This simple but very effectively choreographed clip is one of the few pieces of music footage shot for 70s rock show The Grunt Machine that has been preserved. The extended instrumental intro allows Phil Judd nearly two minutes of pacing and hovering in the Avalon Studio shadows before he confronts the camera at his malevolent best. The soon to depart Wally Wilkinson is on guitar; time in Australia has cemented the band's stage personas, Noel Crombie's black and white costumes are a visual treat, and the result is a perfect document of Mental Notes-era Enz.
This performance clip for The Veils is given a distinctive edge using various effects that add a moody, jittery vibe. The overlaid animations — moths trace arcs in the air, shadows move in the background, and the moon and stars make an appearance — add a mood of underworld ethereality, and an echo of the silent movie era. The clip was made by the Brownlee brothers (not the English triathletes). It was nominated for video of the year in the 2007 Juice TV awards. The song is taken from second Veils album Nux Vomica.
Television presenter Hilary Barry praises whacky and "so dry" comedy series Wellington Paranormal in this video celebrating NZ On Air's 30th birthday. Barry talks about how the spin-off from What We Do In The Shadows is so different and understated that viewers tuning into halfway through could easily get confused. Writer/producer Paul Yates talks about rising respect for Kiwi comedy and how much of the show is ad-libbed, while Barry laughs about the great relationship between police officers O'Leary (Karen O'Leary) and Minogue (Mike Minogue).
Little Bushman muso Warren Maxwell goes west in this edition of The Gravy, to meet a trio of artists creating work in the shadow of Mt Taranaki. Waru Wharehoka, an autistic painter, makes abstract works, is obsessed with weapons and zombies, and takes Maxwell on a paddle beneath New Plymouth. Assemblage artist Dale Copeland scavenges plane wrecks on the mountain and dead friend's teeth for her art. And photographer Fiona Clark discusses why she used colour film to snap her controversial 1975 drag queen images, and using a photo to help save the Waitara River.
Bressa Creeting Cake's jaunty calypso romp, described by the band as "a very happy holiday song full of gaiety, summer, and love for one's fellows", gets a suitably madcap treatment in this video directed by Michael Keating and band member Edmund McWilliams (aka Ed Cake). Actor and comedian Jonathan Brugh (What We Do in the Shadows) gets to mug for the camera while the band lurks in the background in their "sinister suits". Auckland's Little Shoal Bay, near the Harbour Bridge, is the opening location, and elsewhere, a guitar is used as a percussion instrument.
The video for this track from the Slugbucket Hairybreath Monster EP features expressionist shadows, odd science experiments in the basement, Frankenstein-like freaks, a flickering TV set, and an amateur brain transplant — demonstrating clearly that grunge-master Chris Knox is a major horror fan.
A State of Siege is the story of a retired art teacher dealing with isolation and loneliness, culminating in a stormy, terrifying night. This is a six-minute excerpt. Vincent Ward's acclaimed short — adapted from a Janet Frame novel — was made when he was at Ilam art school. The Evening Post called it "the most sensitive and intelligent film that has ever been made in New Zealand". San Francisco Chronicle praised: "Ward creates more horror in this low budget movie with his play of light and shadow than Stanley Kubrick was able to create in the whole of The Shining."
"If you don't like the beat, don't play with the drum". Taken from Sharon O'Neill's 1983 album Foreign Affairs, the song chronicles "case 1352, a red and green tattoo". It was inspired by a prostitute who worked the streets of King's Cross. The clip starts with O'Neill hitting Auckland Airport. Look out for leopard skin tights and a dress straight off Logan's Run. Other highlights: a steamy sax solo, heavy eye shadow and backlit silhouettes in "rain-slicked avenues." Two clips for 'Maxine' exist: the Australian version won controversy for images of a fictional prostitute, shot in King's Cross.
Taking their name from the street address of their student flat in Hamilton, Jon Austin, Captain Hook and brothers Jarod and Shannon Brown (from Tadpole fame) formed 48May in 2003. The punk-popsters started packing venues and played at the Big Day Out. Stan Bicknell later replaced Jarod on drums and 48May released second album Streetlights and Shadows in 2007 - which they described as an intimate look at the band dealing with its strengths and insecurities.
The first single from the final Straitjacket Fits album features a typically oblique Shayne Carter lyric hinting at despair and defiance — possibly touching on the departure of founding member Andrew Brough. The overcast lyrical content and lurching, hard edged guitars find their match in this black and white video from director Andrew Dominik, which shrouds the band in studio shadows. Dominik went on to direct lauded films Chopper, and American movies The Assassination of Jesse James by the Coward Robert Ford, and Killing Them Softly.