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Paul Leach was the man behind the camera on many classic Kiwi films; author Duncan Petrie described him as New Zealand's "camera operator of choice". His CV spanned landmark titles Sleeping Dogs, Utu, Smash Palace, and breakthrough comedy Came a Hot Friday.
He was clear and concise and a logical force at the centre of the production ... in many ways he was the unifying cameraperson, the director of pictures for New Zealand.
– cinematographer Graeme Cowley, in Duncan Petrie's Shot in New Zealand
Role/s |
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|---|---|---|---|
|
The Making of Sleeping Dogs |
Subject |
2004 |
|
Camera Operator |
1988 |
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|
Camera |
1986 |
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|
Camera |
1984 |
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|
Camera |
1983 |
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|
Camera |
1983 |
||
|
Carry Me Back |
Camera |
1982 |
|
Subject |
1982 |
||
|
Camera |
1981 |
||
|
Camera |
1980 |
||
|
Camera |
1979 |
||
|
|
Sons For the Return Home |
Camera |
1979 |
|
Skin Deep |
Camera |
1978 |
|
Camera |
1977 |
||
|
Encounter |
Director |
1975-1977 |
|
Camera |
1974 |
||
|
Camera |
1974 |
||
|
Don't Let the Angels Fall |
Camera |
1969 |
|
Mrs Case |
Camera |
1969 |
|
The Things I Cannot Change |
Camera |
1967 |
|
Ladies and Gentlemen, Mr Leonard Cohen |
Camera |
1965 |
|
23 Skidoo |
Camera |
1964 |
|
Phoebe |
Camera |
1964 |
|
Castaway |
Camera |
1960 |
|
Pas de Deux |
Camera |
1959 |
The titles listed here may not reflect this person's full screenography. These are only the titles that are included in or referenced by this site.