wellington in 2002 saw them associated with the city’s burgeoning dub-roots scene, but the Whakatane brothers’ music mix also extends to elements of funk, soul, rock, house and metal. That genre-defying diversity is in evidence on this track from their debut album, as a relaxed reggae intro gives way to stomping electronica-tinged funk rock. This performance video shot in Auckland at AUT’s Vesbar captures the band in their live element, complete with a crowd-pleasing freeze that turns them into a 3D tableau, and strobe-lit climax.
This 1985 TVNZ documentary follows the recruitment of three new pilots into the Red Checkers acrobatic flying squadron of the Royal NZ Air Force. The pilots train to fly formations, loops and low level passes. There are close calls, and interviews with pilots and their spouses. What does it take to be a Kiwi Top Gun? Squadron leader (and future NZ Defence Force chief) Bruce Ferguson: "he's got to have confidence in himself, his abilities and to be a wee bit of a showman." The documentary marked one of the earliest directing credits for Emmy Award-winner Mike Single.
Following the demise of Pacific Funk band Big Sideways, vocalist Debbie Harwood launched a solo career with this cover of an Ashford and Simpson song written for Gladys Knight and the Pips. The single was dedicated to recently deceased Dragon keyboards player Paul Hewson, and it won Harwood a NZ Music Award (at a ceremony which provided the impetus for the formation of When the Cat’s Away). The video, produced by TVNZ at Avalon, is a straightforward studio performance, but is notable for the extended, two minute long tracking shot that comprises its second half.
Since the 1970s, producer John Barnett has been instrumental in bringing a host of uniquely Kiwi stories to local and international screens, from Fred Dagg to Footrot Flats, from Whale Rider to Sione’s Wedding and What Becomes Of The Broken Hearted?, from iconic soap Shortland Street to the wildly successful Westie family drama Outrageous Fortune.
A flagbearer for Māori storytelling on primetime television, E Tipu e Rea (Grow up tender young shoot) was a series of 30 minute dramas touching on a range of Māori experiences of the Pākehā world — from rural horse-back riding and eeling, to urban hostility and cultural estrangement. It marked the first anthology of Māori television plays, and the first TV production to use predominantly Māori personnel. E Tipu e Rea's mandate and achievement was to tell Māori stories in a Māori way.
Māori Battalion - March To Victory tells the story of the New Zealand Army's (28th) Māori Battalion, which fought in campaigns during World War ll. Director and writer Tainui Stephens sets out in the feature-length documentary to tell the stories of five men who served with the unit, and also "capture how they felt about it". Narration by actor George Henare, remembrances, visits to historic sites, archival footage, and graphic stills create a respectful and stirring screen testament to the men who fought in the Battalion. Stephens writes about the film in the backgrounder.