In this episode of her TV3 series for pre-schoolers, Suzy Cato uses songs, stories, animations and puppets to focus on a topic that will soon loom large for her audience — going to school. Suzy explores the mysteries of the schoolbag with its lunchbox and pencil case; and she tells a story about her own first day at school. A blackboard is used to name parts of the human body in English and Māori; and there are field inserts that take a bilingual look at different colours, and join a family preparing a picnic which they then take to the beach.
Animated plasticine. Talking chickens. Dancing Cossacks. Plus old favourites bro'Town, Hairy Maclary and Footrot Flats. From Len Lye to Gollum, feast on the talents of Kiwi animators. In his backgrounder to the Animation Collection, NZ On Screen's Ian Pryor provides handy pathways through the frogs, dogs and stop motion shenanigans.
This collection celebrates the legendary moments that New Zealanders — huddled around the telly — gawked at, chortled with, and choked on our Choysa over as they played out on our screens. "There's a generation who remember where they were when JFK was shot", but as Paul Casserly asks in his collection primer, "where were you when Thingee's eye popped out?"
This collection of 40 classic Kiwi TV series offers up images spanning 50 years. The titles range from Gloss to Gliding On, from Olly Ohlson to Nice One Stu, from Ready to Roll to wrestlers. In this special backgrounder, Stuff's James Croot writes about favourite moments of Kiwi TV. The list is in rough chronological order of when each series debuted.
Don McGlashan has played drums, horns, guitars and PVC pipes, created memorable songs with Blam Blam Blam, The Mutton Birds and as a solo artist, and won a run of awards for his soundtrack work. As Nick Bollinger puts it in this backgrounder, his songs are good for occasions big and small.
In this collection we pack our lunch boxes and shine the light on a collection of classic pre school, after school and Saturday shows. These programmes were on hand for generations of Kiwis when they were doing (or meant to be doing) homework or chores. Viewers of a certain age will recognise many of the shows (from Play School to Nice One Stu) and presenters (Stu, Jason, Shavaughn, etc). Ka kite, and remember: “Keep cool ’till ...”.
After-school show Nice One was a popular classic of NZ childrens television, with the show's signature theme tune ("Nice one Stu-y!") and Stu's thumbs-up salute, totemic for kids of the 70s. Host Stu Dennison played a cheeky, long-haired schoolboy who delighted children and infuriated adults with his irreverent antics. But Dennison developed the persona in short live segments for Ready to Roll (shot live at Avalon Studios, excerpted here). Prototype Stu is seen being a truant, reciting rude poetry, singing 10cc and ribbing Roger Gascoigne and 70s metrosexuals.
It started with grunge and ended with Spice Girls; Di died, Clinton didn't inhale and the All Blacks were poisoned. On screen, Ice TV and Havoc were for the kids and a grown-up Kiwi cinema delivered a powerful triple punch. Tua's linguistic jab proved just as memorable, Tem got a geography lesson and Thingee's eye popped and reverberated around our living rooms.
This show was possibly the most controversial edition of the Heartland series. Gary visits the sometimes maligned working class dormitory suburb, and hits sports fields, local homes and Tupperware parties. In this full-length episode he meets everyone from cheerful league coaches and builders remembering the challenges of getting supplies up the hill, to the woman many would not forget: Chloe Reeves, with her squeaking voice, distinctive fashion sense and tiger slippers. There is also a fleeting glimpse of future All Black Piri Weepu holding a school road safety lollipop.
New Zealand's unique accent is often derided across the dutch for its vowel-mangling pronunciation ("sex fush'n'chups", anyone?) and being too fast-paced for tourists and Elton John to understand. In this documentary Jim Mora follows the evolution of New Zealand English, from the "colonial twang" to Billy T James. Linguist Elizabeth Gordon explains the infamous HRT (High Rising Terminal) at the end of sentences, and Mora interprets such phrases as "air gun" ("how are you going?"). Lynn of Tawa also features, in an accent face-off with Sam Neill and Judy Bailey.