Trailblazing broadcaster Shirley Maddock, ONZM, was making and presenting television in 1960, when the medium first began in New Zealand. After doing theatre in London and radio in New York, she went on to produce and present a series of documentaries in her homeland, and wrote a bestselling book to accompany 1964 series Islands of the Gulf. Maddock passed away on 10 October 2001. She was 72.
John Shrapnell began working in New Zealand television in the 1960s. His career as a journalist, reporter, director, editor, producer and actor spans nearly half a century.
Welsh-born James Harris played an important role in the founding of the National Film Unit in 1941. A well-educated, versatile filmmaker equally at home behind the camera, operating a splicer or wielding a pen, he spent 26 years with the NFU, mostly as a senior director. Photo credit: Archives New Zealand, reference AAQT 6401 A23,729
Director and producer Oxley Hughan began directing for the Government's National Film Unit during World War II. In the 60s he moved into producing, working on another 120 plus films before his retirement in 1967. Hughan passed away in January 1992.
Jamie Selkirk is the Academy Award-winning editor of Return of the King, the final episode of the Lord of the Rings trilogy. His working relationship with director Peter Jackson stretches from Jackson's first feature Bad Taste through to the present day. Selkirk helped found special effects company Weta Workshop, and Wellington's Camperdown Studios.
A passionate advocate for Māori creative control, director Merata Mita (1942 — 2010) chronicled landmark moments of protest and division in Aotearoa. Her work included Patu!, a documentary on the 1981 Springbok tour, and Mauri (1988), only the second feature to have a Māori woman as director. She features in documentaries Merata: How Mum Decolonised the Screen and Merata Mita - Making Waves.
Throughout his 50 year career, John O’Shea was a pioneer and a champion of the independent New Zealand film industry. His name was synonymous with Pacific Film Productions, which he ran for over 20 years after Pacific founder Roger Mirams left for Australia. O’Shea was involved in the establishment of the New Zealand Film Commission, Ngā Taonga and the Wellington Film Society.
Alun Falconer started his film career at the National Film Unit in 1946. Early in 1948 he and cameraman Roger Mirams left the NFU and founded the Pacific Film Unit. A year later he went to China where he worked as a journalist and was an eyewitness to the fall of Shanghai. He left in 1950 for London where he returned to film production and later made his name as a television script writer.
The long career of Stan Wemyss ranged from South Pacific skirmishes to Māori legends, and gleaming refrigerators. Winner of an MBE after getting caught up in combat in Bougainville as a National Film Unit cameraman, Wemyss later spent many years with commercials company Peach Wemyss. He also produced pioneering te reo TV drama Uenuku.
Hugh Macdonald began his long, award-studded career at the National Film Unit, where at 25 he directed ambitious three-screen spectacular This is New Zealand (1970), which was seen by 400,000 New Zealanders. In the 80s he produced Oscar-nominated short The Frog, the Dog, and the Devil and established his own company, continuing a busy diet of commercial films, train documentaries and animation.