This documentary questions New Zealand’s involvement in the ‘Five Eyes’ intelligence alliance. The examination of contemporary intelligence gathering takes in NSA whistle-blower Edward Snowden, entrepreneur-in-exile Kim Dotcom, and NZ Prime Minister John Key. It is framed around the 2008 sabotage of a Blenheim spy station by a priest, a teacher and a farmer: the 'Waihopai three' cut open a plastic dome protecting a satellite dish, in protest at the base’s role in the US-led 'War on Terror'. Directors Errol Wright and Abi King-Jones made 2011 terror raids documentary Operation 8.
Directed by Sam Pillsbury, this 1974 film observes Ralph Hotere — one of New Zealand’s greatest artists — at a moment when excitement is gathering about his work. Lauded as a “classic” by Ian Wedde, the documentary is framed around the execution of a watershed piece: a large mural Hotere was commissioned to paint for Hamilton’s Founders Theatre. Interviews with friends and associates — poets Hone Tuwhare and Bill Manhire, art critics, officials and dealers — are intercut with fascinating shots of Hotere working (including making art by photocopying or 'xerography').
The largest gathering ever seen of Māori tribal war canoes (waka taua) was one of the centrepieces of the 150th anniversary of the signing of the Treaty of Waitangi in 1990. This documentary, narrated by Tukuroirangi Morgan, followed the ambitious countrywide programme to build the ornately carved waka, and assemble them at Waitangi as a demonstration of Māori pride and unity. The 22 strong fleet, powered by 1000 paddlers, also fulfilled a dream of Tainui leader Princess Te Puea Herangi that had been curtailed 50 years earlier by World War II.
A profile of the Returned Services’ Association on its fiftieth anniversary, taken from 1960s current affairs show Compass. The RSA’s varied roles include welfare, watchdog, and keeper of the flame. The Taumaranui RSA bar makes a good return in a town that is officially dry; meanwhile in Wellington we watch two retired army officers describing an RSA fact-finding trip to South East Asia. The brief Anzac day footage includes a lively Dawn Parade gathering that packs Wellington railway station.
Don McGlashan wrote this "secular gospel" song for a key scene in Toa Fraser film No. 2: where matriarch Nanna Maria watches her family at a party and says "look at all that life". The song won an APRA Silver Scroll songwriting award and spent 22 weeks in the charts,. It rose, appropriately enough, to number two. It only became a single thanks to public demand, fuelled partly to this video — which features No. 2's cast and crew gathering for a backyard performance by vocalist Hollie Smith, accompanied by McGlashan and the rest of the Mount Raskil Preservation Society.
This chronicle of the Christchurch Commonwealth Games marked one of the National Film Unit's most ambitious productions. Though a range of events (including famous runs by John Walker and Dick Tayler), are covered, the film often bypasses the pomp and glory approach; daring to talk to the injured and mentioning that most competitors lose. The closing ceremonies of the "friendly games" feature the athletes gathering to — as the official song's chorus put it — "join together". The directing team included Paul Maunder, Sam Pillsbury, and Arthur Everard.
This episode of New Zealand's own office comedy sees John (Ross Jolly) concluding that a love of stamps makes the boss (Ken Blackburn) a natural fit for Mastermind — next thing, the stores branch staff are gathering around with imaginary cameras and desk lamps, to help him practise for the pressures of facing quiz master Peter Sinclair. Meanwhile the team try to score another victory by getting an astrological chart made for a racehorse. Roger Hall's sitcom about public servants was a bona fide hit, long before Rogernomics and Ricky Gervais in The Office.
This 1951 National Film Unit production looks at the Cook Islands, and marks the 50th anniversary of the islands’ annexation in 1901. Unusually long (half an hour) for an NFU film, it shows history ("Vikings of the Pacific" through Captain Cook to New Zealand administration) and island life: spear-fishing, catamaran sailing, breadfruit gathering, weaving, dancing and singing. The islands are depicted as paradise guided by NZ paternalism, with the Islanders grateful recipients of modern communication, technology, health services, education, and... tinned meat.
This Artsville documentary (full title: Under the Skin of the Auckland Life Drawing Group) visits a group of artists who have been gathering together for over 30 years to take part in a life drawing. Group members — sculptor Terry Stringer and painters Jan Nigro, John Andrew and Mary McIntyre — talk about the inspiration that the models provide and the journeys they take the images on in terms of their own art. The early history of art schools in Auckland is discussed and the nude models break their silence to discuss the enjoyment they get from participating.
This fifth episode of comedian Mike King’s Treaty discovery series goes on the trail of the two sheets that travelled around the Bay of Plenty in 1840. One, carrying a forged signature, travelled east with young trader James Fedarb (King asks why, despite gathering 26 signatures in 28 days, the salesman is largely missing from the history books); the other went south with a pair of missionaries. King learns about the Te Arawa and Tūwharetoa refuseniks from Paul Tapsell — and from Tamati Kruger, the reason Fedarb didn’t venture into Tūhoe territory.