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Dorthe Scheffmann’s varied behind the scenes roles have helped ensure that a legion of Kiwi feature films manage to finish their shoots, without falling apart in the process. In 1996 she won a place in competition at Cannes with The Beach, her debut short as director. Scheffmann now teaches at Auckland University.
... watching Vincent Ward's Vigil took me to the back seat of my fathers Holden, hurtling through the Waikato mist on the way to some sick cow. In Alun Bollinger's cinematography I found my own New Zealand, the way the light falls, its form, its uncompromising nature.
– Dorthe Scheffmann
Role/s |
|||
|---|---|---|---|
|
Huia |
Executive Producer |
2009 |
|
The Big Happiness |
Executive Producer |
2007 |
|
Line Producer |
2005 |
||
|
Spinning Top |
Executive Producer |
2005 |
|
The Making of Sleeping Dogs |
Subject |
2004 |
|
The Making of Smash Palace |
Subject |
2004 |
|
Executive Producer |
2001 |
||
|
Executive Producer |
2001 |
||
|
Executive Producer |
1999 |
||
|
Stories We Tell Ourselves |
Writer |
1999 |
|
The Funeral |
Writer |
1998 |
|
Director |
1995 |
||
|
Avondale Dogs |
Executive Producer |
1994 |
|
Pallet on the Floor |
Production supervisor |
1986 |
|
Producer |
1985 |
||
|
Producer Assistant |
1985 |
||
|
The Bar |
Director |
1985 |
|
Production Supervisor |
1984 |
||
|
Production supervisor |
1983 |
||
|
Production Manager |
1982 |
||
|
Continuity |
1981 |
||
|
Production Manager |
1981 |
||
|
Pictures |
Production Manager |
1980 |
|
Production Manager |
1980 |
||
|
Flying Kiwi |
Second Assistant Director |
1979 |
|
Production Assistant |
1977 |
The titles listed here may not reflect this person's full screenography. These are only the titles that are included in or referenced by this site.