Paul Henry and Pippa Wetzell introduce a live broadcast of the Anzac Day dawn service at Waikumete Cemetery in Auckland. This is New Zealand's largest war cemetery and a service is held here each year. This service commemorates all service personnel who have served overseas for New Zealand. Waitakere Mayor Bob Harvey speaks, Returned Services Association members, politicians and the public lay tributes. Miriama Kamo provides a commentary. The programme excerpted here marked the beginning of TV ONE's Anzac Day coverage, which ran all day.
Was there a cooler band in the world than The Clean in 1982? Skinny suits, round sunglasses, video performances aping the great old Monkees' moves but tuned to the "deadpan" setting. Rubbish dump. Derelict building. Cemetery. Check. TVNZ's Andrew Shaw travelled south to Christchurch to direct this one, but he kept the clip faithful to the band's style for this now iconic tribute to indie nihilism.
Actor Robyn Malcolm visits the towns of Passchendaele and Ypres in Belgium. Both are near the cemetery where her great uncle, Private George Salmond, is buried. Salmond, an ANZAC signaler, was among the 18,500 New Zealand casualties of World War I. He was killed in the Battle of Passchendaele in 1917, a victim of a battle recognised as a tragedy of poor planning and preparation. Local war experts pay tribute to the New Zealand soldiers' mettle, and Malcolm looks at the site and reflects on Uncle George and his sacrifice on foreign whenua.
Over ten episodes, Ghost Hunt crisscrossed Aotearoa on a mission to find ghosts — or at least signs they might have been in the building. Presenters Carolyn Taylor (What Now?), actor Michael Hallows and actor/director Brad Hills visited locations with a reputation for hauntings, usually arriving after dark. The locales included Dunedin's Larnach Castle, Waitomo Caves Hotel, and the Fortune and St James Theatre — plus cemeteries and abandoned psychiatric hospitals. The 2006 Screentime show is not to be confused with the anime series which premiered in Japan the same year.
This documentary tells the stories of the New Zealand soldiers who were part of the identity-defining Gallipoli campaign in World War I. In the ill-fated mission to take a piece of Turkish coastline, 2721 New Zealanders died with 4752 wounded. As part of research, every one of the then-surviving Gallipoli veterans living in New Zealand was interviewed, with 26 finally filmed. Shot at a barren, rocky Gallipoli before the advent of Anzac Day tourism, this important record screened on Easter Sunday 1984, and won a Feltex Award for Best Documentary.
This teledrama explores the tensions surrounding an elderly woman's tangi, as whānau members gather in a suburban house. Alienation of urban Māori — particularly son Paul (Jim Moriarty) — from iwi roots, and differing notions of how to honour the dead, are at the heart of the conflict between the mourners. A pioneering exploration of Māori themes, the Rowley Habib teleplay was one of three one-off dramas the playwright wrote (alongside 1978's The Death of the Land, and 1982's The Protesters) encouraged by director Tony Isaac. It screened in April 1980.
Māori Battalion - March To Victory tells the story of the New Zealand Army's (28th) Māori Battalion, which fought in campaigns during World War ll. Director and writer Tainui Stephens sets out in the feature-length documentary to tell the stories of five men who served with the unit, and also "capture how they felt about it". Narration by actor George Henare, remembrances, visits to historic sites, archival footage, and graphic stills create a respectful and stirring screen testament to the men who fought in the Battalion. Stephens writes about the film in the backgrounder.
The work of promising filmmaker Cameron Duncan was seen internationally, after two of his short films were included on an international DVD release of The Lord of the Rings: The Return of the King. Son of Auckland cinematographer Rhys Duncan, Cameron continued to make films while battling cancer. He passed away on 12 November 2003, aged 17.
Barry Shaw wrote about television for more than two decades. A longtime critic for both The Auckland Star and The NZ Herald, he was on hand to note many key moments in Kiwi screen history. Shaw passed away in August 2011, at the age of 82.
Tying David Stevens' career down to a single nation or genre is a challenge. Stevens grew up in Africa and the Middle East, studied acting in the UK, then began his screen career in NZ. In 1972 he directed award-winning drama An Awful Silence, then moved to Australia. There he was Oscar nominated for co-writing movie Breaker Morant, and forged a busy career directing (A Town Like Alice) and writing (The Sum of Us).