Māori Television hit the airwaves on 28 March 2004. This collection demonstrates how the network has staked its place as Aotearoa's indigenous broadcaster. The kete is overflowing with tasty morsels — from comedy, waiata, hunting and language learning, to award-winning coverage of Anzac Day. Māori Television HOD of Content Development Nevak Rogers backgrounds some MTS highlights here, while Tainui Stephens unravels the history of Māori on television here: choose from te reo and English versions of each backgrounder.
This 2014 documentary celebrates Māori Television’s first decade. It begins by backgrounding campaigns that led to the channel (despite many naysayers). Interviews with key figures convey the channel's kaupapa – preserving the past and te reo, while eyeing the future. A wide-ranging survey of innovative programming showcases the positive depictions of Māoridom, from fresh Waitangi, Anzac Day, basketball and 2011 Rugby World Cup coverage, to Te Ao Māori takes on genres like current affairs and reality TV (eg Native Affairs, Homai Te Pakipaki, Kai Time on the Road, Code, and more).
The very last grand final of Homai Te Pakipaki sees ten finalists from across the motu come together to sing their hearts out, with the hope of taking home a $20,000 cash prize (plus phone package). Broadcast live, the raw talent karaoke contest is hosted by Brent Mio and 2008 series winner Pikiteora Mura-Hita, with help from Pakipaki veteran Te Hamua Nikora. The winner is decided by whānau, iwi and the viewers at home via text vote. The guests include 2014 winner Lee Stuart, band Sons of Zion and IDentity Dance Company. There are also short clips of past show highlights.
Long-running series Marae DIY brings a tangata whenua twist to the home renovation format. Series creator Nevak Rogers describes the bilingual production as "the programme which helps marae knock out their 10 year plans in just four days". The drama of the building mahi is mixed with humour, whānau-spirit, tikanga (protocol) and history, and even makeovers for the nannies. For Marae DIY's 11th season in 2015, it shifted from Māori Television to TV3. In 2007 the 'Manutuke Marae' episode won a Qantas Award for Best Reality Show.
"Mean Māori mean!". Māori Television’s long-running sports show gained a cult following for its Aotearoa casual take on the sporting week. In this 10th episode from the penultimate season, American bodybuilders Steve Cook and Amanda Latona Kuclo, and giant Chiefs prop Ben Tameifuna are welcomed to the couch by hosts Jenny-May Clarkson, Glen Osborne and Liam Messam. There’s a pose down, Konrad Hurrell launches his own slot, and Messam takes an ice challenge; plus tennis tikanga, rock’n’roll dancing with Osborne, and prizes for reo: "what is the Māori word for fitness?".
After years of protest, agitation, and court hearings, the Māori Television Service finally launched on 28 March 2004. This is the first 30 minutes that went to air. Presented by Julian Wilcox and Rongomaianiwaniwa Milroy, the transmission begins with a traditional montage of Aotearoa scenic wonder (with a twist of tangata whenua); the launch proper opens with a dawn ceremony at Māori Television's Newmarket offices, featuring MPs and other dignitaries. Wilcox also gives background information on the channel and outlines upcoming programming highlights.
Inspired by an epiphany at the Waitangi Treaty grounds in 2000, and after learning New Zealand’s founding document was actually several pieces of paper, comedian Mike King went on a quest to learn the stories behind Te Tiriti O Waitangi. King traces the 1840 path of the nine sheets as it accrued its 540 signatures, meets Māori and Pākehā descendants of those involved, and connects with his Māori heritage. The 10-part series screened on Māori Television. Dominion Post critic Linda Burgess acclaimed it as “dignified, conciliatory, informative ...”
Māori Television’s award-winning news and current affairs show took its bold name from a colonial government department. This 2017 episode profiles four non-conformists: Mongrel Mob boss Rex Timu’s war on P; Raihania Tipoki's waka protest against East Coast oil surveying; Taranaki mother Tina Tupe's preparations for her own tangi; and globetrotting screenwriter David Seidler. Seidler makes an annual trip to a Tarawera cabin – he has a Kiwi son to a Māori woman – and talks about his Oscar-winning movie The King’s Speech, and his admiration for kapa haka.
This acclaimed Māori Television series saw Kiwi musicians teaching bars behind bars — working with prisoners to compose and record songs, drawn from their life experiences. In this opening episode from the third season, Anika Moa, Ladi6, Scribe and Troy Kingi head to Christchurch’s men’s and women’s prisons. For Moa, Ladi6 and Scribe, Christchurch is their "music whakapapa". For Scribe it is a reminder of earthquake tragedy. The jail itself revives memories of childhood visits to his father (an upbringing which the two explored in 2015 play The White Guitar).
Māori Television has staked such a claim on Anzac Day coverage that the two have almost become synonymous. The channel began its all-day Anzac coverage with an extended, award-winning broadcast in 2006. Māori Television increased mainstream media interest in its Anzac coverage by cleverly enlisting longtime TVNZ newsreader Judy Bailey to co-host with Wena Harawira. This opening 30 minutes includes the 2006 studio welcome, and live coverage of the 67th annual Auckland Dawn Parade, with narrators Tainui Stephens and historian Stephen Clarke.
Kai Time on the Road premiered in Māori Television’s first year of 2003. It has become one of the channel’s longest running series. Presented largely in te reo and directed and presented for many years by chef Pete Peeti, the show celebrated food harvested from the land, rivers and sea. Kai Time traversed the length and breadth of New Zealand, and ventured into the Pacific. The people of the land have equal billing with the kai, and the korero with them is a major element of the show — often over dishes cooked on location. Rewi Spraggon succeeded Peeti for the final two seasons.
This hit Māori Television mockumentary series follows a couple of metro Māori men on a mission to claim a large inheritance…by finding a Māori bride. But in order to do so, the two 'plastic Māori' – property developer Tama Bradley (Boy's Cohen Holloway) and accountant George Alpert (singer/actor Matariki Whatarau) – must get in touch with their culture. In this first episode their unreadiness for the challenge is clear. NZ Herald's Alex Casey praised the show as a "hotbed for humour". Māori Bride was produced by the company behind webseries Auckland Daze and movie Waru.
Named after the exaggerated facial expressions performed in a haka, this long-running children's series emphasises the energy of contemporary youth culture. Made by company Cinco Cine, Pūkana was pioneering in Māori language programming for kids. This 2015 episode sees the crew of reporters stunt driving, skydiving, camping, kayaking, bungy jumping, and hanging out with a tarantula. The crew includes past Homai te Pakipaki champ Pikiteora Mura-Hitai, and veteran Pūkana presenter Tiara Tāwera, who is about to follow Mātai Smith and switch to directing on the show.
This staple of Māori Television has been on the hunt for over a decade. Host Howard Morrison Junior’s amiable way with his fellow hunters as they head to the best spots to stalk deer or pigs, connected with camo-clad viewers. No hyped up Bear Grylls types here: just good, keen Kiwi hunters getting kai the old-fashioned way for their whānau, bagging trophies or helping protect native wildlife. In the eighth season (2012) Morrison handed the presenter's rifle to ex-rugby star Matua Parkinson; ex All Black Glen Osborne took over for the eleventh season, before Morrison's return.
Beloved quiz show It's in the Bag was relaunched on Māori Television in a bilingual version, on 31 May 2009. Hosts Pio Terei and Stacey Daniels Morrison took the series to small towns across Aotearoa, from Waimamaku to Masterton. Over five seasons, the classic format remained largely the same, although the hosts were given more of an equal footing than had been the case in the past. Contestants from the audience answered three questions, before picking either the money or the bag — hopefully avoiding the booby prize, which might be a sack of kina or some bread.
This Māori Television hit offers a down-home NZ Idol mixed with a little Fear Factor, as off the street talents sing three rounds of karaoke and try to win $1000. Hosts Te Hamua Nikora (Homai Te Pakipaki) and Luke Bird (The Stage - Haka Fusion) coax Lagitoa from Papatoetoe, Samantha from Pakuranga and Renee from Rotorua to belt out their favourite song. The show’s stripped back style allows lots of space for audience reactions (this time at Rotorua's night markets, and in Pakuranga). With encouragements in te reo and English, the contestants feel the fear and sing anyway.
Kōrero Mai used a soap opera (Ākina) as a platform to teach conversational te reo Māori. In this fifth season opening episode, Tini (Stephanie Martin) and Quinn (Kawariki Morgan) deal with the aftermath of the previous season's climactic car crash. Presenter Piripi Taylor introduces phrases like 'Ana e tā' (yeah man!). This season of the award-winning Māori TV show had 120 episodes, screening from Monday to Wednesday, then repeated. The directors are actors Rawiri Paratene (Whale Rider) and Rachel House (Hunt for the Wilderpeople), and cinematographer Simon Raby.
Te Araroa is a 3000 kilometre, Aotearoa-long walkway. In this Māori Television series, host Pio Terei walks it, sampling “New Zealand experiences”. In this first episode, Terei treks his home turf: the trail’s northernmost stage, from Te Rerenga Wairua (Cape Rēinga) to Kaitaia. Pio goes fishing in Ahipara; gets kitted up with a knife, and a kauri tokotoko (walking stick); gets stung by a manuka honey bee; meets the Tarara (NZ Dalmatian) people, and talks mission statements and hangi with members of the hīkoi that "changed the face of the nation" – the 1975 Māori Land March.
Described by co-creator Jamaine Ross as a sketch show "told from a brown perspective", this Māori Television series pokes the taiaha into life in Aotearoa. Hosted by improv trio Frickin Dangerous Bro – Ross (Māori), Pax Assadi (Persian) and James Roque (Filipino) – the show adds a multicultural 21st Century update to the skit traditions of Billy T James and Pete and Pio. This first episode mines comedy from white people, brown mums, hangi, sports reporting, subtitles, service station staff, and sat nav. NZ Herald’s Gracie Taylor called it "smart, funny, relevant and insanely relatable".
"I like uncovering people and getting them to fess up to **** and to be more real with themselves." So said Anika Moa to TV Guide of her late night Māori TV talk show. In the first episode, the forthright Moa has two Real Housewives of Auckland on the couch. Moa trades laughs with champagne fan Anna Batley Burton, while Gilda Fitzpatrick shows actor Madeleine Sami the high life, and Sami shows her the thug life. There’s giant knitting needles and innuendo; hip hop artist Kings performs hit 'Don’t Worry Bout It', and The Spinoff’s Alex Casey previews Sensing Murder.
This award-winning TV series explored whare significant to a community, using the buildings themselves as a vessel for storytelling. Interviews delve into each whare’s design and build, and its cultural and historical significance. This first episode visits Whakatane to enter Ngāti Awa’s globetrotting meeting house, Mātaatua. After 130 years the building was returned home and restored, following a Treaty of Waitangi settlement. It reopened in 2011. The te reo series was made by the company behind architecture show Whare Māori. To translate, press the 'CC' logo at the bottom of the screen.
Bros meets The Bachelor in this hit Māori Television reality show, which was billed as a "hunt for the ultimate Polynesian warrior". The contestants' muscles might look good, but do the personal trainers and dancers have their ancestors’ skills? This first episode tests the 12 entrants in spear throwing, waka portage and hakamoa (Hawaiian wrestling). The show swapped po-faced reality TV conventions for Polynesian humour: dropped lavalavas and tattooed torsos are slathered with innuendo by hosts Pani and Pani (Goretti Chadwick and Anapela Polataivao).
Polyfest, the annual secondary schools' Māori and Pacific Island cultural festival, attracts around 90,000 people and 9000 performers from 64 schools to Manukau Sports Bowl. The 2017 Māori Television coverage, hosted by Sonny Ngatai, showcased every kapa haka performance over 50 30 minute slots. This episode features former winners and 2016 runners-up Ngā Puna o Waiōrea (Western Springs College), who perform routines including poi and haka. Puawai Taiapa (Pūkana) and social media stars Cougar Boys and Chardé Heremaia (Memoirs of a Māori) interview rangatahi.
This Māori Television series follows South Auckland dance crew The Palace as they prepare for the World Hip Hop Dance Championships, and a shot at their fourth title. This first episode films open auditions where dancers, including two gay brothers from Tokoroa, hope to join 'The Royal Family'. Led by choreographer Parris Goebel — who talks here about her method and early days — the crew have won global fame, including bringing its 'Polyswagg' to the hit video for Justin Bieber’s Sorry. There are also scenes of Goebel choreographing 2015 Kiwi movie Born to Dance.
In this first episode of the 2015 Māori Television series, three rangitahi answer a Facebook call for sailors who are up for reconnecting with nature and their culture, on a six week waka journey circumnavigating the North Island. The te ao Māori twist on the fish out of water reality show sees a trio of young Māori (including Boy discovery Rickylee Russell-Waipuka) set sail on Hoturoa Barclay-Kerr’s waka Haunui, where they’re separated from social media, face seasickness and rough seas, and learn the "ancient laws of voyaging". The winner gets the chance to join a voyage to Rarotonga.
Pull up a chair and grab your guitar; the Modern Māori Quartet — aka musicians Francis Kora, James Tito, Maaka Pohatu and Matariki Whatarau — are here to reinvigorate a clutch of classic Māori party tunes, helped along by a guest list of young and old. With their laidback style the boys trade jokes and memories, and older generations share the songs that make a room sing. This episode also features a new and improved version of 'Ten Guitars', some seriously sharp suits, and a roof-lifting performance from cultural group Te Waka Huia.
Te Ao Māori meets 70s kung fu movies in this Māori TV series, as a modern guide travels back to pre-Pākehā times to introduce "the greatest warriors of the past". Kairākau uses modern filmmaking tools (including roving camerawork, and the kinetic style of action films like 300) to explore ancestral history and showcase Māori martial arts. This first episode tells of Tunohopu’s utu, after an ambush by a Tūwharetoa war party sees the capture of his son and brother. Kairākau was created by Rangi Rangitukunoa. Kapa haka expert Wetini Mitai-Ngātai choreographs the martial arts.
A soap told from a Māori perspective, this Rotorua-set drama follows Piki (newcomer Hinerauwhiri Paki) as she faces the challenges of being a teen in the age of Snapchat. This opening episode sees the aspiring singer juggle an audition for a kapa haka troupe, and a crush on a fellow performer. NZ Herald reviewer Duncan Greive praised Paki as "shockingly good", and found the Māori Television series "a distinctly modern drama which could have come from nowhere else". The show was developed from an original idea by actor Cliff Curtis and producer Lara Northcroft.
"Pitch Perfect meets Modern Family set on a marae" was the tagline for this 2017 Māori Television comedy/drama, about a kapa haka group that fluke their way to the national championships. This first episode shows that with seven weeks to prepare, whānaungatanga (family) will be as much of a challenge as getting it together onstage. Hori Ahipene plays dual roles as worried coach Teepz and Aunty Mavis. Roimata Fox plays kapa princess Koakoa, and actor turned director Katie Wolfe is Nanny Fanny. Press the CC box below the screen to translate occasional te reo dialogue.
Chef Cameron Petley was a fan favourite on the 2011 season of MasterChef New Zealand. In 2015 the Putaruru outdoorsman got his own Māori TV cooking show. The 20-part series saw down-home Cam (Tūhoe, Ngāti Ranginui) touring local markets and dining with whānau, providing tips for tasty kai. In this first episode he visits Avondale Markets with Dead Lands actor Lawrence Makoare, and heads home to shuck mussels, talk fusion food (mussel donuts!), and cook Makoare’s KFC (“kai for cuzzies”) fritters; in return he throws together a duck and watercress salad.
Television talent show franchises like Got Talent and X Factor won huge global popularity in the first two decades of the 21st Century. In 2016 the format got an Aotearoa twist with this Māori Television series: each contestant’s routine had to include kapa haka. Hosted by Kimo Houltham, this first episode sees Norris Studios (jazz ballet), Mana Wairua (contemporary), and Sovreign (hip hop) compete to see who has "haka flair". Manu Wairua’s World War II-inspired act and Sovreign’s rākau (Māori weaponry) skills saw the judges send them to the quarter finals.
The first Matariki awards recognise Māori achievers across everything from sport, to academia, to business. The audience pay special tribute to Scotty Morrison, the IronMāori team, and All Black Nehe Milner-Skudder. Nominated for the Waipuna-ā-Rangi Award for excellence in art and entertainment are Stan Walker, Cliff Curtis and artist Lisa Reihana; one of the trio will later score the night's supreme award. Musical guests Ria Hall and The Modern Māori Quartet combine to enliven 'Ten Guitars'. The awards were presented on behalf of Te Puni Kōkiri and Māori Television.
This Te Ao Māori take on Hunger Games follows bushman Owen Boynton as he straps on his bow and travels across Aotearoa, to explore traditional hunting techniques and skills, and the kaupapa behind them. In this first episode Tūhoe-bred Boynton returns to his Waimana hometown to pay his respects to the forest, and hunt with whānau to provide kai for their community. On the riverbed the dogs round up a couple of deer, and he gets an anatomy lesson from his uncle. Toa Hunter-Gatherer was produced by Julian Arahanga and Awa Films for Māori Television.
This Māori Television series merged old media and new: giving a group of young people iPhones and storytelling workshops, and empowering them to tell their own fun stories. In this fourth season episode, the slices of life include: swimming with whales off Tonga, a Te Tai Tokerau marae challenge, holidaying in Sydney and learning to surf in Bali, filming live rugby league at Mt Smart, basketball trials, farewelling a mate at the airport with a haka, and a stage-shaking kapa haka act. Press on the 'CC' symbol below the screen to find subtitles for (occasional) te reo.