British-born Malcolm Hall moved from newspaper journalism into television, after emigrating downunder. Since then his career as a producer and director has seen him helming current affairs, comedy, children's TV, and varied documentaries which have screened around the globe. At the turn of the millennium, Hall began making television for company NHNZ.
Tony Isaac played a major hand in creating some of the key TV dramas of 1970s Kiwi television. He produced New Zealand's first continuing television drama Pukemanu, co-created Close to Home, our first soap, and was one of the main forces behind The Governor, arguably the most ambitious TV drama yet made on New Zealand soil. Isaac passed away in May 1986.
Legendary filmmaker Rudall Hayward, MBE, directed seven features over five decades — decades in which the concept of Kiwi movie-making was still an oxymoron, or meant a foreigner was in charge. Inspired by NZ’s cross-cultural history, Hayward remade his own Rewi’s Last Stand in 1940. Later he married Rewi star Ramai Te Miha, launching a filmmaking partnership that lasted until Rudall’s death in May 1974.
Julian Dickon’s place in New Zealand screen history would be secure thanks to just one show — groundbreaking 70s drama series Pukemanu, which he created. Dickon also wrote a number of early plays for television, and went on to write drama, documentary and children’s show Sea Urchins. Dickon passed away on 3 April 2015.
Keith Aberdein is probably best known for playing the small-town policeman who arouses Bruno Lawrence's ire, in Kiwi screen classic Smash Palace. But his screen work covers almost every angle: from covering the Wahine disaster as a reporter, to directing, to writing scripts for some of the most ambitious television dramas of the 1970s.
Michael Noonan is a legend in New Zealand scriptwriting, and not just because he was amongst the first to prove you could actually make a living at it. Creator of landmark New Zealand shows The Governor and Close to Home, Noonan's work has often explored ideas of power and social injustice.
Keith Hawke was behind the camera on landmark TV series Tangata Whenua, and many other productions besides. In the 80s he reinvented himself in Asia as a director/producer of television and corporate videos, working in Hong Kong, Singapore and Malaysia.
Since cutting his teeth on 1978 soap Radio Waves, Mike Smith has built one of the longest directing CVs in local television, winning awards en route for both drama and comedy. In 2005 he produced the debut season of Outrageous Fortune, and played a hand in its casting. He has also created or helped create shows Heroes, hit comedy Willy Nilly, The Lost Children and campground comedy Sunny Skies.
The son of legendary Pacific Films producer John O’Shea, Rory O’Shea made his mark as a camera operator and lighting cameraman of sensitivity and skill. His artistically-composed images complemented and enhanced the vision of key collaborators like directors Tony Williams and Barry Barclay.
After starting in radio, Joanna Paul-Robie has gone on to stints as an actor, high profile TV3 newsreader, and television executive. From 2002 to 2004 she was General Manager of Programmes and Production at Māori Television.