Using plenty of his own photographs to illustrate his story, Errol Schroder takes us back to the 50s, 60s and 70s to provide his memories of being a photographer with the New Zealand Air Force (Schroder also spent three years in the navy). His Air Force career saw him posted through the Pacific and South East Asia. In Vietnam, there are tales of nervous times on American bases, and a hair-raising patrol in an OV-10 Bronco aircraft. Even in retirement, action came Errol’s way — his home was wrecked in the September 2010 Christchurch earthquake.
Producer Pat Cox instigated Kiwiana classic Footrot Flats: The Dog's (Tail) Tale and has produced some of New Zealand’s most iconic commercials, including the long-running Speights 'onya mate', Mainland Cheese 'these things take time', and the 100% Pure NZ tourism campaigns.
Feeling burnt out, director Tony Williams takes his seachange literally and sets off with three mates in his recently restored 66-foot motorboat, with a grown-up son as cameraman. The plan: journey from Sydney to the Coral Sea. They witness an eclipse, find paradise in Vanuatu, and island-hop their way through New Caledonian reefs, soon after witnessing French victory in the 1998 (soccer) World Cup. Near journey’s end, a reflective Williams realises that he has experienced not just a holiday, but also “an opportunity to look at your own world from a distance”.
“When old and young come together to do this, it shows the strength of their convictions.” This film is a detailed chronicle of a key moment in the Māori renaissance: the 1975 land march led by then 79-year-old Whina Cooper. A coalition of Māori groups set out from the far north for Wellington, opposed to further loss of their land. This early Geoff Steven documentary includes interviews with many on the march, including Eva Rickard, Tama Poata and Whina Cooper. There is stirring evidence of Cooper’s oratory skills. Steven writes about making the film in the backgrounder.
Brisbane-raised Janet McIntyre moved to New Zealand in 1989, and filed reports for 3 News before moving on to 60 Minutes and 20/20. Since switching to TVNZ she has been a long-time mainstay of current affairs show Sunday. She has filed stories from Kandahar to Gloriavale, and tackled interviewees ranging from Fijian dictators to Madonna. She was named TV Journalist of the Year at the 2005 Qantas TV Awards.
Tying David Stevens' career down to a single nation or genre is a challenge. Stevens grew up in Africa and the Middle East, studied acting in the UK, then began his screen career in NZ. In 1972 he directed award-winning drama An Awful Silence, then moved to Australia. There he was Oscar nominated for co-writing movie Breaker Morant, and forged a busy career directing (A Town Like Alice) and writing (The Sum of Us).
Peter Feeney is a veritable Swiss Army knife of the screen, with credits as an actor, casting director and acting tutor. Feeney's 20 year plus acting CV ranges from drama (as Rose-Noelle skipper John Glennie, in TV movie Abandoned), kids TV (The Cul de Sac), comedy (Auckland Daze), New Zealand-shot US shows (Spartacus), and film. He won rave reviews as a mad scientist in movie hit Black Sheep.
TV3 news anchor Mike McRoberts spent a decade as a radio reporter, then made his name as a sports journalist with TVNZ in the mid 90s. After six years with the state broadcaster, including occasional shifts reading the primetime news, he moved to TV3. From 2005, he joined Hilary Barry leading the 6pm news bulletin. Since then he has presented reports and bulletins from Christchurch, Iraq, Haiti and the Philippines.
After almost two decades of directing and producing documentaries, David Harry Baldock left TVNZ in 1988 to launch Ninox Television. The company’s roster of reality-based programming included export hit Sensing Murder, local award-winner Our People Our Century and nine seasons of Location Location Location. These days Baldock is busy making arts programmes from Shanghai.
Barry Jenkin spent three years as the inaugural host of Radio with Pictures, the long-running TV show that demonstrated life existed outside the musical mainstream. Aside from talking music on radio and TV, the veteran DJ’s distinctively gravelly voice has been heard on documentaries and many commercials.