Kirsty Cameron started in short film and art installation, before costume designing the first of around 20 feature films — including the acclaimed Whale Rider, Slow West, and No. 2. Her list of awards also includes The Orator and TV movie Jean, about aviator Jean Batten. Cameron's third short as writer/ director, teen fable The Lethal Innocents, was invited to festivals in Sweden, Germany and the USA.
Scots-born Erik Thomson moved to New Zealand at age seven. In the mid 90s his career took off, after he began acting in Australia. In 2004 he won an AFI award for feature Somersault, then later starred in Aussie TV hit Packed to the Rafters and NZ drama/comedy We're Here to Help. In 2016 Thomson won a Best Actor Logie for his role in TV series 800 Words, as an Australian widower who moves his family to NZ.
Tongan-Kiwi comedian Josh Thomson won attention after starring in 48 Hour short films Only Son and Brown Peril. Along with acting (Hounds) and appearances on comedy show 7 Days, Thomson is also an editor and director. In 2017 he starred in movie Gary of the Pacific, as a hapless real estate agent turned Pacific Island chief. The same year, he joined Three's primetime news show The Project.
Sam Pillsbury's The Scarecrow was the first Kiwi movie to win invitation to the prestigious Cannes Film Festival. Starting at government filmmaking body the Natonal Film Unit, the part-Kiwi, part-American dlrector worked in documentary — including helming the controversial Birth with Dr. R.D. Laing — before making a run of feature films and TV movies, both in New Zealand and North America.
Bruce Morrison's extensive career as director, producer and sometime scriptwriter has crossed the gamut: from innovative arts programming and pioneer music videos, to the long-running Heartland series — plus feature films variously involving fast cars, riotous teens and a glamour-struck Donogh Rees.
After studies in radio broadcasting and English literature — and a stint as a radio DJ — Andrew Szusterman went on his OE, and ended up as Music Director of the UK branch of MTV. Back in New Zealand, he helped launch youth music channel C4, and rose up the MediaWorks ranks to become the group’s Chief Content Officer, curating content across television, radio and digital.
An ideas man who campaigned for a Government film body, Stanhope Andrews would become the National Film Unit's first manager. Andrews commanded the Unit for a decade. Along the way he oversaw dramatic expansion, set up regular newsreel Weekly Review, and opened the door to filmmakers of both genders.
Jane Campion is one of the most dynamic — and applauded — filmmakers to emerge from Australasia. Campion's CV includes Cannes-winning road trip Peel, An Angel at My Table, based on the life of writer Janet Frame, and award-winning mini-series Top of the Lake. With her twisted settler romance The Piano (1993), she became the first woman to take the top award at the Cannes Film Festival.
Brother of pioneering aviator Jean Batten, Rotorua-born John Batten began acting in films while living in the United States. By the 1930s he was winning starring roles in England, including The Great Game and submarine drama Men Like This. Later he appeared in his only known New Zealand film, Rudall Hayward short Song of the Wanganui. Batten passed away in England in 1993.
John Bates is a documentary director whose low profile and natural modesty belies his talent. His award-winning documentaries range across many iconic New Zealand people and events, including the 1951 waterfront dispute, the 1975 Māori Land March, late photographer Robin Morrison, and the history of television itself.