An ideas man who campaigned for a Government film body, Stanhope Andrews would become the National Film Unit's first manager. Andrews commanded the Unit for a decade. Along the way he oversaw dramatic expansion, set up regular newsreel Weekly Review, and opened the door to filmmakers of both genders.
Trailblazing broadcaster Shirley Maddock, ONZM, was making and presenting television in 1960, when the medium first began in New Zealand. After doing theatre in London and radio in New York, she went on to produce and present a series of documentaries in her homeland, and wrote a bestselling book to accompany 1964 series Islands of the Gulf. Maddock passed away on 10 October 2001. She was 72.
John Shrapnell began working in New Zealand television in the 1960s. His career as a journalist, reporter, director, editor, producer and actor spans nearly half a century.
Jamie Selkirk is the Academy Award-winning editor of Return of the King, the final episode of the Lord of the Rings trilogy. His working relationship with director Peter Jackson stretches from Jackson's first feature Bad Taste through to the present day. Selkirk helped found special effects company Weta Workshop, and Wellington's Camperdown Studios.
As a war correspondent filming the New Zealand forces in Italy and the Middle East, Ron McIntyre played a key role in supplying the raw material for the early films of the National Film Unit. After nearly four years overseas, he returned home and tried his hand at independent filmmaking. McIntyre spent just over seven years with the NFU as a cameraman and director, and also worked briefly for Pacific Films.
Alun Falconer started his film career at the National Film Unit in 1946. Early in 1948 he and cameraman Roger Mirams left the NFU and founded the Pacific Film Unit. A year later he went to China where he worked as a journalist and was an eyewitness to the fall of Shanghai. He left in 1950 for London where he returned to film production and later made his name as a television script writer.
Tama Poata's wide-ranging contributions to our culture can be glimpsed through his appearances on-screen: from campaigns for Māori land rights (in 1975 doco Te Matakite O Aotearoa) and against the Springbok tour (Patu!), to his many acting roles. He also directed documentaries and wrote landmark 1987 movie Ngati, the first feature written (and directed) by Māori.
Director and producer Oxley Hughan began directing for the Government's National Film Unit during World War II. In the 60s he moved into producing, working on another 120 plus films before his retirement in 1967. Hughan passed away in January 1992.
Claude Wickstead started working at the Government Film Studios in 1938. After serving in WWll, he joined the National Film Unit’s sound department, where he contributed to the soundtracks of a great many films including the long-running series Weekly Review and Pictorial Parade. He was in charge of the NFU Sound Department from 1951 until his retirement in 1977.
Welsh-born James Harris played an important role in the founding of the National Film Unit in 1941. A well-educated, versatile filmmaker equally at home behind the camera, operating a splicer or wielding a pen, he spent 26 years with the NFU, mostly as a senior director. Photo credit: Archives New Zealand, reference AAQT 6401 A23,729