Vanessa Alexander attracted attention as a rookie director with her low-budget feature Magik and Rose. Since then she has compiled an impressive list of achievements as a producer (Being Eve, Cargo), director (the opening episodes of Outrageous Fortune and Agent Anna) writer (Love Child), script editor, and lecturer. These days Alexander works in Australian television.
English-born Leo Woodhead moved downunder as a teen. In his final year of a film masters at Auckland University, he went to the Czech Republic and made Cargo, a short about human trafficking; it premiered at the Venice Film Festival. Follow-ups Zero and Cold Snap also explored troubled young protagonists, and were invited to prestigious festivals. Woodhead directs commercials in New Zealand and internationally.
Tying David Stevens' career down to a single nation or genre is a challenge. Stevens grew up in Africa and the Middle East, studied acting in the UK, then began his screen career in NZ. In 1972 he directed award-winning drama An Awful Silence, then moved to Australia. There he was Oscar nominated for co-writing movie Breaker Morant, and forged a busy career directing (A Town Like Alice) and writing (The Sum of Us).