Actor Frank Whitten first won attention in 1984, playing the enigmatic farmer in Vincent Ward's breakthrough feature Vigil. Later he was known to many for his role as the Southern Man in the Speights "onya mate" commercials, and his ongoing appearances in Outrageous Fortune, playing the manipulative grandfather to the West clan. He died in February 2011.
Ernie Leonard spent time as a soldier, a railways clerk and public relations officer. His first television job was as an actor on Pukemanu, and he became a household name co-presenting wrestling show On the Mat. In 1986 Leonard became the first head of TVNZ's Māori Programmes Department. When he retired, a search of the TVNZ Archives database yielded 38,000 references to him or programmes he'd been associated with.
Mark Lapwood began a career of taking pictures at his local newspaper in Palmerston North. At 20 he relocated to Sydney, slowly working his way up the ladder to become a cinematographer. Graduating from the Australian Film TV and Radio School in 2000, he shot his first feature soon after: Indian drama Maya. Three years later he was based in India and filming across the globe. Lapwood returned to NZ in 2011.
Graeme Tetley began his long scriptwriting career with Vigil, one of the most acclaimed New Zealand films of the 1980s. He went on to co-create police show Shark in the Park, collaborate extensively with director Gaylene Preston (Ruby and Rata, Bread and Roses), and co-write Out of the Blue, the story of the Aramoana massacre. Tetley passed away on 13 March 2011.
David Brechin-Smith is an award-winning screenwriter. Nominated for Lovebites and The Strip, he won awards for The Insider's Guide to Happiness and prequel The Insiders Guide to Love. He created and wrote drama series The Hothouse and worked on thriller series The Cult. Teen comedy-drama series Paradise Café and movie The Hopes and Dreams of Gazza Snell are also among his credits.
Director and photographer Kerry Brown's extended résumé of images began when he was a teenage skateboarder, snapping shots of skater culture. Having directed iconic music videos for many legendary Kiwi bands, including Crowded House (Four Seasons in One Day) and The Exponents (Why Does Love Do This To Me?), he now works as a stills photographer on movie sets across the globe.
Producer Fiona Copland is noted for quirky and ambitious films, many of them made with first-time directors. 2009's The Strength of Water won praise at festivals in Rotterdam and Berlin, while multi-stranded narrative feature Matariki arrived in New Zealand theatres in 2010 via the Toronto Film Festival. These days she is part of company Field Theory, with producers Philippa Campbell and Tim Sanders.
The CV of editor Jeff Hurrell splices TV documentaries — often alongside director Bryan Bruce — with a run of short films, including 2011 award-winner Lambs. The short film work lead to him editing debut features for directors Jason Lei Howden and Paul Campion, Deathgasm and The Devil’s Rock. Hurrell also cut the high profile Born to Dance, and runs Wellington production house Martin Square.
Ash Turner is a production designer and art director with over 20 year's experience contributing to award-winning features and television dramas, plus short films, commercials and live events. His work includes design for the films Snakeskin, A Song of Good, and Planet Man, as well as award-winning TV drama Ngā Tohu: Signatures.
Xavier Horan is best known for Westside — thanks to multiple seasons playing Phineas O'Driscoll, the largest and slowest of a group of career robbers. Horan was nominated for NZ Screen Awards for two of his earliest acting turns: as a yuppie with no time for family, in Toa Fraser film No. 2, and South Auckland TV drama The Market. The ex boxer has gone on to play criminals (Tai Scott on Shortland Street, the gangleader in Alibi), fathers (family movie Kiwi Christmas), sportsman Sonny Bill Williams (in TV film The Kick), and various shades of fighter (te reo action movie The Dead Lands, urban drama The Last Saint.)